Sunday 27th July 2025
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Review: Don Giovanni

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Premiered in 1787 in Prague and in the Habsburg court in Vienna, Mozart’s Don Giovanni offered a biting social comedy. Breathing new life into a tired folktale of the legendary lecher, the comic opera is a whirlwind snapshot of the crumbling feudal order,and a satiric take on the foibles and violations of the feudal aristocracy. With an eye to a “reinvigorated” modern retelling, the Oxford Alternative Orchestra, headed by the ever-formidable Hannah Schneider, offersan accessible and thoroughly enjoyable performance.

We open at the scene of Don Giovanni’s attempted break-in and rape of Donna Anna, who murders her father. What follows is the attempted continuation of this ‘master lecher’s’ adventures, a series of attempted botched ‘seductions’ and run-ins with an abandoned former ‘conquest’. Narrowly avoiding former lovers and the odd lynching attempt, his luck runs out as he invites the shade of his victim the Commendatore to dinner. Unrepentant and unwilling to reform himself, he is torn to shreds and dragged into hell.

Dominating the Opera are the performances of Donna Anna (Holly Brown) and Donna Elvira (Beatrice Acland). The two female leads balance one another and complement the dual roles of the abandoned and psychologically tortured lover and the furious coloratura. Acland delivers a compelling portrait of the abandoned lover and tragic figure of Elvira. Heropening aria vowing vengeance to track down her lovercontrasts her performance shortly before the Don’s timely end. Over the course of the Opera her character is worn down and ruined with the pressures of honour, the cruel torments of the Don;she ends on her knees before him, pleading for both his love and reform. Brown is the picture of retribution and wrath;far from being the Don’s victim, she pursues him relentlessly throughout marshalling her lover and the whole village to bring him to justice.

The two–together with Zerlina and the interaction with their lovers following their run-ins with the don–reflect the insidiousness around sexual assault. Relationships threaten to be torn apart;the women are branded as mistaken, liars and whores, especially when challenged “by the word of a Gentleman”. Though the love arias of Ottavio (Dalla sua Pace/ on her own peace depends my own), charmingly sung by Alex Gebhard, the gaping distance between the two and the caveat “I must either disabuse her or avenge her” make apparent the limits of female agency and the relationship between Ottavio and Anna,especially her dependency on his believing her to secure her revenge.

As for the Don and his hapless servant, Charles Styles and Chris Murphy are an engaging and rakish duo. On the surface is the ‘charm’ of a Lothario,with the comic asides and improbable lines“I can smell woman”, “Such is my generous love, I have space for all women in my heart”. Styles is a commanding presence playing the burnt-out cad, defiant to the end. My personal favourite, though, isLeporello, with his endearing commentary on the state of affairs and his master. He is quite the sad figure, although claiming to be there for the money and occasionally pleading with his master to reform himself, he is in the end as much a victim and watered-own copy of his master.

I am quite fond of the traditional heavy bass of the Commendatore, and while the woollyand smooth baritone of Peter Steer did confuse me at first, it is a pleasing alternative.  Backed by the thundering trombones and minor chords of the final dialogue, he finishes the job splendidly while commanding a posse of demons to drag Don Giovanni to his grisly end.

It could be argued that the wartime set chafed with the opera somewhat, the modern element not being wholly emphasised, yet symbolically the set assists with the overall arc of this contemporary retelling. Where the Don Giovanni myth as said by Adorno depicts “the summit of a pass between two eras”, the triumph of bourgeoise morality works in contrast to hollow noble licentiousness. Instead this may be said to reflect the unchanged and corrupt state of moral affairs. Mozart set out to satirise and subvert, showing a changed order- nobles being brought to heel for their crimes and the ideal of equal love between mankind.

For a mainly student-based production, this is a talented and intelligent take on what is sometimes a stale staple of the repertoire.

A Tale of Two Department Stores

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It is both the best and worst of times for the complex relationship between retail, ethical/sustainable clothing production, and technology. A staggering number of stores that were everyday go-tos have either shuttered their doors or massively scaled back their operations due to the convenience of online alternatives and an inability to keep pace with the ever-accelerating rate of change within the fashion world. Simultaneously, the intersection of technology and fashion allows bloggers, influencers, and online style updates to democratize the industry with their own editorials and introduce unique perspectives. While e-commerce requires fleets of gas-guzzling trucks to deliver packages wrapped in cardboard, fortified in bubble wrap, and sealed in plastic, there are a number of designers who combat this aspect of online retail through sustainable manufacturing. They actively work to minimize their environmental footprint and to better serve their community, often making ethical production a component of their platform. Nowhere is the crossover between eco-conscious operations and technology in fashion better exemplified than the divergent trends of Barneys New York and Neighborhood Goods. Although the two department stores might have been merely forty blocks away from one another, they operate(d) with very different agendas. 

In August, Barneys New York filed for Chapter 11 bankruptcy with over $100 million in debt. Among Barneys’ main financial woes were significant rent increases and a decline in sales. If Manhattan could be encapsulated in a store, then Barneys was the place: dazzling ensembles assembled with the speed of a Wall Street trade; the store’s unapologetic luxury and trendsetting style served as a sartorial symbol for the city itself. Once a department store that led the vanguard for fashion in the United States (introducing Americans to the likes of Armani, Azzedine Alaia, Christian Louboutin, and Commes des Garçons), in recent years, Barneys lagged in terms of innovation and in response to evolving consumers tastes. With the fall of one of Manhattan’s most cherished brick and mortar retailers, technology claimed another fashion victim. Barneys was not alone. In 2019, Forever 21 declared bankruptcy, Karen Millen closed all of its stores (Boohoo Group acquired the online business rights to the label and its designs can be found exclusively on the web), Debenhams closed 22 stores, Topshop closed all of its US stores, and L.K. Bennett closed 15 stores. The jobs lost due to these closures are just one significant impact of the tech-fashion relationship.

