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Oxford University Hospitals fail to meet A&E wait-time standards

Image credit: Ron Adams

In October, only 62% of patients at A&E departments at Oxford University Hospitals were seen within four hours, falling short of the usual NHS standard of 95% and the revised 2024 NHS standard of 76%.

Plans to reassess target wait times in A&E departments were announced by the NHS in 2019 but subsequently halted by the COVID-19 pandemic. Since the pandemic, wait times have increased significantly and the NHS has been forced to return to the issue. 

While previous standards aimed to have 95% of patients admitted, transferred or discharged within four hours, hospitals are now striving to see 76% of cases within four hours by 2024. This is a significant decrease from previous goals but would mark an improvement upon the record nationwide low of 65% of cases handled within four hours in December of 2022. With only 70% of cases seen within four hours this October, however, it is unlikely the NHS will meet their new goal.  

Oxford is expected to have particular difficulty meeting the revised NHS goals. This October, only 62% of patients at A&E departments in Oxford University Hospitals were taken care of within four hours. 

A first-year student at Pembroke, Mali Wood, spent eight hours at the John Radcliffe Hospital Emergency Department with a sprained ankle. She told Cherwell that, despite the staff’s best efforts, “it felt like no one was being seen.” Mali was seen by a nurse within two hours and had an X-ray taken, but to receive the results for that X-ray, she had to wait six hours. Surrounded by helpful friends and able to work on her essay despite mild pain, Mali managed to endure her all-night hospital visit. Unfortunately, some of the children and older patients did not find the wait as easy. 

The average wait time before being seen at the John Radcliffe Hospital is four hours, while the Horton General Hospital in Banbury has an average wait time of three hours. Wait times for ambulances are similarly long. Three Oxford students who called an ambulance for a patient with alcohol poisoning near St Hilda’s report having to monitor the patient for 30 minutes before an ambulance could arrive. Oxford East MP and Labour Party chairwoman Anneliese Dodds says she regularly hears from constituents “who are scared that in an emergency there’s no guarantee an ambulance will arrive on time, if at all.” 

In nearby Banbury, Conservative MP Victoria Prentis encourages patients to help reduce wait times: “It is important that people follow NHS guidance in using A&E for genuine life-threatening emergencies.” She believes wait times are moving in the right direction. Oxford West and Abingdon MP Layla Moran does not agree, maintaining that “the Tory government has failed to tackle the crisis in our NHS and is putting patients’ lives at risk.” Moran finds these wait times evidence that the NHS is beyond the “breaking point” and “splitting at the seams.” 

When approached for comment, Sara Randall, Chief Operating Officer at Oxford University Hospitals NHS Foundation Trust told Cherwell, “We make every effort to try and reduce the length of time that patients have to wait to be seen in our Emergency Departments. 

“Patients will always be seen in the order of clinical priority, with the sickest patients being seen first. We have worked hard to successfully reduce the longest waits in our Emergency Departments. I would like to apologise to any patient who has still experienced a long waiting time. Our Emergency Departments do have busier times, such as in the late evenings, and waits can be longer then.”

Oxford Robotics Institute wins Queen’s Anniversary Prize

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The Oxford Robotics Institute (ORI), a subsidiary of the Department of Engineering Science, was among the 22 UK educational institutions that were awarded the Queen’s Anniversary Prize in 2023. ORI was recognised for supporting future sustainability and delivering fundamental advances in autonomous robotics technology, including RobotCar, the first autonomous vehicle allowed on UK roads.

The prize is awarded every two years by the Royal Anniversary Trust, which was established to mark and celebrate Queen Elizabeth’s 40th year on the throne. The charity aims to “recognise and promote innovation by UK colleges and universities that benefits wider society.”

Sir Damon Buffini, Chair of The Royal Anniversary Trust said: “The Queen’s Anniversary Prizes for Higher and Further Education are an integral part of our national Honours system, shining a light on the ground-breaking work taking place in universities and colleges across the UK.”

ORI’s recent achievements include validating the safety and capability of robotics technologies in over 380 field trials in locations as diverse as Icelandic volcanoes, the Atacama Desert, Loch Ness, mine sites in the UK and US, and the surroundings of the JET fusion reactor. It was also instrumental in the adoption of safer, cleaner nuclear energy strategies for Sellafield and the UK Atomic Energy Authority.

