Thursday 12th June 2025
Blog Page 8

Cycling group calls for blanket 20mph speed limits across Oxford

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An Oxford-based cycling charity is calling for 20mph speed limits on all Oxford roads by 2029. The charity, Cyclox, announced their “agenda for change” in a letter to newly-elected county councillors last week. 

The letter welcomed councillors to their role and emphasised that there is much to do to make Oxford a safer cycling city for all. Cyclox advocated several policy proposals in addition to speed limit recommendations. These include “resurfacing Parks Road, South Parks Road and St Cross Road with wider cycle lanes”, as well as “all day cycling on Queen St and Cornmarket”. Contrary to common practices, cycling on Queen Street and Cornmarket is currently prohibited during certain hours.

Ian Loader, Chair of Cyclox, told Cherwell that the results of May’s election, which saw an increase in the number of Liberal Democrat and Green councillors, show that “voters have decisively supported an administration that promises to tackle Oxford’s car-dependency and make it safer and easier for people to get around.”

He added: “Cyclox will work constructively with the new Council to deliver this vision of Oxford’s future. But we will also publicly hold them to account if they fall short.”

Cycling in the city is big business with 35% of Oxford residents cycling at least once a week. Traffic collisions, however, remain a problem. In 2023, 205 cyclists were reported as casualties from traffic collisions, and in 2022 two members of Oxford University were killed whilst cycling.

Oxfordshire County Council’s road safety initiative, Vision Zero, aims to eliminate all fatalities and severe injuries on Oxfordshire roads by 2050. The previous council approved a budget of £8m for the implementation of 20mph areas as a replacement for 30mph areas “where there is local support”.

Green Councillor Emily Kerr has offered her support for Cyclox’s policy proposals, commenting: “most things they [Cyclox] are requesting are already standard in European Cities which see much higher levels of walking and cycling than Oxford.”

Not all councillors, however, are supportive of the group’s policy agenda. Independent Alliance Councillor David Henwood has expressed concerns that lowering speed limits across Oxford to 20mph could have a “detrimental” impact on bus timings.

Luke Marion, the Managing Director of the Oxford Bus Company, has raised similar concerns, telling the Oxford Mail: “additional 20mph zones would make travelling to and from Oxford by bus less attractive to the public, creating more congestion which neither supports road safety or achieving environmental targets”.

In response to these concerns, Cyclox told Cherwell that “there is no evidence that 20mph speed limits will significantly affect bus speeds – for most of the day, no buses go above 20mph”.

Cyclox’s Chair also told Cherwell that we should “focus on the bigger picture. Policies to set 20mph speed in towns and cities are today being introduced across the world. This is because social norms around traffic speed in built-up areas are changing.

“We will soon look back on allowing traffic to move at 30mph in urban areas the way we now look at smoking in pubs and restaurants, or drink-driving.”
Blanket 20mph speed limits have recently been implemented in other parts of the UK. Wales implemented such limits in built-up areas in 2023, and 20mph zones have also replaced 30mph zones in large parts of London and Bristol.

Exam conditions to change for languages students mid-course, AI blamed

Oxford University’s Faculty of Medieval and Modern Languages (MML) is set to re-introduce closed-book, handwritten exams for almost all papers, to be sat in Exam Schools, due to concerns surrounding plagiarism and the use of AI. 

Cherwell can reveal that these changes will take effect almost immediately: students currently in their third and second years of study will now be taking handwritten and closed-book finals, as opposed to the online exams held on Inspera in recent years. This news has not yet officially been communicated to students, despite several tutors informally sharing the information. 

Sam Field-Gibson, a student representative on the Modern Languages Joint Consultative Committee (JCC), told Cherwell: “Last Monday at the JCC, the Modern Languages DUS [Director of Undergraduate Studies] announced that Faculty Board had voted to make final exams closed-book, in-person, and hand-written from 2026 finals onwards. Many of us student reps raised points such as reducing knowledge simply to rote learning and the drawbacks of implementing this change for people who have already started studying for their finals. 

“However, we were told in response that Faculty Board had already voted for the change and that the risk of generative AI in online exams was so great that immediate change was needed. When asked if generative AI had previously been an issue, they responded that it was the principle that mattered, and that AI detection software could not accurately determine the origin of all texts, leading to the issue of false positives, such that false accusations could be levelled at students.”

The majority of MML exams have been conducted online since 2020 as a result of the Covid-19 pandemic, including the prelim exams taken by students whose finals will now be subject to this change in examination regulations. 

When asked about the reason behind this change, a spokesperson from the University told Cherwell: “There are a number of factors involved. The Faculty first moved to the remote, open-book format during the pandemic in 2020 and have persisted with it for longer than any other faculty in the Humanities, reviewing and adapting it annually.”

Cherwell understands that the Humanities Division had rejected a bid by the Faculty to obtain computers for exams, but that this may be subject to change in the future. Additionally, according to Field-Gibson, the JCC was told that “the current proposed curriculum reform to drop one content paper (which will take effect from 2028 at the earliest) would alleviate some of the pressure.”

In response to this news, one third-year languages student told Cherwell: “Current FHS students have been preparing and studying with the expectations of remote exams. In-person exams require a separate approach, and it’s quite unfair to expect students to simply adapt mid-way through their courses.

“Rather than moving backwards and testing students on outdated skills like memorisation, the faculty should redirect their efforts towards ensuring students are aware of how to use AI responsibly and productively. This technology isn’t going anywhere and pretending it doesn’t exist just holds Oxford students back.”

Prior to this decision, a consultation was sent on behalf of the undergraduate representatives on the JCC to all MML students during the vacation asking for opinions on a shift in exam format during term and an increase in closed-book exams, amongst other aspects of the Faculty. The results of that consultation have yet to be released publicly.

The University told Cherwell: “Student representatives have been involved in discussions of the possible change at both Joint Consultative Committee and Undergraduate Studies Committee meetings in MT24 and HT25.”