Online luxury providers Net-A-Porter and Moda Operandi afford consumers access to sustainably and ethically produced merchandise and constant fashion updates through newsletters (Net-A-Porter features Porter and Moda Operandi provides The Edit). In addition, their content is available to consumers in one de-centralized forum for fashion, allowing for price comparison and increase in optionality. Although Barneys, too, was a one-stop-shop for fashion’s biggest names, the department store could not showcase an entire outfit assembled on one model as did its online competitors nor did it meet the demand for ecology-conscious fashion. Net-A-Porter is entirely fur-free while Barneys had a fur salon; The RealReal enables customers to uncover consignment items with the same designer appeal as Barneys’ merchandise but for less. Furthermore, unlike the de-centralized shopping atmosphere of the internet, Barneys was situated in affluent neighborhoods, which precluded any possibility of an egalitarian realm for browsing and potential purchasing. These same retail locations that took such a grave toll on its earnings (in January of 2019, the rent of Barneys’ Madison Avenue flagship jumped from $16 million to $30 million) hindered the retailer’s ability to stock the latest season’s merchandise and return profit to its vendors, underserving the elite to whom they expressly catered and the fashion community of which they considered themselves apart. Even when Barneys set up shop in Downtown New York City in 2016 to update their image, the store was still unable to shake the stigma of elitism that influencers and online retailers alike – whether luxury, streetwear, or a combination of the two – have defied. 

If 2019, claimed more high-profile victims in traditional retail, the sustainability crisis in mass-market online retail also came to the fore. The rise of Instagram influencers demands fast and frequent turnover of fashion lines so that a social media personality’s content is most up to date with trends. No brand is more recognized for rapid merchandise output than Fashion Nova, whose garments are stitched together by a workforce paid “illegally low wages” according to The New York Times. The new normal for fast-fashion brands of producing anywhere from 12-24 lines a year not only means that more artisan retailers scramble to keep pace with the ever-changing trends but that working conditions are sub-par, countless items are shipped using planes, trains, and automobiles every day, cheaper materials that leave a severe carbon footprint (like polyester) are employed, and vast amounts of surplus clothing are landfilled. In fact, Business Insider reports that “the equivalent of one garbage truck full of clothes is burned or dumped in a landfill every second.” Yet, as options for the all-in-one shopping experience that the High Street and department stores provide dwindle, consumers are driven to fast fashion brands that cater to social media demands but exploit workers and pollute the environment.

International demand for ethical and sustainable manufacturing has begun to give rise to corporate accountability. Until recently, one might have included Zara in the list of retail titans without an environmental conscience. While Vox reports that the company has undeniably damaged its surrounding biomes and paid its workers sub-poverty wages, Zara’s parent company, Inditex, announced in July that they would employ 100% sustainable cotton and 100% recycled polyester and have 80% renewable energy in all of their facilities before 2025. Although this in no way compensates for the past havoc the brand has wreaked upon the environment, it does pressure other fast-fashion brands to improve upon their environmental footprint – if for no other reason than customers will look elsewhere if companies do not conduct themselves along the lines of a more ecologically conscious code. 

Better still, certain smaller brands instill conscious production into their culture from inception. Unable to find quality outerwear that was both well insulated and animal friendly, James Yurichuk, founder of Wuxly and Canada native, designed his parkas that use “military-grade PrimaLoft Gold Insulation that outperform traditional down-filled outerwear.” The brand is Peta-certified, produced locally in Canada, and made of long-lasting and entirely recyclable materials. A more well-known eco-friendly label is Reformation. Although, the brand provides style at a slightly higher price point than most fast fashion outlets, ethical and sustainable production has been a cornerstone of the brand’s platform since its founding and remains inextricably linked to its popularity. For example, 100% of the workers in their LA factory earn “living wage,” shoppers are provided with a Refscale that breaks down the environmental impact of each item, and the label’s packaging is comprised of 100% consumer waste materials. Understanding that environmental awareness is a priority for their clientele, Reformation also sends an email to customers at the close of the year with the amount of water, carbon dioxide, and waste shoppers have saved with their purchased items.

Enter Neighborhood Goods. A new department store with a new mission. Neighborhood Goods has two locations: a flagship in Plano, Texas outside Dallas (a state and city synonymous with oil and gas) and a store in Chelsea Market, New York (a neighborhood market that houses food stands with a global view, small artisan shops, and vintage spots). On their web page, the store has a section called “Stories,” in which they spotlight sustainably and ethically conscious brands. One of these is Emory Bee that sources sustainable and vegan fabrics to fabricate classically tailored and youthful silhouettes. The store even fosters its own social network of sorts by investing in communities, featuring its own employees’ style preferences and goals for 2020 on their website (as Goop has done), and creating a forum for joint experience through their boutiques. It hosts events that range from cooking classes to yoga lessons to trunk shows and works to make its spaces inviting: in the New York store, there is a healthy-minded café, Tiny Feast, and an aesthetically tantalizing lifestyle section in which there is an entire corner dedicated to Taschen gems. Neighborhood Goods writes: “We’re reshaping the notion of department stores and physical retail to foster a new culture around shopping and the experiences therein. We’re building beautiful, social spaces, featuring amazing food, drinks, events, live speakers, and more.”

While the era of traditional luxury in-store shopping represented by Barneys New York may be coming to close, a new department store experience that can both meet the ever-shifting landscape of social media fashion and take on ethical and sustainable goals takes its place. Neighborhood Goods places its finger to the wind and shape-shifts its approach to style based on the consumer and not the other way around. Whether in Plano, Texas or in Chelsea Market, one enters an atmosphere of inclusivity with the understanding that store items have been carefully curated. They are displayed on the floor because they look fantastic and, better yet, are fantastic for the environment.