The institute has published over 900 papers and gathered £40 million in funding and their research has generated 22 patents, 70 intellectual property licences and 4 startups. Their teaching programme has trained over 120 PhDs, 40 postdoctoral researchers, and at least 60 Masters students.

Professor Irene Tracey, Vice-Chancellor of the University of Oxford wished “[c]ongratulations to all those involved”, stating that “[ORI’s] work is a fantastic example of our researchers collaborating with industry to come up with cutting-edge solutions to the world’s challenges, from supporting sustainability in agriculture to improving safety in manufacturing.”

The winners will be presented with a medal and certificate at a formal Honours ceremony in February 2024.

Oxford-led consortium secures £18 million in funding for doctoral studentships

Image credit: Universitat Pompeu Fabra

A new award will back an innovative training programme and external engagement for students to become modern leaders in impactful social science research. Funding from the Economic and Social Research Council (ESRC) will support 31 five-year studentships through the Grand Union Doctoral Training Partnership (DTP). The DTP brings together Oxford, The Open University, and Brunel University London. 

The extra funding by the universities and Oxford colleges means the Grand Union DTP from October 2024 will likely increase studentships to 45 per year, 38 based in Oxford.

DTPs assemble a consortium of research organisations, offering tailored training for doctoral research students in interdisciplinary or subject-specific areas in the social sciences. 

It will include data, big data, behavioral science, AI and machine learning skills. It will incorporate professional development skills: leadership, project management, communication and enterprise. Once piloted via the DTP, the courses will become more accessible to other research students.

Notably, the funding supports a “research-in-practise” element, enabling DTP students to practice their skills with external partners, both academic and non-academic. Studentships will be funded for 3.5 years, where all students will engage in a placement or internship in academia, policy, business, or a third-sector body. 

The ESRC Executive Chair, Stian Westlake, stated the new opportunity will “enhance the experience for PhD students and boost the UK’s capability.” It will “develop globally competitive social science researchers” across a range of sectors with a “diversity of backgrounds and experiences.”

Associate Head of the Social Sciences Division and the Grand Union DTP Director, Rebecca Surender, said it was a “fabulous result for Oxford and its DTP partners.” Oxford will pioneer “enhanced methods training, external internships, and widening participation”. Additionally, she was delighted to have a strong basis to build the new DTP phase and looks “forward to helping to advance the next generation of social science leaders.”

Is the minority still the majority?

Image Credit: Ninara / CC BY 2.0 Via Flickr

It has been years since infamous private member societies such as ‘The Bullingdon Club’ or ‘The Piers Gaveston Society’ have reigned supreme at Oxford; the university and students alike condemning their behaviour. It has also been around twenty years since the proportion of state school-educated students surpassed that of privately educated students. On paper, it looks like the tables have turned on those educated at the most elite schools in the country, but as a state school-educated member of the university it doesn’t always feel that way. 

I was lucky enough to attend an extremely high-performing state comprehensive. In 2021, when I won a place, so too did fifty-one other students from my college to attend either Oxford or Cambridge. This is an extremely impressive number for a nonselective school. However, when you take into account that there were one-thousand six hundred students in my year group, that’s actually only 3.25% of the student body. In the same year, St Paul’s Girls School, one of the top-performing private girls’ schools in the country, had a staggering 46.9% success rate. 

But facts have never made good news stories. Since the proportion of state school students at Oxford has risen, so has the number of screaming headlines in the national press. Papers such as The Times love to shout about private school students who’ve ‘lost out’ on their chances in the name of equality. ‘Private pupils shunned by Oxbridge are being ‘driven overseas’, ‘Going private is putting our children’s Oxbridge chances at risk, parents fear’, and ‘White private school boys are the new disadvantaged, says Cambridge academic’ are just a few real article headlines which have been published in the past couple years.  

The reality of the situation is, of course, a little more complex. Only seven percent of the population attends private school and yet they make up around 30% of Oxford students. However, the crux of the issue isn’t so much about the weight of the name of your school in relation to your success, but about the things you’ve learned there which give you an advantage.  In my experience Oxford is still very tailored towards the culture of these schools; before these pupils even attend Oxford or Cambridge, they know the secrets. And it’s this that really makes it feel as if, despite statistics, state school-educated pupils are still in the minority.  