A second-year MML student told Cherwell: “Although I understand the desire to protect students and examiners from the effects of generative AI, I cannot say I am in favour of this change overall, and think that the University could work with language students to find a different solution. 

“For current third-year and second-year students, the department is asking for quite a sudden adaptation to a completely different discipline, of memorisation and regurgitation, which I do not think is as valuable as the more independent and critical approach that students work to cultivate in three years of tutorials.”

Chimpanzee study sheds light on evolutionary origins of healthcare

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Researchers led by a team from Oxford University have expanded on the understanding of human healthcare’s “cognitive and social foundations” through a study of chimpanzees in Uganda.

The new study, published in Frontiers in Ecology and Evolution, breaks new ground in demonstrating that medical care amongst chimpanzees, and particularly that which is not confined to close relatives, is more widespread than was originally believed.

Headed by Dr Elodie Freymann, of the University’s School of Anthropology and Museum Ethnography, the work documents 41 cases of care between the chimpanzees. These include 34 cases of self-care and seven cases of care for others (prosocial care) within the two observed communities of Sonso and Waibira in the Budongo Forest.

Speaking to the University, Dr Freymann observed that of the seven instances of prosocial care, “Care wasn’t preferentially given by, or provided to, one sex or age group. On four occasions, care was given to genetically unrelated individuals.”

Also noted was the complexity of the care provided. Several techniques, including chewing plants and applying them to the wound, leaf-dabbing, direct wound licking and finger licking followed by wound pressing, were observed. All chimpanzees showed a subsequent recovery from their injuries following the care.

Cases of hygiene and preventative care were similarly identified in the use of leaves to clean genitals after mating and the anus after defecation. Alongside this, many of the plants involved in these processes are understood to possess antibacterial properties that further improve the likelihood of success.

The variety of treatments reflects the causes of injuries identified by the researchers. Of the seven key occurrences of prosocial care, four were to treat unspecified wounds (possibly from fights or accidents), two involved the removal of snares and one involved helping another chimpanzee with hygiene. The team speculates that the treating of injuries may also be a reflection of the individual’s personal preferences – not just the type of wound.

However, healthcare behaviour in animals is not unique to chimpanzees, occurring in elephants, lions, and other species. In a few exceptional cases these behaviours are not limited to related individuals, a habit observed in the two closest living relatives of humans: chimpanzees and bonobo monkeys.

The paper serves to study this connection, its premise being that “[t]o understand the evolutionary origins of our own healthcare behaviors [sic] as well as to assess their potential uniqueness, it is crucial to investigate the self-care and prosocial healthcare behaviors [sic] of closely related species.”

These findings go beyond expanding the knowledge around the evolutionary origins of human healthcare, instead examining its psychological foundations. The evidence builds on a growing appreciation that chimpanzees have a capacity for empathy in their care for unrelated individuals. That empathy, as speculated by the authors, may provide the source for the unique trait of “altruism” in human beings today.

A Guide to Scenic Drives by Rental Car in the UAE

The UAE is a global tourist destination. This region is brimming with various tourist spots. A road trip is one of the most suitable ways of enjoying the diverse scenery of the country. Public transport can be used to travel around the city. Alternatively, one can rent a vehicle. The new highways, clearly-marked roads, and friendly GPS system make it easy to get around even if you are new to the place.

This article discusses the best destinations to visit in the UAE using a rental car.

What You Need to Know About Renting a Car In the UAE

Here are some things you need to know about car rentals in the UAE before you hit the road.

  • Rental Companies. There are different car rental companies in the UAE. For instance, there is Renty. These providers have different prices. Compare all of them and select one that fits your budget.
  • Eligibility & Documents. Foreigners must have valid documents to hire a car in Dubai. They should have a passport, a visa, and an international driving permit (IDP). A few nationalities can use their local driving license. Be sure to find out whether your country qualifies before commencing the journey.
  • Vehicle Types. There are several kinds of vehicles that you can rent. Sedans are the best for driving on the city and inter-city roads. SUVs, on the other hand, are best suited for desert adventures.
  • Fuel Costs. Fuel in this region is generally cheaper. A tank of petrol goes for about AED 150.
  • Driving Etiquette. Keep right when driving your luxury car rental. It’s also important to observe the speed limits to avoid getting fined. 

Scenic Drive Routes to Explore

The UAE offers some unforgettable road trip routes, each showcasing a different side of the country. Here are some of them. 

Dubai to Hatta

Leave behind Dubai’s cityscape for the rugged mountains of Hatta. This 130 km scenic road runs through open desert, rocky outcrops, and villages. Among the places you should not miss is the Hatta Dam. It is a peaceful reservoir surrounded by mountains. Another one is the Hatta Heritage Village. Don’t forget to bypass the Oman border crossing; use the E102 or E44. Otherwise, you will have to undergo extra Visa checks. You may also not be allowed to drive your rental car. 

Fujairah Coastal Drive

This coastal route along the east coast clings to the Gulf of Oman. It’s less busy and provides a different atmosphere from the western UAE. Some of the sites that have to be visited are:

  • Snoopy Island
  • Al Bidya Mosque
  • Fujairah Fort
  • Khor Fakkan Amphitheatre
  • Fujairah Corniche

Abu Dhabi to Al Ain

Rent a car and travel from the UAE capital to its “Garden City.” The trip is a welcome respite from the capital’s steel-and-glass skyline. In between, there is the Al Ain Oasis, a World Heritage site of ancient falaj irrigation systems. You cannot miss the road up Jebel Hafeet. This destination attraction is renowned for its sharp curves and panoramic views. You should continue to the base, where natural hot springs and green picnic areas invite you to relax.

Ras Al Khaimah to Jebel Jais

This journey is the most scenic in the country, lasting about 45 minutes. The best thing is that the road is new and in good condition. Stop at the viewpoints along the way for fantastic photo shots. Visit the Jais Viewing Deck Park for an amazing sunset. Also, experience adventure with the Jebel Jais Flight. Start your tour early in the morning or late afternoon for cool weather and good lighting.