Modi’s India: Division Over Democracy

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“If we all get together, there won’t be a detention centre big enough for us. Maybe there will be a day when this government will be in a detention centre, and all of us azad (free). We won’t back down,” shouts Arundhati Roy, Booker prize-winning author, outside of Delhi’s Jamia Milia Islamia University.

For months, protests have erupted across India over a new citizenship law: the Citizenship Amendment Act (CAA). The act, which allows the expedited citizenship of migrants who have fled from neighbouring countries, has brought scores of people to the streets to challenge its prejudice against Muslims. Protestors reciting the preambles of the Indian constitution across the country contend the CAA works to demote Muslims to second class citizens, contrary to India’s promise of justice, equality and fraternity. Demonstrations have been met with harsh police crackdowns and resulted in international outcry; it appears to all that the sanctity of human rights has been cast aside in the world’s largest democracy.

On the eve of India’s May Election, the Oxford Union held a No Confidence debate on the Indian Government. The overwhelming ruling was that Narendra Modi’s Bharatiya Janata Party (BJP) inspires little confidence for the fate for civil liberties in India. I was asked to speak in defense of Modi – a young, Pakistani student (though the Internet insists I am a 29 year old British-Pakistani diplomat) finding a new perspective from which to defend Pakistan’s number one enemy.

The response to my debate was inconceivable: Sound-bites of my speech reached Indian media channels , omitting any criticism of this political pariah’s human rights record. I still receive messages today from young BJP supporters who thank me for telling the world that Modi is not an evil-Muslim hating villain, but instead a Hindu hero. The most uncomfortable element from these floods messages, above personal comments on my appearance and mannerisms, was undoubtedly the sheer commitment and belief that Modi was ‘doing the right thing’.

As the months have rolled by, it seems the Indian nation has been glaringly confronted with the realties of Narendra Modi – behind populist rhetoric remains a real challenge to the secular, democratic nation India has always aimed to be.

So who is the the man behind this transformation? Narendra Modi’s BJP was re-elected with a landslide victory in May. However, entering their second term in office, Modi’s Hindutva (Hindu nationalism) policies continue to sow the seeds of division within Indian politics. Antithetical to Nehru and Gandhi’s wish for secularism in the state of India, the BJP asserts the importance of a superior, Hindu identity.

Grown out of the ranks of the right-wing, nationalist, paramilitary organisation of the RSS, Modi gained notoriety as the Chief Minister of Gujarat in 2002. During his tenure, Modi presided over a mass communal bloodletting that left two-thousand people dead and the demography of the province irrevocably changed. Reports saw mobs of Hindus yelling ‘Take revenge and slaughter the muslims!’, as eyewitness accounts testify to mass-rape, the dismemberment of pregnant Muslim women, and one elderly member of the opposition party – the Indian Congress – paraded naked and set on fire. Many of the surviving Muslims were corralled into slums and remain in ghettoes, such as the Ahmedabad dump, today. As Chief Minister, Modi was accused of turning a blind eye to the religiously-motivated riots, resulting in a nearly decade long ban on travel to the US and UK.

Yet, apologies from Modi were far and few between, as he expanded his Hindu nationalist base whilst simultaneously taking on more palatable policies for the West and the average Indian. Modi’s bravery in confronting previously un-confronted policies such as public defection and male responsibility for gang-rape allowed his party to soar to the top – winning his first national election in 2014. Elected on a platform of economic stability (as his term in Gujarat was under relative prosperity) and sectarianism, Modi has actively worked to change the secular ethos of India. The controversial CAA and its equally worrying relative, the National Register of Citizens (NRC) are the latest of many policies to do so. 

The NRC is a register maintained by the Indian government containing the identification of citizens residing in the state of Assam. Beginning as a project to identify illegal immigrants within the state, the NRC requires residents to procure land deeds, birth certificates, and other documents to prove their lineage within the country. India’s Home Minister, and Modi’s righthand man, Amit Shah, declared in November that the NRC will be implemented across the country. In Assam, around 2 million individuals failed these citizenship tests – many of them Muslim.

Documents of this sort prove hard to supply, particularly in rural, impoverished areas. For women, the task is made even more difficult. In the region of Goroimari, none of the twelve required documents were available to large numbers of local women. Birth by midwives in rural areas complicates the prospects of having a viable birth certificate. Likewise, marriage registration is infrequent due to large numbers of underage marriages, and women often do not possess property under their own name. As one woman told The Wire in November, “My father’s name is in the 1951 NRC. My brother used the same legacy data of my father and is in the final NRC but I am out…My name was also not in the final draft. When I was called for re-verification, I gave my paternal family’s ration card where I am mentioned as my father’s daughter. Yet, I am out of the NRC.”

The fate of those deemed stateless is dire. Reports say there are destined to be sent to detention camps such as one in Karnataka. Though government officials stress the construction of these detention centres is unrelated to the NRC, anxiety over Assam’s citizenship tests has driven many, including a Muslim veteran of the Indian army, to suicide.

Hindus were not excluded from the NRC, a large number of immigrant Bengali Hindus (a large BJP voter faction) were deemed illegal as well. This was almost a strong defensive to Modi’s assertion that his policies are entirely above-the-line, yet, for those originally unlucky Hindus, fate has taken a different course with the passing of the CAA. The CAA and the NRC taken in tandem highlight the calculated and systemic destruction of Muslim rights. At face value, the CAA seems to take on humanitarian form: it allows for migrants who fled religious persecution in neighbouring states a fast-track to citizenship in the haven that could be India. In reality, underneath the noble façade lies a corruption of the very ideal: all religions are welcome, ‘all’ except followers of Islam.