Before I went to Oxford I had never really been asked where I went to school. The question at first surprised me. Why would anyone know of my school and what relevance would it have to our possible friendship? However, I quickly learned that for attendees of those top London private schools, it held a meaning, a sort of secret code. It provided an instant bond, an opportunity to discuss mutual friends and experiences only available to those who attended those types of schools. Which also, for those of us who were not a part of it, unknowingly created a divide. Subconsciously, these initial alliances create a feeling that there is a ‘group’ you could never be a part of, or rather one that you would have to work to understand. And indeed, you do. Never have I known the names of so many independent schools in and around London, nor been able to add to a conversation by adding an anecdote of another friend at the university who attended the same place.  

But the issue is not just in the where-did-you-go-to-school conversations. There are so many other traditions which new students have to familiarise themselves with. Before coming to Oxford, I wonder how many of you had heard of matriculation, formal hall, or sub fusc. For each of these things, I felt words like this made me feel completely in the dark. What was the dress code, and how should you behave? Luckily for me, I had a friend from school who went a year earlier than myself who told me I needed to get hold of some ‘black tie’ wear for formal. Black tie was not a concept I was familiar with, and only after some research was I able to look online for a formal dress that would be appropriate. My only experience with ‘formal’ dress before coming to Oxford was prom in year eleven or the occasional wedding. Despite being assured that many others were in the same position as me, my lack of knowledge made me feel stupid. Surely by nineteen, I should have known how to do something as easy as get dressed in the right clothes.  

Of course, though, these traditions are not something you have to buy into, and it’s not as if you’ll be penalized for not taking part. Wadham is a shining example of a college that rejects them by replacing balls with ‘Wadstock’ and scrapping formals altogether. Wadham might prove that things have shifted, and that the University is taking steps to move away from the focus on private school culture. But the very fact that Wadham has chosen to reject these traditions is very telling. Surely we only need to reject the things that impact our lives. Wadham’s rejection in fact shows just how entrenched the rest of Oxford is in these old-school traditions. All of which fits nicely in with what students from private schools have spent years preparing for. 

Inevitably, these feelings also slip into the academic life of Oxford. As someone who is used to classes of thirty-plus pupils, tiny tutorials at first felt uncomfortable and exposing to me. In the first few weeks, I held back ideas and stumbled nervously over my words. Private schools by contrast pride themselves on small class numbers and much more individual-focused learning, which I can assure you is something I wish I had had more experience of in that first tutorial. I had never envied the private school experience before an Oxford tutorial, but I had to learn quickly how to build up the confidence to effectively communicate my ideas. This was a confidence that had been instilled into my counterparts for at least five years. It didn’t take long for me to get a handle on this, but there were certainly many awkward silences and cringe-worthy moments in the first few weeks which made the process feel more difficult. 

Eventually, putting on ‘black tie’ becomes as easy as putting on your pyjamas, and a one-on-one tutorial is simply part of your weekly routine. However, that doesn’t shake the feeling that you’re often playing catch up with this culture. And the onus is on the state school students to adapt, learn the codes, and build up our confidence to a private school level. Not all of this is bad, but it is different. The media can keep on saying that the system has changed to favour state school pupils, but the truth is that I spent my first year striving to adapt to the lifestyle at Oxford. This isn’t to say that I didn’t also have a great time – it has in fact been one of the best years of my life so far. But it’s also undeniable that many of my privately educated peers didn’t have to waste time thinking about this, feeling comfortable from their very first day.  

“Rich and original”: ‘Parables, Fables, Nightmares’ Review

alt= parables, fables. nightmares front cover
Cover image courtesy of The Emma Press

Parables, Fables, Nightmares is the first short story collection published by Malachi McIntosh. A short traditional story collection can be likened to a gallery of sameness – great pictures with a few stylistic differences – essentially stories varying only in content rather than in style.

The uniformity often found in such collections can put people off, since they appear less exciting. But insipid sameness is nowhere to be found in McIntosh’s work.

The collection is a unique one compared to others I’ve read recently – like Raymond Carver or Ernest Hemingway say – as it is not exclusively made up of pieces structured as typical short stories. For instance, one is a list (White Wedding), one is a two-page piece, one is without a title. McIntosh uses the tried-and-tested short story format as a starting point and goes from there. This experimentation is not done purely for novelty’s sake, however. If a story’s format is unique, it serves a clear purpose: to enhance the reading experience in a way a conventional structure cannot; whether to make a joke funnier or a sad moment sadder or heart-warming moment more uplifting.