Let’s Drive

There is no better way of getting to know the hidden beauty of the UAE than by going on a road trip. Having a rental car is likely to simplify traveling. This is because you would be able to move freely past the common attraction sites. A rental car also enables one to move at their own pace. Just visit the internet and search for a rental car service within the UAE that suits your requirements.

‘We need a different approach’: Students and tutors on AI in academia

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With the never-ending releases of ChatGPTs, the question of generative AI looms large: where is the line between using it and relying on it? Between saving time and sacrificing learning? It’s hard to adjust to the present, but what will the future hold as it only gets more powerful? To find out what people really think, Cherwell brought together two Oxford focus groups. The first was a roundtable of eight students from a variety of subjects: the other, two academics working in the humanities and social sciences. We asked them about their experiences, hopes, concerns, and predictions. We kept them anonymous, referring to panellists by the subjects they study, so that we could have a candid discussion.

The panellists seemed divided on what ‘ethical’ usage of AI really means, whether it can have original thoughts, and the extent to which we should be using generative AI in our degrees. There was, however, a shared anxiety as to what AI means for the future and a strong sense that Oxford is unprepared to tackle these problems.

The Student Roundtable

Everyday uses
What sort of things do people use AI for in their day-to-day personal lives?

Compsci and Philosophy: I use generative AI instead of Google at this point. I also use it daily for coding my own personal projects. If it’s a simple enough app I won’t be writing a single line of code basically, and you can make some surprisingly sophisticated things.

Biology: Recently I was riding a bike and the chain fell off and I didn’t know how to reattach it so I just asked DeepSeek ‘How do you reattach a bike chain?’ and it gave me step by step instructions.

Is there a reason you didn’t use more traditional sources like YouTube or Google?

Biology: It’s a bit more tailored to the response. With the bike example, at first I didn’t know what was happening. I just told it that suddenly my bike stopped and you can’t turn the wheel anymore, and it tells you the problem and how to fix it. And then you have this back and forth that you can’t have with Google.

Compsci and Philosophy: Particularly when it’s a complex thing where you want to read a few different things and try to understand it. It condenses everything into one simple answer. Maybe it’s just me being lazy and not wanting to have to click on the website.

Philosophy and French: I’m interested in the things you guys search up, does it include political things, historical things?

Compsci and Philosophy: I guess it really depends on the topic. I think actually, for complex issues, ChatGPT’s, Deep Research is really impressive. It’ll generate a whole paper exploring the different angles and different interpretations of what people have said. Yeah, I guess I don’t have any reason specifically not to trust it.

The ethics of using AI academically
Raise your hand if you think there are situations where it is ethically okay to use generative AI: 8/8 raised their hands

Raise your hand it you think it’s ethically okay to have AI help you with a piece of work you’re doing for your degree: 4/8 raised their hands

Raise your hand if you think it’s ethically okay to give ChatGPT your notes and have it make an essay outline for you: 4/8 raised their hands

Biology: For science, it’s really useful to get a preliminary overview of a topic. The alternative is going through a lot of very dense papers that you might not understand, especially if you don’t even know the basics yet. But with AI, you can pull together sources quickly and get a brief overview so you have a rough idea of how to structure things. I don’t think it’s advanced enough yet to write a really detailed or good essay. So, I use it just for the overview, and then I put the sources together myself

Law with European Law: I’ve only really used it to understand cases. But it depends which level of ChatGPT you use. I figured out that if you use the normal version, it can make up cases, which is grand, but for some reason when you pay for it, all those problems go away. I use it to help with understanding cases and academic articles, but I never use it for submitted work. To be fair, I’ve also been given some AI software through my Disabled Students’ Allowance; stuff to make flashcards, and obviously Grammarly, which is very AI-heavy. So that’s quite interesting to me, that even DSA is now using AI-powered tools for disabled students.

People seem to be comfortable using generative AI to structure essays and give overviews. Is there a reason people aren’t using it to write their essays?

Compsci and Philosophy: I have a funny story about this. For one of my philosophy essays, I very stupidly chose an argument that, when I tried to understand it, made absolutely no sense. One late, sleep-deprived night, I uploaded the PDF of my draft and asked the AI to continue writing my essay. What it gave was way better than what I could’ve written, and it would’ve taken me ages. I highlighted the AI-generated parts in red and flagged this at the top of my essay. When I showed my tutor, they didn’t mind. I think tutorial essays are more for you than for them. It’s rude to hand in a fully AI-generated essay expecting a mark but you get what you want from the degree and your tutorials.

Would everyone feel comfortable doing the same thing and just labelling what was done by AI in red?

Law with European Law: I think for me there’s a sense of self pride, having come here off the back of my own hard work. I want to improve on my own skills and not have a robot do it for me, because if I suck at writing essays, that’s something I need to work on. If I struggle with essay technique, that’s a perfectly normal part of university life. But you don’t learn unless you make your own mistakes. I feel like getting AI to do it means you just don’t learn. Also, I just don’t feel proud, I feel guilty. I feel guilty, feel icky about it, because it’s not my work. It’s pure plagiarism, in my opinion.

University policy
If you all were advising Oxford University administration, how would you try and draw the line on an acceptable use policy for AI?

PPE 1: A big problem with making laws like that is that AI detectors are absolutely terrible, and because they are so bad at identifying AI, it would be a terrible university policy to say that if we detect AI in your work, you’re done for, because you can never be sure.

Law with European Law: To bring back the context again of disability usage of AI. If Grammarly is being used you can’t really penalize a student for that when that’s been the tools that they have been given to be able to be on a level playing field with everyone else. It’s okay using AI to a minimal extent, for example spell checking, word choice, grammar, especially in a disability context. Again, I’d also say that’s fine. Going beyond that and using it in an actual essay or in an exam, I would say goes beyond academic integrity.