The Modi government’s defence is simple: the neighbouring countries (Pakistan, Afghanistan, Bangladesh etc.) are Muslim majority countries, so those fleeing from persecution will enviably be non-Muslim. However, Modi’s government conveniently casts aside the existence of Uighurs fleeing China, Rohyingas trekking across Bangladesh, and Ahmadis leaving Pakistan. All are Muslims sects that are continuously being persecuted and in need of asylum abroad, all are denied sympathy in the CAA. The CAA seen intertwined with the NRC paints an even more insidious picture: those excluded from the citizenship registry can seek recourse to stay in India through the CAA – unless they are Muslim.

At the face of criticism and the eruption of protests, Modi tweeted: “We in India are deeply motivated by Gandhi Ji’s emphasis on duties in addition to rights.” Through this, he attempts to take the focus away from the blatant destruction of civil liberties. He stressed to the protestors that duty to the state is more important, but he fails to realise that the protestors are demonstrating precisely out of this duty. Recitations of the constitution, chants of the national anthem and millions of raised Indian flags signal that this is a question of patriotism for the Indian people. But the question remains, will Modi be able to enforce his ‘duty’ over the Indian nation’s rights?

Students at Indian universities appear to be the standard bearers against the BJP’s Hindutva policies. Nightmarish clashes in the Jawaharlal Nehru University (JNU), the Jamia Millia Islamia (JMI), and the Aligarh Muslim University (AMU), have turned these bastions for the protection of civil liberties into battlefields.

Peaceful protests have been met with harsh counter-measures, many of which, including police brutality are entirely extraconstitutional. At an encounter at JMI, five brave women were recorded on a widely disseminated video defending an unarmed male student against police officers beating him with wooden sticks. A history professor at the institute writes: “in the middle of December, Delhi police tried to shut down protests against the religiously discriminatory Citizenship Amendment Act by canning Muslim students into submission.”

In January, an attack on JNU saw the failure of the Delhi police, not through action, but inaction. Masked men carrying sticks, rods and glass bottles entered the building in the early evening injuring 18 students and a professor. The students believe these men belonged to the ABVP, a right-wing student organisation linked to the aforementioned Hindunationalist RSS. Aishe Ghosh, JNU’s student union leader, suffered serious injuries to her head, while the police remained absent. India Today reported that Ghosh alerted the police of the masked men at 3.00 p.m. but they did not send reinforcement until 7.45 p.m.

Cross currents of information, insults slung across the aisle, and denial of the victim’s trauma by the BJP has marked the event in the Subcontinent’s psyche. To make matters worse, following the events, the police identified a multitude of suspects: one of which is Ghosh, whom ABVP members claim organised the entire occasion. Ghosh, who still sustains injuries from the attack, refutes the charges and states that the Delhi police should make public whatever proof they claim to have.

Students across the world stand in solidarity with those in India fighting for their freedoms. Protests spanning the world from Los Angeles to Karachi show that the South Asian diaspora and beyond are committed to make the world see the atrocities occurring in Modi’s India. Right here in Oxford, on the 26th of January students will convene to celebrate India’s Republic Day with a demonstration against the CAA, NRC and its extension. When asked what drove the organisation of the protest, Gurmehar Kaur answered: “Imagine if the police were to walk in our campus here at Oxford and start manhandling students, throwing teargas shells in the libraries, breaking down windows and physically assaulting students – how abnormal would that be? We organised the protest to register our dissent so this kind of assault by the state on its university students is not normalised back in our countries. As students here, most of us have previously been students in the same spaces in India that are now under threat by the Modi government, we have a responsibility to stand in solidarity with our student fraternity.” Evidently, there are strong forces fighting for safety of civil liberties in India across the globe.

With that said, violent encounters in Assam have taken on a different, more brutal expression. The Northeast provinces presents a bleak reality of true division underneath those fighting for unity. In Assam, the issue of illegal immigrants fuelled protests for years in the early 1980s, partially dirven by citizens realised a swing in voting was in direct accordance with the large numbers of Bangladesh immigrants, who fled from oppression in East Pakistan. 

Much of Assam welcomed the NRC, and saw it as a chance to rid the state of illegal immigrants who had come in within that period. The CAA, on the other hand, is seen as a betrayal of the governments commitment to shed the burden of the ‘illegals’: they worry it, instead, opens the floodgates to hundreds of thousands of Bangladeshi immigrants burdening the resources and threatening Assamese language, culture and recourses. Assam appears to care less about the exclusion of Muslims: they simply want no one else to enter, be it Hindus, Muslims or otherwise. Nativist sentiments ride high in the loudest protests against the CAA – a worrying dimension of the patriotic backlash against the BJP.

In this vein, human rights seem to be in an expedited decay. Protests are still met with police brutality, internet shutdowns (India is the world’s leader in number of internet shutdowns last year) and the enforcement of colonial-era Section 144 of the Criminal Procedure Code. The antiquated Section 144 makes it illegal for more than four people to gather in one place, and has been instated by Chief Minister Yogi Adityanath, to crush dissent.

India is torn in between true democracy and exclusionary rhetoric. Communalist weeds, alongside a heightened drawbridge approach to immigration, continue to spawn and challenge the secular, liberal framework Nehru-era Indians aspired to.

Not all hope is lost: Modi has attempted to suggest that the protestors are aggravated seditionist Muslims, but there are many beaming examples of inter-religious solidarity. Protests at the heart of Delhi in Shahida Bagh illustrate a multi-faith consensus, where ”Sikhs did their kirtan, Muslims offered namaz and Hindus performed a havan, all at the same time, to say that the protest against the CAA and the impending National Register of Citizens is not a religious one at all”, as The Wire reports.