Even if the diverse range of formats all land, as they do here, they are wasted if the writing itself is bad. There is no need for such concern here. McIntosh’s prose more than carries its weight: outlandish, funny, moving and ingeniously fresh. The phrase ‘a way with words’, though trite, is an apt description of McIntosh’s style. His prose fits perfectly into the mould of each of his stories which vary wildly in voice and circumstances; he has a way with each of these that makes them a delight to read for entirely unique reasons. The voices of his characters, whether a dedicated but neurotic mother trying to prove the world’s opinion of her child wrong (Examination) or a well-meaning but crabby father who discovers his adult son no longer resembles the child he knew (Mirrors), sound idiosyncratic and genuine. To write in a number of distinct voices with confidence and ease is no easy thing.

McIntosh’s uncanny and inexhaustible ability to write astonishingly rich and original descriptions is clear throughout. Two of my favourites are from the story White Wedding: the first is the description of a sexually-frustrated fiancé who resolutely abstains from masturbation for a month, purportedly to make his honeymoon more passionate. Consequently, his penis becomes ‘some wild Grecian deity in his jeans, storming at every mild provocation and threatening to enter the world of men and set things right’. After caving and spending hours shamefully but intensely masturbating, his erection does not subside. His unabating member looks like a ‘hitchhiker’s thumb forever thrusting out below his waistband’. My prim readers should note they are not all as ribald as this. They are equally as humorous, though.

As with every short story collection, the great ones cast a long and uncompromising shadow which make the more flawed stories stand out. Hemingway is one example; The Snows of Kilimanjaro and Big Two-Hearted River are such exquisite stories that his others in any collection don’t look as good nor deliver the same oomph. I was not unimpressed with the vast majority in this collection; it is just that the exceptional ones made me hungry for what I found in them and when the other stories did not deliver as much, I was disappointed.

As a reader, instead of trying to fit a conventional story-shaped hole into the lock of each piece, it is tempting to use the mediums listed in the title instead. To discount them would be a mistake but to rigidly sort each story into either a parable, fable or nightmare misses the point. McIntosh’s clear vision of the short story’s capabilities and his skilful manipulation of them ultimately makes the vivid and multivarious ways a short story can turn out appear obvious.

Parables, Fables, Nightmares by Malachi McIntosh is available to purchase from The Emma Press.

Genetics

What beauty is there
In the anger that spills from your lips?
After every kiss
A fight
Uneven ground
I’ve become so good at telling lies
The droplets fall; I wipe them
Away
Without a thought
You used to brush them from my cheeks
With tentative hands and shaking fingers
Now I turn away,

I really am my mother’s child
But I have my father’s rage
Pent up inside
My brother just has his eyes
From which, I turn away
Though I love my brother dearly
All the pain
And the exercises
And yet he grabs my hand, still
Pleads with those eyes
That belong to a different face
One much less kind.

I could run
But my fate would find me
As it travels through my veins
Filing through my DNA
I was born to wear this broken crown
Genetically programmed
This damaged commodity.


The countdown To 2024: Abortion rights may be the Democrats saving grace

Image credit: Gage Skidmore / CC BY-SA 2.0 via flickr

In a week where Republicans tore chunks out of each other in a bruising primary debate, the clear frontrunner, Donald Trump, was in New York, battling to save his crumbling Manhattan Empire. Meanwhile, Biden has come under increasing scrutiny from his own party, seen as more of a liability than an asset. Biden is trailing Trump in the polls, with his age leaving uncomfortable questions for Democrats. The stage is set for a tumultuous 2024.

As GOP presidential hopefuls gathered in Miami on November 8th, the real race seemed to be for second place. Perhaps they are holding out for a vice presidential consolation prize, or desperately clinging onto the possibility that they may be able to take over the reins should Trump not survive his 90+ felony charges. 