PPE 2: I think that in some ways, it’s kind of like an arms race. This is less true in Oxford, where essays are graded individually, but in other universities where each essay is graded work, if everyone else is using AI, it then becomes difficult to do it all on my own while everyone else is using this tool. So, on a university level, regulators should be thinking, ‘what would I be okay with every single student in this university doing?’ I wouldn’t want every single university student to leave university having done all their readings through AI, having everything summarized by AI, and having written all their essays with AI.

Compsci and Philosophy: We shouldn’t just be thinking about the present state of AI, but also where it’s going. The fact is that this field is moving so fast, and I think we are going to have fundamentally radical transformations in the way our economy functions as a result of AI. We need a different approach to thinking about AI that equips people with the skills they will need in their future employment, rather than just sticking with what has worked for the past hundreds of years.

Biology: I think universities need to take an active approach to equipping students on how to use AI as a resource and a tool. For example, in biology AI is amazing at generating notes and resources, but at the same time it hallucinates and makes mistakes. Yet we are never taught how to use it. If universities say you can’t use AI for anything or discourage its use, then you lose out on learning this whole skill of working with AI. In the future, that is not going to be the case. We will not have future labs where all AI is banned.

Future job prospects
If you imagine the job you want five years from now… do you think AI is going to change it?

Law with European Law: I want to do music and the industry does not care about creativity being lost. It is just looking for a sexy single. So, it will just get AIs to churn out what the charts want. There is no actual individual voice there, but the industry does not care. That is something I am worried about. I do not actually see it necessarily taking away from artists’ individual artistry yet, but it is a worry considering the way the industry runs. The temptation will be there to just use it as a profit machine.

Biology: I think AI as it currently is does not have the ability to make massive changes. But I think the next system will replace a large number of principal investigators because AI will have knowledge from every single field. It will be able to identify new problems and directions much quicker and probably better than most principal investigators. It’s already doing that, but a culture change takes time.

Maths: Something I’m concerned about is that in the past we have had technologies that destroyed certain career options, like very few people are employed nowadays making saddles for horses. But it has always been the case that we were able to retreat to something else, like services and cognitive tasks. I am concerned that maybe there will come a time, perhaps in the near future, when there are fewer and fewer options for humans to retreat to, to work in. I’m not sure about the economics of how this all works out, but just naively thinking about it is concerning that the economic power of individuals will be really reduced.

PPE 2: I read something similar to that, where in the past a lot of technological innovations that actually led to jobs going down were tools meant to enhance human ability, whereas AI aims to mimic human abilities. So, I think it’s a very different kind of tool, where the end goal for AI is to replace the person, not just enhance their abilities.

Biology: But I think right now the economic incentives and everything are in line so that AI will be an agent replacing, if not all jobs, at least the jobs we would traditionally consider really high status. It seems like there will not be much meaningful work left to do.

Closing thoughts
Last one, how would you sum up your thoughts on AI?

PPE 1: I think there’s a risk it becomes a parasite that replaces human creativity entirely. Creativity, in many ways, is something that gives a lot of people a sense of purpose, and to have that replaced with AI seems completely pointless. It feels like the wrong thing entirely is being targeted. Replacing the things that people want to do rather than coming up with solutions to replace the jobs that people don’t want to do.

Philosophy and French: I find the current manifestations quite depressing really. Particularly, you know, with removing or eliding human interaction or just human effort, both in the ways that people are using it and in the way it reveals the incentives and how people think about things like educational creativity in society. I find it quite disheartening.

PPE 2: I think that, based on what we’ve seen so far, it’s had a net negative impact on the academic space in general.

Law with European Law: I think it has positive potential, but is it going to be used in that controlled, assistive way to enhance human efforts? No, I don’t think so. Because of economic incentives, the goal is basically to save costs and have AI perhaps do everything. That is why I am quite worried about how far AI will go.

Classics: There’s definitely a tension between what’s a morally acceptable way to use AI and what’s an intelligent way to use AI.

Biology: A key issue that very few people seem to know about is what the future of AI will be. This is not talked about enough. People often focus on issues AI taking away creativity but the idea of AI as more than just a tool that humans use, and how AI will be integrated into society along with the harm that could cause, these topics are rarely part of the wider discourse. I think this could potentially be very dangerous.

Maths: Today is the least capable that it ever will be. And it’s a very urgent question of; how do we control this? How do we situate in society in a way that, like, is net positive?

Compsci and Philosophy: I think we are living through completely insane times which could be the most transformative period in human history. I don’t think anyone is really taking this seriously. Society is not prepared for what is coming. Policymakers don’t understand what is happening, and progress just keeps accelerating. Soon AI will be able to automate AI research itself. According to Google’s report this year, AI is already generating 30 percent of code at Google and speeding up AI research. We are approaching a point where these systems will be vastly superhuman, and that moment is coming soon.

The Academic Panel

One of the Russell Group principles on AI that Oxford has adopted says that “Staff should be equipped to support students to use generative AI tools effectively and appropriately in their learning experience”, what’s your response to that?

Humanities Professor: I’m sure, in a fast-changing landscape, the central University felt there was no choice but to be proactive on these things. I think the adoption of that is wildly out of whack with the reality in most teaching spheres of the University. There may have been consultation of departments and faculties, but I can say that the majority of people do not feel consulted about that decision, and nor is it clear what the implications of it are. If you are, as an institution, adopting that position, then students would have a reasonable expectation of a certain level of literacy on the part of their tutors to help them navigate these waters. And we are absolutely not at that point. We have tutors, I imagine a number, who for ethical reasons or just fear reasons will never have laid eyes on a generative AI interface. They have just kept completely away from it, and they are not in a position to advise their students or to help them gain any kind of literacy.

Have you picked up on any changes in student attitudes to work since ChatGPT has started to get better?