The Indian Supreme Court is set to rule on the legitimacy of the CAA later in January, but as it stands, some lower courts reflect the sentiment of a secular, democratic India. In the bail hearing for one protest organiser, Bhim Army Chief Chandrashekhar Azad, this sentiment shone through. At the face of the prosecutor denying the permission of the defendant to protest, the Tis Hazari Sessions Judge Kamini La stated:“What permission? The Supreme Court has said repeated use of Section 144 is abuse. I have seen many people, many such cases, where protests happened even outside Parliament. Some of those people are now senior politicians, chief ministers.”

Moreover, some evidence shows the BJP appears to be losing its hold over the Indian public, as trouble over the CAA and a sinking economy shows a supposed reversal in the popularity that won them the landslide in May. The loss over state elections in Madhya Pradesh, Rajasthan, Chhattisgarh, Maharashtra and Jharkhand signal a challenge for the BJP and their sectarian policies.

The constitution-chanting protestors, many of them young, working class, some female, show an India that is slowing pulling together the canyons created by the BJP and their divisive politics. Glimmers of hope underneath the overwhelming sense of despair at the state of India’s democracy do shine through, but the fact remains that this may not be enough. Every second day, another message from an Indian man fascinated by the Oxford Union’s politics forces me to doubt that India is close to the reckoning required. As we wait for the Supreme Court’s ruling on the CAA, Modi and the BJP reside over a humanitarian crisis. India – one of the most populous nations and the largest democracy in the world – is set to enter the later half of the century as a superpower. Yet, as it moves from developing to developed, the necessities of true democracy cannot be ignored. All of the Indian people must commit to patriotism and love for their country in a unifying, not divisive, manner. 

150 years of rugby at Oxford

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Oxford rugby dates back to the sports infancy. As many will know, the Oxford University RFC is one of the most renowned amateur clubs in the world. It was founded in November 1869, over a year before the start of the Rugby Football Union’s creation, the governing body for rugby in England. This highlights the tradition of the sport at Oxford, demonstrating the key role that the university has had in its popularity. 

OURFC has witnessed the various changes that have been made to the game in the last 125 years. William Web Ellis, a student at Brasenose College in 1825, is thought to be the inventor of the sport. This view comes down to his disregard for the rules of football as a student at Rugby school in 1823. According to legend, he lifted the football up and ran with it, thereby constituting the characteristic movement of the sport. This is why the international committee named the rugby world cup the “William Webb Ellis Trophy”. The notoriety of the sport travelled quickly from Rugby to Oxford and Cambridge. The first university match was played in 1872. From there, graduates took the sport to other British schools which eventually allowed it to grow to an international level. 

Since 1869, there have been over 300 Oxford rugby players who have gained representative international honours. Among them are many famous players coming from the university: Phil de Glanville (former English rugby union player), Joe Roff (Australian rugby union footballer), Anton Oliver (former New Zealand rugby union player), Simon Halliday (former English rugby union international), Gareth Baber (former Welsh Rugby footballer), David Kirk (former New Zealand rugby union player; won the Rugby World Cup) and Rob Egerton (Australian international rugby union player; he won 9 caps for the Wallabies in the space of 13 weeks) to name a few. These examples testify to the tradition and power of rugby at Oxford. 

It would be wrong to neglect mentioning the genesis of women’s rugby at Oxford, which began in 1988. Since then, annual matches have been held against Cambridge University WRUFC. The 20 Varsity victories in comparison to the 13 from the opposition speak to the strength and capacity of the women’s team. In 2015, the OUWRFC joined up with the OURFC to become the ‘Oxford University Rugby Club’. Sue Day (former England captain; has won 59 England caps) and Heather Lawrence (founder of women’s rugby at Oxford) are just two examples of notable players coming from the women’s side.

To sum up, Oxford University is a breeding ground for Rugby talent. 150 years not only marks a triumph for the university, but also for the sport, attesting to the interconnected relationship that they share. Here’s to many more years of rugby at Oxford, with the hope that sporting legends will continue to be fostered in the place where the sport truly took off. 

Review: Dustin Lynch’s Tullahoma

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After an initial scan through the track-list for Tennessee-born country artist Dustin Lynch’s Tullahoma, you could be forgiven for presuming this is going to be a fairly standard, perhaps even predictable, country album. With names like ‘Momma’s House’, ‘Dirt Road’, and ‘Little Town Livin’’, the songs set the scene for this interpretation pretty well.

Or so you think. It’s clear from the very moment that the first chorus hits that the album isn’t going to be all back-porch sunsets and whiskey-shooting Friday nights. The album opener, ‘Momma’s House’ is a stormy cry of anguish, with Lynch blinking back the tears as he confesses he would burn his hometown down just to erase the memories made with his ex-lover, if it wasn’t for his ‘Momma’s House’. It could easily sound spiteful and bitter, but instead Lynch delivers it with a sense of complete emotional accountability, and as listeners we cannot help but be drawn in.

‘Little Town Livin’’ and ‘Dirt Road’ tread a more typical country path, following the blueprint that gave Lynch his first number ones with songs like ‘Cowboys and Angels’ and ‘She Cranks My Tractor’. The whole album is a tribute to Lynch’s hometown Tullahoma, and it happily meanders like the Mississippi river through small-town tales of falling in love under the stars, driving an old truck down quiet backroads, and cracking open a cold one with your friends. This wistful imagery, coupled with our storyteller’s raw emotion and charismatic drawl, forms the charming and picturesque backbone to the album.