Former UN Ambassador Nikki Haley fought tooth and nail to claw away support from Trump’s protégé turned chief adversary, Florida Governor Ron DeSantis, brandishing her hawkish foreign policy credentials – a hangover of the bygone Bush era. DeSantis once represented a credible challenge to the former president, but his support has since plummeted, now just 14% to Trump’s 57%. Haley is ascendent, reviving her stagnant campaign to a ‘respectable’ 8.7%. The other candidates on stage seemed to have lost their raison d’être. The provocateur Ramaswamy was the only unifying force on stage, drawing the ire of all his competitors. Haley labelled him ‘scum’ under her breath in one particularly heated moment. As the candidates wrangled about who had cosied up closest with Chinese businesses and who does or does not use TikTok, one could not help but think of the farce of it all. Where was the real leader of the Grand Old Party?

In fact, Trump was a mere 10 miles away, already campaigning for the presidential election. Earlier that week, however, the former president was testifying in New York. The man who built his identity around being a successful billionaire businessman now faces the prospect of losing control of his empire. The presiding judge has already ruled that Trump regularly lied on his financial statements and exaggerated his net worth. Trump – despite decrying the ‘witch hunt’ – voluntarily appears in court, conscious that every time he is indicted, the campaign donations come flooding in, and his popularity rises with his core base. Judge Engoron has lambasted the former president’s political posturing, ordering his lawyer to control his client, stating: “This is not a political rally”. 

Trump faces mounting legal difficulties across the country, with his greatest peril in Georgia, where he is being pursued by the state, not the federal government. If convicted, he would not have the ability to pardon himself as president. The racketeering (RICO) case centres on the ‘fake electors’ plot and the infamous phone call to Georgia Secretary of State, Brad Raffensperger, where Trump asked him to “find 11,780 votes”. In recent weeks, Trump’s co-defendants have been peeling off, one by one, mafia-style, to save themselves, pushing Trump further and further into legal peril. Trump faces the genuine prospect of either prison or the presidency – a cell or the Oval Office come the end of next year.

 If Trump does find himself imprisoned, the GOP will find itself at a dangerous crossroads – they can either rally around another candidate or they can follow their leader into the abyss. The guardrails of American democracy were badly damaged by Trump’s election denialism in 2020 and the country has only grown more divided. In a recent speech on Veterans Day, Trump was widely accused of echoing fascist rhetoric as he centred his vitriol on the “vermin” who “lie and steal and cheat on elections”. If Trump were to lose the next election, he would surely cry foul. If Trump were to be imprisoned, his chokehold on the Republican Party could lead his followers to take up arms. And if Trump were to win the next election, we would likely see a further erosion, or indeed the destruction, of the democratic norms that have come to define the United States. There seems to be no eventuality that does not further divide the nation.

The existential threat posed by Trump also seems set to push the GOP further into the abyss as Republicans fight for the soul of their party. In Miami, Ramaswamy openly called on Ronna McDaniel, the Chairwoman of the Republican Party, to resign citing the spate of recent electoral failures. In Washington, far-right House Republicans ousted their own speaker, Kevin McCarthy, and then struggled to fill the very void they opened. Given all this turmoil, shouldn’t President Biden be cruising to another victory? 

It appears perhaps not, with a recent NYT/Siena Poll putting Biden’s prospects of re-election into question. Trump leads Biden in five of the six major swing states. David Axelrod, chief strategist for Obama’s presidential campaigns, made headlines when he questioned whether it was in the country’s best interests for Biden to run for re-election. 

Of course, polls one year out from an election hardly predict the outcome (if they did, we would likely be coming to the end of eight years of a Hilary Clinton presidency), but the poll has exposed some uncomfortable trends for the Democrats. Perhaps the most concerning is the breakdown in Biden’s “Grand Coalition” of supporters: non-white voters and the young. While incumbents can often struggle to reinvigorate their base, Biden is doing especially badly, with the New York Times noting, in its Times/Siena poll: “Overall, Mr. Trump earns more than 20 percent [support] among Black voters, a tally that would be unprecedented in the post-Civil Rights Act era”. 

It is the apathy among young voters to turn out and vote for an octogenarian that has fuelled debate over whether the Democrats should replace Biden with a more youthful candidate. Indeed, the same NYT/Siena poll recorded that while 44% of voters in battleground states would vote for Biden, 48% would back any ‘generic Democrat’. In a new CNN poll, Biden’s approval rate stood at 39%, and 58% say that his policies have made economic conditions worse; 67% of Democrats say the party should nominate someone other than Biden. Biden faces continual questions about his age and mental acuity, draining energy from his campaign and raising uncomfortable questions for Democrats: if Biden is such a liability, why don’t Democrats make the switch? 