Social Sciences Tutor: I only recently started teaching, but I do see that students are nervous about what generative AI means for them, the tools and skills that they need, and how it is affecting and changing both the job market and the political landscape. The sense I get is that beyond just, Oh, should I use it in my essays, there’s a deep unease and fear about what AI is doing to the socio-political landscape and students are thinking If ChatGPT can do it what’s the point? What I hope the fear around AI can do is prompt this deeper discussion of what is the value of the university.

Humanities Professor: One Oxford-specific risk I was thinking about as I was walking over here is that one of the impacts of AI has been to reinforce the commitment of some faculties to in-person exams. COVID had actually made it clear that certain alternative forms of assessment were possible, and effectively the arrival of ChatGPT killed those discussions. But that obviously carries a whole set of risks with it, right? I mean, we shouldn’t be committing to a mode of examination indefinitely because of fears we have about possible misuse of something. There are all kinds of implications in terms of gender disparities in performance, neurodiversity. My worry, to put it in a nutshell, is that Oxford structures allow us to avoid some of those problems, or those questions, rather than think about them. We can always say to our students, you know, use it if you want, but you’ll have to be there in the exam hall. We are hamstringing ourselves if we allow that to shut down the wider discussion.

Where is the limit between getting help from AI and where should we draw the line to where it is wrong for ethical reasons?

Social Sciences Tutor: I am what could be called an AI abolitionist. I think there are no use cases for it, and this goes beyond the education system. Even if there was a use case I think the environmental harms, the money flow, the kind of companies and politics you’re supporting by using it is enough to say absolutely no to any usage. I think it also disrupts students’ learning processes in terms of, like, what is the point of writing an essay? Which is that you learn, you learn how to think. You learn how to critically examine. And so, the problem is not that they’re deceiving us, the problem is that they’re that students are missing out on the opportunity to learn.

Humanities Professor: What concerns me about the open endorsement of certain uses of it, is that we don’t know yet what impact it has on people’s learning. I think in a world where students are feeling pressured into using it for tutorial essays we should think about ways to reiterate the basis of our pedagogy, which is predicated on this idea that, you know, if you write me bad essays, you haven’t wrecked your grade.

There are students turning to AI because they feel pressured but there are also those who feel it genuinely helps them with their work. It can be used to turn notes into flashcards, give prompts on grammar, and help you prepare for lectures. It’s not just giving it your essay question and saying ‘Write me 2000 words’.

Social Sciences Tutor: I think those types of usage result from a fundamental misunderstanding of what the technology is doing. It’s just an incredibly competent, environmentally destructive magic eight ball. It’s guessing; it’s literally producing bullshit. Which is not to deride the excellent other AI, non-generative AI tools like spell check. But what I would say to the kind of usage you’re talking about is that generative AI is being used because it exists, but if you were going to design a learning tool, it’s not how you would design it.

Humanities Professor: I’m pretty torn on this question because pragmatically of course I can see the appeal for students of these time saving techniques. There are menial tasks in my own research which I’ve been tempted to use AI for. I think to encourage and incorporate more reflection by students on their own learning processes would be valuable. Reflecting on why they’re using ChatGPT and what they’re getting from it would cut out the things people are doing out of fear and what people are doing because it’s genuinely useful. But as an academic institution, that should be a matter for thought and discussion, not just something that we rule on one way or the other.

Current University policy says “ethical and appropriate use” is okay, has Oxford gone too fast with that?

Social Sciences Tutor: My position, which I wish was the university’s position, is to say absolutely not. We will not pay to license any of these generative AI tools, and we will resist their adoption in any shape or form. This will never happen, but this is what I wish the policy was for two reasons. One is the environmental cost of the increased emissions. Second, if you look at who is running and benefiting from these companies, Elon Musk, Peter Thiel, the Maga movement. It’s being used to surveil people who are coming into the United States and putting them in ICE detention facilities. We can’t separate that. So, I wish the university’s policy was to say that we abolish and resist generative AI.

Is it too late?

Social Sciences Tutor: I don’t think so. Generative AI could go away like that *snaps fingers*. But there is a kind of nihilism and this sense that tech is imposed upon us. With AI, I don’t have to search out ChatGPT; everywhere I go, I am being subjected to AI. People go, oh, that’s just meant to be the way that the tech is. But it doesn’t have to be.

A lot of students expressed concerns about their future job prospects; what would you say to them?

Social Sciences Tutor: I think it is not that AI can do those jobs better. The only reason it looks like it can is because of stolen data from stuff that humans have already done. But that being said, it does not mean that AI won’t be used to cut costs. I think students are absolutely right to be despondent about what AI is doing. But, if Oxford mobilises or organises at the student level, at the academic level, it has a lot of power in what it can influence and decide to do. So, I’m despondent, but hopeful.

Humanities Professor: I would encourage students not to pre-emptively give up on ambitions they might hold on to on the assumption that AI is going to render their dreams obsolete. Technological changes of this magnitude that threaten to erase the significance of certain features of humanity, I think, end up generating a kind of irrepressible appetite for the distinctively human. I think it’s hard to feel hopeful without thinking in those very abstract terms. I’m not sure that’s much help to a student who’s worrying about their individual job prospects with an English degree or a history degree. But I do think that assuming the world into which one is moving is one where those things will just not exist, that feels premature to me.

Full Steam Ahead! Little Clarendon’s bougie bagels

Little Clarendon Street is known for its string of artisanal cafes, a place where the avocado toast enthusiast is spoilt for choice. Nestled beside Gail’s, The Steamhouse fits right in, serving an array of bagels, coffees, and pastries in accordance with its millennial aesthetic. Its interior is striking, and decidedly Instagrammable. With hanging plants and LED lights, it encapsulates the Pinterest ideal of the hipster cafe, cheerfully accompanied by a soundtrack of 2010s hits. 