However, underneath the familiar scenery and ear-worm hooks characteristic of Country music, there’s a certain depth and sincerity that makes Tullahoma especially endearing. He reaches back to tales from his past and present with a sense of vulnerability and honesty that’s hard to come by nowadays. This is especially evident in the way that he displays the movie-moment he had when reconnecting with an old flame on ‘Thinkin’ Bout You’:“Don’t be sorry for calling me up right out of the blue/I was just thinking bout you.” a song on which American Idol runner-up Lauren Alaina adds a striking second verse. He tips his stetson to the greats that influenced him on ‘Old Country Song’: “I’m gonna love you like George Jones loved to drink/Like Johnny loved some June”

Despite not being one of the lead singles, ‘The World Ain’t Yours and Mine’ is a standout. It’s a classic ode to an undying love, with Lynch finding himself planning to keep the relationship in question going until the end of time – until “The world ain’t yours and mine/Like it is tonight”. Part of the allure of country music is the way that it is able to tell a story that evolves into a beautiful, lucid picture over the course of three or four minutes, and Lynch has an eye for detail that adds great colour to his songs. He sings the touching motif, “The paint on the Pontiac’s faded/Got me thinking baby maybe we’ll make it”

The other key ingredient that should go into a good country album is, I believe, to have a happy ending. On his vivid and rich road-trip through through Tullahoma Lynch certainly provides, completing it on a high note. ‘Country Star’ is a joyful tribute to his girlfriend, model Kelli Seymour, before he closes the album with the loved-up and heartfelt ‘Good Girl’ “Still can’t believe I found you/Can’t imagine life without you”.

Lynch is a maestro at lulling his listeners into a false sense of security: taking them down the country lanes that they are used to before infusing what he knows best with refreshing R&B tinges and subtle experimentation. There is an overwhelming theme of nostalgia, but the mood is generally uplifting and heartwarming, carried by his lyrics that are saturated with emotion. The fact that this project opens with the angst of ‘Momma’s House’ only serves to intensify the sense of jubilance as we see Lynch move on from bitter heartbreak to ending the album content and in love.

The setting for Lynch’s new record is his beloved hometown of Tullahoma, but the emotional palette the country hitmaker draws upon is so eclectic and kaleidoscopic that you don’t have to be from Tennessee, the US, or even the countryside to find something in this album that really resonates. The language that Lynch speaks is a universal one, and leaves his listeners with a feeling of much-appreciated optimism.

Samira Ahmed: A Landmark Victory?

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Last Friday, journalist and broadcaster Samira Ahmed won a landmark victory in her case against the BBC regarding equal pay. Ahmed claimed that she was being severely underpaid for her role presenting Newswatch, allegedly receiving £440 per episode of the programme, which she pointed out as was significantly lower than the £3000 per episode enjoyed by fellow presenter Jeremy Vine for his role presenting Points of View.

These claims were followed by a tribunal that came to a close last week, in which the BBC attempted to defend its decision to pay Vine more than Ahmed, by arguing that the difference in pay was due to Jeremy Vine’s “celebrity” status and “market value as a major star”, rather than the fact that he is a man.

This proved to be dissatisfactory evidence, with the tribunal swinging in Ahmed’s favour: as a result of this, Ahmed received the entire pay differential between her and Vine, amounting to a sum of £693,000.

Ahmed’s victory in the case has been hailed as an emphatic one and can be expected to set a precedent for other female broadcasters who claim to have been paid significantly less than their male counterparts for similar work.

However, while Ahmed’s success and victory in this case is something to be celebrated, it is perhaps also necessary to consider what the very fact that this case took place says about the BBC and about the gender pay gap. Samira Ahmed is just one of many BBC employees who have felt that their pay has been unfairly determined based on their sex; fellow broadcaster Carrie Gracie resigned from her role as BBC China editor in January last year citing the BBC’s “secretive and illegal” pay culture as her primary reason for doing so. Looking further back, in 2017, BBC radio host Jane Garvey also spoke out about the issue of equal pay at the BBC, calling on the BBC to “act now” regarding the pay discrepancy and claiming that BBC bosses have “fobbed women off” regarding the issue of the gender pay gap.

Clearly, Ahmed’s case is not an exception, and the BBC, along with many other organisations, has now been publicly revealed to have a serious issue regarding the equal pay of its employees.

One might think, then, that Samira Ahmed’s case, which is arguably one of the most prominent and widely reported of such cases to reach the headlines in recent years, would prompt a change in tone of the BBC with regard to the issue of equal pay. However, the BBC’s reaction and statement regarding the case suggests that it has barely acknowledged the underlying issue at all.

The verdict of the tribunal was that the BBC was unable to provide suitable evidence to show that Vine was paid more than Ahmed because of his celebrity status, to which the BBC responded after the case: “We have always believed the pay of Samira and Jeremy Vine was not determined by their gender … We are sorry the tribunal didn’t think the BBC provided enough evidence about specific decisions.”

We might consider the tone of this reaction to be rather worrying; although the tribunal worked in Ahmed’s favour, this reaction suggests that the BBC has failed to acknowledge the issue of equal pay itself, let alone the magnitude of it, and still holds the view that Jeremy Vine’s higher pay was justified.

As we near the 50th anniversary of the Equal Pay Act, Samira Ahmed’s case shows us that while the issue of equal pay can be corrected on a case by case basis, it remains widespread and all the more pertinent today.

The Ghost of Sanders Past: Jil Sander A/W 2020 in Review

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Since the initial departure of its peerless founder and namesake in 2000, Jil Sander has spent much of the last two decades wrangling with its sense of identity. Erratic financial performances led to several changes in ownership and not one but two messianic returns to the label for Sander herself in 2003 and 2012. The latter came at the end of a seven-year spell with Raf Simons at the helm which had represented something approaching creative stability but had seen the brand headed in a direction increasingly divergent from that restrained minimalism upon which Sander had first built it. Nobody, it seemed, could quite fill her immaculately crafted shoes.