Despite Biden’s legislative successes, including passing a bipartisan infrastructure bill, the CHIPS Act, and the Inflation Reduction Act, voters are not so generous in rewarding long-term and incremental improvements. Establishment Democrats are reticent to field another nominee given Biden’s unique position as the only person who can claim to have beaten Donald Trump in a presidential election. Moreover, there is simply not much time left; the little-known Democratic congressman from Minnesota, Dean Phillips, put his head above the parapet, only to be swiftly criticized, sidelined, and ridiculed by the Democratic Establishment. With the DNC changing the presidential primary calendar to favour Biden, it is clear there is little appetite for change. Likewise, nobody wants a repeat of the Ted Kennedy fiasco in 1980 when the Democratic congressman launched a campaign against incumbent President Carter, only for Carter to win the primary, but his campaign mortally wounded.

Herein lies another paradox. Despite Biden’s perilous approval ratings and the apparent collapse of his coalition, the Democrats keep winning big. After halting the arrival of the mythical, but much heralded, ‘red wave’ in the 2022 midterms, the Democrats have successfully used the issue of abortion rights to galvanize support. The night before the third Republican primary debate, the Democrats swept to victory in several states – motivated to protect abortion rights following the Supreme Court’s Dobbs ruling in 2022 which removed the federal right to an abortion. Voters in Ohio, the quintessential purple state turned Trump stronghold, voted 56.6% in favour of establishing a constitutional right to abortion. In Virginia, Republican Governor Glenn Youngkin’s aspirations for a 15-week limit were thwarted when Republicans not only failed to capture the State Senate but lost the House of Delegates. 

In Kentucky, it is almost unbelievable that the same state that produced Mitch McConnell and Rand Paul re-elected their Democratic governor, Andy Beshear. Daniel Cameron, his Republican rival, tried to link him to Biden, but Beshear did not bite. It seems that at least in red country, Biden proved more of a liability than an asset. The issue of abortion rights may very well be the Democratic Party’s saving grace if they can successfully energise young people to go out and vote while also reminding voters that it was Trump who appointed the very judges who would go on to rule in the pivotal Dobbs case. To quote the political commentator Dean Obeidallah, forget Carville’s “It’s the economy, stupid”. It’s abortion, stupid.

Thus, one year out, the 2024 presidential election is a tale of paradoxes. Democrats keep winning big on the issue of abortion, but Biden looks set to lose the election to his deeply divisive predecessor. Likewise, Republicans continue to engage in destructive infighting while the clear GOP favourite battles to stay out of prison. The United States, once the great paragon of democracy and stability, looks set to face its most existential threat since the Civil War. Now, the country must ask itself: “Quo Vadis”?

Student Union to condemn Oxford Union for controversial speakers

Image credit: Cyril Malik

The Student Council has passed a motion mandating the SU condemn the Oxford Union for inviting Ben Shapiro, Katie Hopkins, and Charlie Kirk.

The motion comes just months after Kathleen Stock’s controversial Oxford Union visit last Trinity term. In the leadup to the event, the SU removed a statement published by the SU LGBTQ Campaign which called for rescinding Stock’s invitation. According to the SU, the decision was made “over fears the statement may have been in breach of the Higher Education (Freedom of Speech) Act 2023.”

The most recent motion on Shapiro, Hopkins, and Kirk stated that the views of the three Oxford Union speakers were “repulsive and not worthy of respect in any reasonable society,” devoting a paragraph to each of the speakers and their controversial statements. 

Among the included quotes from Ben Shapiro was his claim that “Arabs like to bomb crap and live in open sewage.” Katie Hopkins was criticised for a tweet that stated “Gypsies are ferrel [sic] humans—we have no duty to them.” The third and final speaker in the motion, Charlie Kirk, was reproached by the SU for promoting inflammatory conspiracy theories and referring to George Floyd as a “scumbag.”

The Student Council also resolved to mandate SU Sabbatical Officers publicly support any protests against Union invitations of Shapiro, Kirk, or Hopkins. While the Student Council clarified that this public support did not imply the Sabbatical Officers had to attend the protests themselves, it indicated that the required support would “include, but not be limited to, the sharing of the details of any such planned protests which the SU or its sabbatical officers are informed of, within one working day of being informed of such protest.”