Unfortunately, I caught them on a bad day – they’ve run out of halloumi… before 1pm. This wouldn’t be too much of an issue if it didn’t form the basis of most of their menu. In fact, halloumi seems to be the main ingredient keeping The Steamhouse afloat. Sorely mourning its loss, I go for the only vegan option available, the VLT, made up of ‘bacon’, lettuce, tomato, and black pepper ‘mayo’. The paucity of choice for vegans, and even vegetarians (with only three vegetarian options, all of which rely on halloumi), seems out of character for an eatery which projects a hipster, LA-style energy. There’s no shortage of options for meat-eaters, however. In fact, the menu almost privileges them, with an entire section dedicated to ‘deluxe’ deli meat bagels, complete with extras. The kitchen, separated from the dining area by only a counter, appeared flustered, quickly overwhelmed around lunchtime, and it took 20 minutes for my bagel to be prepared. 

Considering its price, it was a little disappointing, and could have used a more flavoursome sauce, but the bagel itself was perfectly chewy. The tater tots, on the other hand, were a highlight, with a crispy outside and pillowy interior. Regretfully, they do charge extra for sauces (even ketchup), yet the chipotle mayo had just the right kick to enhance the dish. To drink, I got the cherry iced matcha; it was delicious, not overpoweringly sweet as I had feared, although predictably overpriced. 

If you have the money (and time) to spend, The Steamhouse is a great place for lunch, with tasty food and laid-back vibes. A takeaway bagel eaten in the nearby Wellington Square on a sunny day makes for a great picnic – the proximity to G&D’s for a supplementary sweet treat is an added bonus. But without a student discount, and especially during a shortage of the halloumi on which they rely so much, the aesthetic alone might not be enough to keep the steam rolling.

Price: All bagels priced at £8.50, tater tots (£3.00), cherry iced matcha (£4.95).

Gregory Crewdson: How to remain relevant in the world of fine art photography

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For anyone embarking on their photography journey now, the world of image creation can seem very daunting. The market is oversaturated with photographers, all creating broadly similar and anonymous content. In such an environment, it is easy to feel a little overwhelmed if not helpless.

In such times, it can be helpful to look at some of the more unique photographers out there who have managed to gain public recognition through their singular vision. A prime example of this is the American photographer Gregory Crewdson. Born in 1962, he has a keen interest in creating scenes centred around small town America. The son of a clinical psychologist, his images combine a focus on the mundane with the uncanny, often unsettling narrative elements.

Crewdson, who obtained degrees in both photography and film history and in American literature uses photography as a means of telling self contained stories. The scenes that he captures are often very intimate and evocative, mirroring motion picture stills. In fact, his entire creative approach echoes that of big film productions. Working with crews of up to 100 people, Crewdson’s images are oftentimes taken on specially designed sets and highly choreographed. 

The resulting images are highly detailed and require the viewer to spend time studying their composition, props and lighting, as well as the various characters depicted in them. What emerges can at times make the viewer slightly uncomfortable. The photographer’s work has not without reason been likened to that of director David Lynch. 

Similar to the latter’s film Blue Velvet (1986), Crewdson has a keen interest in dissecting the American dream and depicting the seedy underbelly of small town America. Themes like alienation, death and decay all imbue his work with a slightly eerie tone that contrasts with the beauty of their lighting and scenery. 

Ever since his series Twilight (1998-2002) Crewdson has been perfecting his craft, culminating in his three series Cathedral of Pines (2013-2014), An Eclipse of Moths (2018-2019) and Eveningside (2021-2022). Not unlike the painters of old, Crewdson is a slow worker, spending weeks if not months perfecting every single image. Most of his photographic series only span a little over 20 pictures. 

However, for me, this is one of his greatest strengths rather than a weakness. Many people feel under pressure to produce and share work on a regular basis. This is particularly true for photographers operating in the fine arts space. The subsequent rushed style of photographic creation often leads to lackluster and derivative work. This is naturally not the case for every photographer. However, in a world in which people have to compete for attention and digital cameras have made it possible to take hundreds of images a day, overproduction is a real risk.

The lesson to be learned from Crewdson’s body of work is that one doesn’t need access to large scale production crews to create meaningful art. Nevertheless, carefully curating one’s pictures and spending more time on the conceptual phase might be beneficial to a lot of creatives. 

Especially in the coming years, fine art photographers will have to compete increasingly with generative artificial intelligence on social media platforms and in gallery spaces. Yet AI is currently a blunt tool at best as it is not able to generate images as intentionally detailed or narratively significant as those of Crewdson. Because of this, I believe that photographers will have to move into a space not unlike the one now occupied by him in order to remain relevant. 

The ability to create multi layered and stylistically coherent series of photographs will be what will be what sets photographers apart in the coming decades. Crewdson should be a model to anyone interested in following a similar path. His images draw the viewer in and make them pause. They can’t be glanced at but have to be taken in slowly, piece by piece. In a world in which everything, even image creation is becoming increasingly hectic, Crewdson’s approach provides a much needed slowdown of the pace.

Film photography: How I went from believer to sceptic

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I’m far from the first person to point out the recent revival of analogue technologies. Ever since the late 2010’s, both vinyl records and film have seen a steady rise in sales and consumer interest. Strangely this phenomenon is not as nostalgia-driven as one might assume. Most of the people who are buying vintage film cameras or roam around record stores are in their 20’s. They were born long after these technologies reached their heyday. 

So what is the appeal? To me it clearly seems that what these people are looking for is a sense of connection with these mediums. In a world where streaming platforms – such as Spotify – offer millions of songs and any smartphone is capable of taking good pictures, these things seem to have lost some of their materiality. We are virtually overwhelmed by an endless stream of choices, yet none of the songs we listen to or the pictures we take truly belong to us. They are virtual, intangible echoes.

Physical media like records, 35mm film and even DVDs do more than provide a reassuring sense of permanent ownership; they sell the consumer a tactile experience. The thrill of browsing for old vinyl discs in a store, the slap of an SLR’s mirror, the whirring of a DVD player revving up: these are all things that the virtual world cannot replicate. 