Yet an onlooker could be forgiven for detecting in their Autumn/Winter 2020 menswear show a ghost of collections past. Put on at Florence’s Pitti Uomo, for which they were this season’s guest designer, the vaulted refectory of the magnificent Santa Maria Novella served as a timelessly beautiful setting for some equally age-defying clothes. Heaped mounds of marigolds suffused the scene with an obstinately glowing warmth, not so much a pop of colour as a bath of it, a forecast of the tone-blocked looks which would take to the runway.

The looks: love letters to the most luxurious of creams, the most all-enveloping of blacks, the ruddiest of browns. It’s this mastery over the muted pallet which first strikes you about the collection, a hallmark of classic Jil Sander style; squint and you could still appreciate the impossibly pleasing tonal interplay of every outfit. To do so, however, would be to deprive yourself of feasts of texture, lustrous lapels and crisp cotton and pristine leather. The aesthetics are unimpeachable, the cuts tailored but never stiff. The slouchy suiting is on trend but unmistakeably Jil, with enormous turn-up cuffs piling on to chunky-soled shoes, while the more conventional formalwear is paired with eyeletted hiking boots and vast, blanket-like scarves to throw off the silhouette. The scarves and towering overcoats swallow up those modelling them but never look suffocating, the outfits maintaining a sharp, elongated shape. And indeed, length is a mainstay of the collection, much of the outerwear projecting down to the ankles and the knits to the mid-thigh. Scarves are thrust vertically over the shoulder to draw the eye downwards, but the volume of the pieces ensures that no look ever risks feeling flat or two-dimensional. Razor-straight cuts come off warm and wearable.

There are glinting details in amongst the neutral swathes, too; pearlescent ornaments tied around collars resemble a tastefully minimalist take on the Wild Western style bolo ties the likes of Prada have recently put out in the wake of  Old Town Road-inspired country mayhem, while studded reflective baubles lend some of the latter half of the collection a shot of futurism. Almost every look is accompanied by an eminently practical, unobtrusive, but unfailingly desirable bag, none of which ever feel like anything but an extension of the outfit itself.

Therein lies the triumph of this collection. As much as individual pieces are mixed and matched and used in multiple outfits, the overarching aesthetic vision is so unwavering and so consummately realised that each look gives off the impression of having been visualised as one complete, inseparable unit, while at the same time almost any item in the collection could be paired with any other and produce the same effect. You could build a wardrobe out of these clothes and never look back nor worry about being on trend. For Jil Sander devotees, that’s the justification behind paying prices most of us would balk at for what are fundamentally rather unassuming garments. Those same devotees will have found in this collection and in its auteurs, that is, Luke and Lucie Meier, creative directors since 2017, much of the original spirit of the label they love. Perhaps Jil won’t have to come out of retirement a third time after all.

Cyber security breached at St Cross

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St Cross College experienced a cyber attack on Wednesday, resulting in a loss of internet across the college.

Students were alerted to the situation yesterday after internet services were deactivated.

In a post on Facebook, St Cross said: “We are sorry to report that an IT failure continues to mean the loss of WiFi across the estate. We realise the inconvenience this causes and have an expert team on the case.

“WiFi has now been restored throughout the West Wing on the main site. We will update on progress elsewhere early this afternoon.”

All Oxford students received an email from the University Information Security team shortly after St Cross’s services were dis-activated to outline precautionary steps to prevent a similar attack from happening again.

The Security Team said: “We have seen a rise in phishing emails to staff and students; as well as a malware incident earlier this week that had a serious impact on some parts of the University.

“This activity has now been confined, and there is no indication that personal or sensitive information has been compromised.”

The guidelines to prevent future attacks include installing Antivirus, taking care to be wary of strange emails, and take immediate action if you are affected.

The University have advised students to, in suspicious circumstances, immediately disconnect computers from the network and inform IT support staff.

The Personal is the Political

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He was a boy
She was a girl
Can I make it any more obvious?
He was a punk
She did ballet
What more can I say?
He wanted her
She’d never tell
Secretly she wanted him as well
But all of her friends
Stuck up their nose
They had a problem with his baggy clothes

He was a skater boy
She said, “see you later, boy”
He wasn’t good enough for her

The first date may have gone well. Really well, in fact. They were funny, didn’t offer too many times to cover the bill and compromised to split it with good grace. But throughout, and afterwards, familiar alarm bells are ringing, and you can’t get it out of your mind. A Facebook profile picture: they’re blissfully happy, standing in front of their second ‘country house’ in Kent, leaning down in a dark blue Schöffel to pet their Labrador. And, crucially, across the middle of it the banner “nooo don’t vote tory ur too sexy aha”. (If you don’t get it, I have some bad news for you.)

Joking aside, it’s evidently an issue. If you google ‘Can a relationship survive political differences’, you get 133 million results – if even a quarter of those are actually related to the question, it’s evidently worth talking about. It seems like what we once considered important is changing. More than half of people stated that they have no religion in a survey published in 2019 – perhaps that’s why more and more often people are finding politics to be at the centre of what they value.

Our identity is, at its core, made up of different ideologies – ideologies which in turn inform our political beliefs, and the way in which we view the rest of the world more generally. Speaking personally, as someone who is (formally, at least) on the political fence, I would struggle to have a relationship with someone whose ideological beliefs on subjects that are important to me were fundamentally different to mine. But equally, it’s hard to put it so plainly. Someone may be ideologically distant to me in some respects and simultaneously a person whom I may admire; some people have been. Is it possible to overlook these things? Somehow, I don’t think that strongly disagreeing over the legitimacy of the abortion-rights movement is the same as overcoming a particularly aggressive snoring habit, but equally it doesn’t necessarily have to spell the end.