The Student Council furnished members with an appendix including a draft for the condemnation that would be released on social media. The draft included much of the material covered in the resolution, but it also drew a distinction between supporting free speech and providing a prominent platform to speakers with objectionable views: “We believe that the right to free speech should not be used to actively harm marginalised groups, and that these views may amount to hate speech. 

“The right to free speech does not equate to the right to a platform, especially one this exclusive, where the right to challenge these views costs up to £350 [referring to the Oxford Union membership dues].”

The Student Council concluded the condemnation draft by addressing the Higher Education Freedom of Speech Act passed in June 2023: “As a student union we would like to speak freely on our views around this subject but one of the consequences of the interpretations of the new Higher Education (Freedom of Speech) Act, perversely, means that we may not be able to. 

“Instead we will condemn this ‘bastion of freedom of free speech’ [The Oxford Union] not standing up for our own and implore them to actually be that bastion. Platform marginalised voices and activism, actually show opinions that the media often shoot down and trivialise, let marginalised voices be heard, beyond a context where we have to fight for our right to exist. 

“In addition to condemning the views of Ben Shapiro, Katie Hopkins, and Charlie Kirk and their invitation to the Oxford Union, we condemn the government’s introduction of the Higher Education Act and call for it to be repealed immediately, as the act is in fact, in our belief, a crackdown on freedom of speech.”

Why Don’t We Have Any ‘Mega Popstars’ Anymore? 

Image Credits: CC 1.0 / via. Pexels by Luis Quintero

This August, Billboard released an article asking the question: where have all our mega popstars from the 2000s and early 2010s gone? It was met by widespread online conversations, reflecting the deep-rooted concern within the music industry that the number of recognisable faces in pop music have declined in recent years. Labels are no longer relying on these ‘mega stars’ as the foundation for their incoming profit because pop stars are no longer breaking into mainstream media in the same way they had in the decades prior. Steve Cooper, the former CEO of Warner Music Group, stated at the Goldman Sachs Communacopia and Technology Conference: “what we’ve done over the last number of years is reduce our [financial] dependency on superstars.” Even the record labels have been forced to change their tactics to keep up with the developing industry. Now, record labels financially depend on a larger number of smaller artists, helping them to create dedicated, but more intimate, fan bases who will buy tickets and merchandise. This is a step away from record labels funneling their money into a small number of ‘mega pop stars’ and relying on them and their star power to make up the majority of their profit.

So what does it mean to be a pop star in today’s day and age? In the early 2000s, ‘making it’ as a pop star meant being on the front cover of magazines, hounded by paparazzi, winning Grammys, and selling out arenas. But now, an artist’s success is measured completely differently. Having a couple hundred thousand streams on Spotify or blowing up on TikTok are celebrated as huge accomplishments. What defines someone as a successful pop artist has narrowed – international and mainstream fame is no longer the aim. But why and how has this happened?

In the age of social media and ultra-personalised online algorithms, individuals are increasingly being shown content which is tailored to their interests. Gone are the days when we would collectively read the same news from the same tabloids from the same sources. With algorithms as sophisticated as TikTok’s, we see the creation of pop stars or new emerging musical talent, but only to a select audience. Musical-theatre-star-turned-pop-musician Renee Rapp debuted her first album this August. Her first American and European tour saw her sell out venues with capacities of around 5,000 seats. A decade ago, this may have led some to say that she was on the cusp of becoming a major pop star. But now, her tour videos and album press are only being presented to those who want to see it. She is popular among her loyal fanbase, but the previous wide reach that pop stars were able to turn into international fame is not available. Instead, musicians aim to form smaller, but more loyal, fanbases.

TikTok has also changed who record labels sign, and in what way they do it. Record labels have grown to place a huge emphasis on artists having a notable social media following before they can even be considered for contract. Gone are the days of years of artist development where record labels help to discover and support underground artists. This contributes to the lack of ‘once in a generation’ pop talent. Beyonce had her time in Destiny’s Child, her former girl group, before taking the world by storm as a solo act. Taylor Swift was able to release her debut album before international hits ‘Love Story’ and ‘You Belong With Me’ featured on her second album. Without record labels backing artists who might not find instant success, they leave thousands of artists undiscovered.