In a world where everybody seems to suffer both, from a sense of audio-visual overstimulation, and a lack of connection with the things they consume, these outdated technologies seem like the perfect antidote. I certainly believed so – and it seems many in my generation feel the same. But lately, there is something about the modern film photography culture that I have found increasingly troubling.

I first began my film photography journey during COVID after purchasing an old East German Pratika SLR at a flea market. It was a simple but durable camera that made for a fun shooting experience. Soon, I upgraded to a nicer Olympus and even ventured into medium format photography. What drew me in wasn’t just the grain and colour rendering of the film, but above all, the idea of being able to freeze a moment in time on something tangible and lasting. Once an image is fixed on a negative, it can no longer be modified or removed.

Film negatives can last over 100 years and possess an effective resolution not dissimilar to that of a modern day digital camera, if developed and enlarged correctly. In an era where manipulating images via photoshop or generative AI has become frighteningly easy, film photography seems to offer up a sense of authenticity. What you shoot is what you get. 

But that promise of authenticity is often wasted. Surveys reveal that most people never collect their negatives from the lab after having their film developed. 

Instead the majority of film photographers  shoot film purely to obtain digital image files to upload on social media, discarding the actual pictures taken. This is baffling, especially given the ever increasing price of film. The average “budge” roll of 35mm consumer film, with development and scans, costs about £24. More premium options easily doubling this price. 

Given the financial struggles of our generation, this is clearly not sustainable. By not developing and printing their film, many miss out on the analogue nature of analogue photography. They not only enhance the shooting experience, but also bring the cost of film down dramatically. However, few people today are privileged enough to have access to darkroom facilities. 

So what’s the alternative? Consider this: professional digital DSLR’s from about 10-15 years ago provide much of the same experience as film SLRs without the hyper digital nature of modern mirrorless cameras. You look through a real viewfinder, not a screen. You hear the satisfying click of a mechanical shutter when you take a shot. These cameras are sturdy, affordable and take characterful images.

While they don’t fully replicate the film experience, their more manual nature should make any casual film shooter happy whilst saving him or her a lot of money. Although digital SLRs won’t be able to fully replace the joy of developing and seeing physical negatives for the first time, they still provide an enjoyable semi-analogue experience. Personally, I’ve decided to relegate my film cameras to the role of decorative objects on mantelpieces. Unless film prices drop drastically in the coming years, that’s where they’ll have to stay. As for their replacement, I decided to invest in an old Canon 5D Mark II, an insider tip for all those on the lookout for a digital SLR. 

Inclusive music venue set to open on Little Clarendon Street

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A local charity is set to open a new music venue on Little Clarendon Street, aiming to create an inclusive space for women, transgender and non-binary people.

YWMP is a grassroots organisation that was set up 25 years ago, though its project on Little Clarendon will be the first physical hub for the Oxford-based group. The charity focuses on working with those aged 14-25, and the venue on Little Clarendon Street aims to help fill the gaps in spaces for young people in the city.

The founder of the charity, Zahra Haji Fath Ali Tehrani, told Cherwell that “there is a tiny youth provision in Oxford. Youth clubs have been shut down and there aren’t really spaces for young people to hang out, especially those who are most marginalised in the community.”

One of the inspirations behind the project is to contribute to a healthier gig culture in Oxford, as according to the charity it is not currently centred in safety. The founder of YWMP explained to Cherwell that the culture of live music is “one of the main reasons why we are trying to push for this. We want to disrupt how gig-going culture is so that most people feel they can show up and be supported when they see their favourite musicians play.”

The venue will be on Little Clarendon Street, next to Common Ground Café, a social coworking space and community arts hub. Cherwell has previously reported on the University of Oxford’s annexing of Common Ground for its redevelopment plans of Wellington Square buildings. The University plans to transform the “life-expired and poor performing” building that houses Common Ground into a state-of-the-art academic facility.

Costs for the venue have been covered for the first three years by Youth Music, a national charity that has provided financial support to music-based projects since 2009. YWMP’s founder told Cherwell that “Little Clarendon is not a choice, as we would never choose to be in North Oxford as it is a very wealthy area. We are very grateful this opportunity has come up, but it is not a choice. We don’t know how we are going to sustain this, with the pressure of the space potentially being knocked down, but our lease is until December 2026.”

However, they described the opportunity to run the venue as a stepping stone to learn how to run their own space. “We are not going to stop here, and we hope that it just brings people together,” they remarked. The founder of YWMP explained that they hope to have an impact on the rest of the wider Oxford music scene, and want to encourage other venues to work harder to be more inclusive.

The venue is set to open in July 2025.

Summer Eights day one: Live updates

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09:44 – I’m locked in at the OSPL office, eagerly awaiting four days of scintillating Summer Eights. The atmosphere at the river is absolutely electric. I don’t think anyone’s even there yet but that doesn’t matter.

12:10 – 5 minute gun goes off for Women’s Division VII, headed by St Anne’s College W2.

12:29 – Big movement in the first race of the day! Jesus W3 bump Keble W3, unfortunate for the latter who were close to bumping themselves. Wadham W3 were next to bump, taking down Exeter, before Somerville bump Reuben College. St John’s W3 also managed a bump on Queen’s W3. Throughout the race, from Long Bridge to the very end, Anne’s and Worcester were locked in a dog-fight, Worcester W3 at one point having a quarter length on Anne’s. The crew that started the race from the lead held strong through, and rowed over to become the sandwich boat for the Division VI race at 13:15. Next up is Men’s Division VI, headed by Hertford.

12:40 – 5 minute gun for Men’s Division VII. Comment from St Anne’s cox Ben O’Donnell: ‘Whole crew leaning out and pushing off.’