But even before you get to the relationship or friendship it’s possible, or even likely, that the political may stop it from going further. As standpoints and opinions become more impassioned, it’s hard to coexist with other perspectives that may fundamentally go against your own. If that opposing perspective is also concerned with telling the world why their opinion is more legitimate and, by extension, why other opinions are less legitimate than theirs, it becomes harder. If it is a case of fundamentally conflicting beliefs rather than a case of different experiences, then keeping your opinion of them separate from your opinion of their ideology is a struggle. This applies universally to relationships – if you have a family member that polemically differs from you in terms of your ideological beliefs, it’s hard to separate the frustration that that causes from the way you feel about them. Indeed, there are members of my family who were born, and evidently remain, in the Victorian era; one such person recently tried to justify the gender pay gap to me on the rock-solid foundation that women are less reliable because they have children. Ground-breaking stuff. Clearly, I’m still not over it. I’m not saying that putting your opinions out there for the world to agree or disagree with is a bad thing – on the contrary, that’s how change happens. But in terms of relationships, the intensity of emotion that fundamental political dispute can create is definitely a factor that could cause complications.

‘The personal is political’ was a political slogan of the student movement and of second wave feminism from the late 60s, underlining the connections between what we experience in our personal lives and larger social and political structures. While what it fought against has changed with the times, what it argues is still incredibly relevant, especially with regards to politics and relationships. The personal truly is political, because the ideologies that we have make up the way in which we see ourselves and others. Importantly though, we may not be right and we’re definitely not entirely objective when forming these ideologies which naturally change over the course of our lifetime: something that may contribute to whether politics really does spell doom for a relationship. If our ideologies do change – because of the things that we live through, or the people that we meet, or come to admire – then the way in which we associate them with different people may change too. But somehow it seems less realistic – or at least less achievable – when it comes to essence-defining ideological beliefs.

However, if we were to consider what we’d be without these debates or differences in opinions, the answer is bleak. Insular, boring, and two-dimensional people that remain only in the comfort zones assigned to them at birth aren’t really human beings, they’re practically lemmings. It’s just not how human nature works. By encountering people that we disagree with, we evolve and adapt using the things we learn from them and, nine times from ten, it doesn’t create an insurmountable wedge between us. The personal is political, but that isn’t to say that the personal or the political will never change. As hard as it is, ideological disagreement does not make up the whole of a multi-dimensional relationship between people and, depending on the way it is approached, doesn’t necessarily spell the end of a relationship. Despite the impassioned division that has characterised political discussion more than ever, life, our relationships and ourselves would be boring without it.

Lady Pat. R. Honising – Cowley Clinic Calling …

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Dear Lady P, 

I was so excited to come to Oxford: nights out, new people, and…sex. A far cry from the sheltered suburb of my tiny hometown with just one club to speak of. 

But that’s the issue, I made full use of my first fun term in the big (medium) city; Plush Tuesdays every week – the whole of Michaelmas was Freshers’ Week for me to be honest. Unfortunately, however, my antics are catching up with me and I’m paying for it now. Without going into too much intimate detail, something doesn’t feel quite right – but none of my friends will come with me to a STI clinic for a check-up. Is there even one here in Oxford? 

Also the thing is I’m scared of being judged for being gay if I go to the college nurse but am unsure of where I need to go. 

Lady P, what should I do? 

Yours sincerely, 

Mr C. Lamidia 

P.S. Too scared to Google this… 

Dear, sweet, not-so-innocent fresher, 

It’s everyone’s worst nightmare but fear ye not, it happens to even the most careful of us. The first thing to remember is that there’s nothing to be ashamed of – slut shaming is so 2010s! As long as it’s safe and consensual have as much slap and tickle as your heart desires – I know I did at your age. That being said, condoms can be your best friend, so if you have a lot of gentlemen callers make sure you’re minimising the chance of catching a pesky infection (and feelings). Most colleges have JCR Welfare officers who can pidge you supplies. 

Good for you for keeping an eye on your sexual health, but for the sake of not just you, but anyone else you might be getting frisky with, you should get checked regularly, whether you have symptoms or not. Better safe than sorry, as I always like to say.

There is indeed a sexual health clinic here in Oxford. Conveniently, it is located just off the Cowley Road, a mere 15/20 minutes’ walk from the city centre or accessible by bus or bike. No need to trek out to the hospital, unless you want the exercise, that is. A confession, dear fresher, I’ve had to go there myself on the odd occasion (I suspect Lord P is straying but it’s far too scandalous to discuss). On the plus side though, my dear, I can confirm that the nurses there are not just understanding and confidential, but trained on LGBTQ matters too, so please don’t worry about being gay. They’re open as a drop-in centre every weekday, and you can check the times easily online, with a range of staff to make sure you get seen quickly and safely. That being said, although there’s no shame in getting checked, it’s natural to feel a little bit scared. 

In certain areas of the UK, the NHS will post you home kits so you can carry out the tests yourself and send them back – take a look on the website to find out if you can do this yourself. Although these don’t test for everything, they’re a good way to test for the most common infections from the comfort of your own room. 

Overall though Mr. C, I understand that matters of one’s genitalia it can be rather difficult to discuss and, I admire your courage for sending us in this submission. It is something that is really quite common, especially among your peers and nothing to worry about. 

Well done you for living your best life, and fingers crossed that all will be right as rain in no time. Keep having as much fun this term as you did last term. After all, you’re only at university once, make the most of not necessarily having to be up in time for work bright and early at 9am, unless you have labs or actually attend lectures. Carpe diem and all that, my dear fresher. 

Be safe, be respectful, and be sensible and the dating world is your oyster. 

Live laugh love, 

Lady Pat R. Honising xxxx