Instead, record labels are signing the artists with the most followers and engagement, not necessarily the ones with the most artistic promise. What makes this worse is this tactic clearly is not working. One A&R executive stated, “labels signed more and signed worse than ever before in the decade-plus I’ve been at a major”. The problem is that TikTok is not designed to promote and sustain an artist’s career, but rather individual songs. In the 2000s, when streaming was not as widely used as it is today, labels had significant control over what songs were put on the radio. Record labels could control what we listened to and ensure that certain artists had radio play. Now, however, streaming and Tiktok hold much more importance within the industry. Even if an artist has a hit TikTok song, the wider online audience is unlikely to hear the artist’s later singles. The small success which pop artists can grasp onto is hard to transform into a long-lasting career within pop music. For example, Katie Gregson-MacLeod came to TikTok fame when a video of her singing her song ‘Complex’ garnered 9 million views. It became widely shared and talked about on TikTok and led to her being signed with Columbia Record. Despite her strong artistry and compelling lyrics, the majority of her videos now have under twelve thousand views. This is out of MacLeod’s and her Columbia Record’s hands – it is simply the nature of TikTok, proving how risky it is to rely on it.

As an aspiring pop artist myself I can attest to the industry’s growing frustration, especially among independent artists, at how TikTok has grown to play such a seismic role in music today. If you want to be discovered and signed and funded by a label you have to start playing the game, which is no longer about artistry but online numbers. Of course, you cannot ignore the huge opportunity that TikTok and other social media platforms offer to artists, allowing them to promote their music to millions of people for free and fairly easily. However the reliance that the industry now has on TikTok is, I believe, a failure on the part of record labels. This approach to discovering and signing artists is not sustainable, and I’m sure in the next few decades when the influence of TikTok slowly decreases record labels will have to rethink their current strategy. 

This is not to say that we will never have a mega popstar again. Olivia Rodrigo released her sophomore album ‘Guts’ this September which topped the album charts in 14 countries and gained her 6 Grammy nominations, including Album of the Year. Dua Lipa has just released her first single titled ‘Houdini’ since her second album ‘Future Nostalgia’ which received over 6 million unfiltered streams on Spotify on its first day, her biggest debut yet. We still see pop stars stake their claim in the music industry, all hope is not lost, but the age of a music industry which runs off the monetary power of dozens of rising and established pop stars are over. 

Eight colleges to raise hourly wages to £13.15

Nils Lindner via Unsplash

Eight colleges are set to raise hourly wages in line with the latest measure to increase the living wage in Oxford by 10%. This is part of a series of measures by the Council to promote wage fairness in the local economy. The new Oxford Living Wage will be raised to £12.49 an hour, and be pegged at 95% of the London Living Wage, currently £13.15.

The Oxford Living Wage, first introduced by the City Council in 2008, is part of the broader Oxfordshire Inclusive Economy Partnership between local government and civil society, to promote equality & sustainable opportunities across the county.

Oxford’s colleges have long been criticised on the grounds of labour rights. A student-led campaign for better wages and conditions in University employment, Oxford Worker Justice, has drawn attention to issues such as the lack of transparency over precisely how much non-academic workers at the colleges are paid, as well as over the use of zero-hour contracts and agency staff.

An annual ranking of colleges published by Oxford Worker Justice finds low pay, insecure contracts, and massive wage inequalities to be prevalent across the majority of colleges. Past investigations by Cherwell, meanwhile, have brought light to exploitative labour practices and stressful workplace conditions among University housekeepers in the “scout system”.

Additionally, the City Council’s employer recognition incentive, that encourages employers who pay the Oxford Living Wage to accredit so they can get wider recognition, indicates that less than 25% of Oxford’s 38 colleges have been accredited. From a list of over 120 accredited employers, only Magdalen, Merton, New, Somerville, St. Cross, St. John’s , Wadham, Worcester Colleges appear, in addition to local businesses frequented by students, such as Common Ground Cafe & the Old Fire Station arts hub.

As an incentive, the Council argues that providing a living wage may help businesses “improve both recruitment and retention.” Research from the Living Wage Foundation backs this up; 75% of surveyed employers reported that paying a living wage had increased workers’ motivation and retention rates, while 94% felt that it had benefited their business overall.

Set to come in from April 2024, all businesses will be accredited through a recognition scheme, operated by Oxford City Council and the nationwide Living Wage Foundation.