13:08 – Plenty of movement in the Men’s Division VII too. The Klaxon sounded due to a swan impeding the racing line in the gut, meaning Pembroke were unable to catch Hertford (who had a large gap behind them at the Long Bridge) at the headship after St Anthony’s O2 bumped Worcester O3. Wadham bumped St John’s, Balliol bumped Queen’s and St Hilda’s bumped Queen’s to get out of 85th [overall] place.

13:49 – After Pembroke catch a nasty crab, Anne’s bump to move into Division VI for tomorrow. St Catherine’s bump Anthony’s to move up towards the top, while Exeter bump Mansfield to become the sandwich boat for the Division V race at 14:15.

14:17 – HUGEEE DRAMA in Men’s Division VI. Green Templeton row over at the head to become the sandwich boat for Division V, but in Balliol’s effort to catch second-placed Linacre, they impale a houseboat. After John’s had already bumped New, Hilda’s bumped Univ, and Mansfield bumped Oriel, it means that Teddy jump all the way from third-last to third-placed in the Division for tomorrow, that’s just the third triple overbump ever. Unfortunately for Hertford, none of that drama meant that they could bump. As a result, they’ll have to do it all over again tomorrow.

14:43 – Hertford the only crew to row over in Women’s Division V. After a long chase by Jesus that brought them almost all the way to the end, Hertford were saved by a Reuben crew that send a heartbroken Jesus tumbling back six places. The other bumps from the race were as follows: Teddy bumped Hugh’s to move to third in the Division, New bumped Regent’s right behind them (both of these bumps occurred to allow Reuben their monumental overbump). Somerville bumped Balliol, Merton bumped St Peter’s, and Exeter claimed their second scalp of the day, bumping Queen’s to jump up a Division ahead of tomorrow.

15:16 – Men’s Division V sees a return to normality after the impaling incident. Merton row over to take on the sandwich boat role for Division IV, while Reuben bump Exeter and Queen’s bump Jesus. Univ bumped New near the bottom of the Division, but representatives from both colleges have been called to the marshalls for a review…

15:53 – In Women’s Division IV, in a slightly bizarre turn of events, only one boat (Christ Church at the head) rowed over, but there were no overbumps as Oriel bumped Magdalen, Wadham bumped Linacre, Green Templeton bumped Lincoln thanks to some smart coxing near the end, and Worcester bumped Brasenose in a similarly thrilling at-the-death affair. To round out the division, Keble bumped John’s to begin their ascent up the ranks, and Hertford bumped Wolfson to start tomorrow in front of the sandwich boat.

16:13 – St Anne’s M1 comfortably row over in Men’s Division IV, and will be chasing Somerville in the Men’s Division III later, while St Cross consolidate their position in the Division by bumping Catz M2. It was one of the less eventful races of the day so far, as the other bumps included St Peter’s bumping Magdalen M2, Brasenose M2 bumping Teddy M2, and St Hilda’s bumping Keble M2.

16:38 – Very few bumps in Women’s Division III. Just Queen’s overtaking Worcester near the top of the Division, and Univ bumping Corpus Christi near the bottom. So Christ Church will have to have another go at moving up tomorrow, while Somerville will get their chance at chasing Trinity in Division II at 17:15.

17:00 – St Anne’s M1 manage to bump Somerville M1 fairly early on to move themselves up to Division III, earning themselves a later start tomorrow. Meanwhile at the front, Exeter M1 powered through at the head, comfortably securing the sandwich boat spot, where they’ll be chasing Brasenose. Meanwhile, Wolfson bumped Corpus, and Univ bumped Linacre.

17:42 – Plenty of movement in Women’s Division II, yet just like Women’s Division IV, none of which comes in the form of overbumps. New concede to Lincoln at the head of the race, so the latter will have the opportunity to elevate themselves to Women’s Division I at 18:15, and Jesus will be their target. Hertford ended up pretty lonely in the race, being the only team to row over. Somerville bumped Trinity to move up, while Merton bumped Catz, Linacre bumped Exeter, Green Templeton bumped Anne’s, and Lady Margaret Hall bumped Mansfield.

17:53 – Men’s Division II starts off with a bang as LMH, Jesus and Merton all jostle near the lead. Merton began to overlap on Jesus, but all the while Jesus had managed to gain a quarter length on LMH. In the end, Jesus are forced to concede, leaving LMH to row through to sandwich position. Lower down in the rankings, St. Hugh’s manage to bump Catz, and Worcester bump Lincoln. Exeter also pull off the bump on Brasenose, sending the latter down to Division III for tomorrow.

18:20 – WADHAM TAKE THE HEADSHIP IN WOMEN’S DIVISION I

18:33 – For the third time today, only one boat has rowed over in a Women’s Division. This time round that was Balliol, who hold on to seventh position. Pembroke bump Univ to move up to third, while Wolfson bumped Teddy to swap sixth for fifth. Behind Balliol, Keble bumped Oriel, Magdalen bumped John’s and Lincoln bumped Jesus in the battle for Turl Street, which means that the former will start racing tomorrow in Division I. Lots of the bumps allegedly occurred as a result of Christ Church, who stopped in the middle of the river after being bumped by Wadham. By congesting the river, the gaps between the crews narrowed dramatically.

18:44 – One minute gun goes off for the last race of the day: Men’s Division I.

18:52 – Oriel retain Men’s Headship.

19:03 – It was a much more subdued affair in the Men’s Division I, as Oriel rowed over comfortably, easing off in the final stretch with no competition even close to pressing them (having a few Olympians might help with that). There were plenty other extended chases however, as New reeled Teddy in until the bump was inevitable, and Wadham eventually conceded to Trinity after some considerable pursuit. Elsewhere in the race, Wolfson bumped Keble to move up into third in the Headship, and LMH failed to convert their opportunity to move up, and will head back to the top of Division II tomorrow. That wraps up today’s racing, which has been filled with some manic races, drastic crashes, and the eventual changing hands of the Headship on one side. With three days still left though, there’s a lot of rowing still to be done…