Sunday, April 27, 2025
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German Expressionist film: A beginner’s guide

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With Robert Eggers’ remake of the classic vampire horror Nosferatu taking the world by storm, now is a great time to look back at the cinematic legacy that precedes it. The original Nosferatu – directed by F.W. Murnau in 1922,– sits within German Expressionism, a cinematic movement of stark, stylised visuals, externalised emotion, and a refusal to conform to realist approaches to storytelling. 

To aid anyone interested on their journey into the wonderful world of German Expressionist film, I present this brief list of recommendations (all of which should be available on YouTube or the Internet Archive, free of charge). Viel Spaß!

Nosferatu: Eine Symphonie des Grauens (1922)

To start with, we have the iconic horror flick that inspired Robert Eggers’ Nosferatu (and Werner Herzog’s Nosferatu the Vampyre from 1974). Although it doesn’t feature the jumpscares and graphic imagery that aid the scares in Eggers’ version, Murnau’s Nosferatu: A Symphony of Horror uses light and darkness to create ominous visions of Nosferatu the vampire terrorising his victims. Look out for the legendary shot of Nosferatu menacingly ascending a staircase, cloaked in shadows, towards the end!

Das Cabinet des Dr. Caligari (1920)

Widely regarded as the most famous example of German Expressionist cinema, Das Cabinet des Dr. Caligari (or The Cabinet of Dr. Caligari) is another horror film. Centring around a series of murders amongst a community visited by a travelling circus, the characters of the mad ringmaster Caligari and his sleepwalking protégé Cesare are some of the most iconic from this era of cinema (and arguably from cinema full stop). The uncanny, jaggedly constructed sets are brilliantly visceral externalisations of the horror that lives within.

Metropolis (1927)

Clocking in at a whopping two-and-a-half hours, Metropolis is certainly a commitment but absolutely worth the time and effort. Featuring stunning visuals and groundbreaking special effects that remain impressive today, Metropolis depicts a dystopian society where the rich live in opulence on the surface while the workers toil in squalor underground. Metropolis is also an early example of  sci-fi on film, featuring mad scientists and robots galore.

Der Letzte Mann (1924)

Here is another film by F.W. Murnau, but one that is very different to Nosferatu in both tone and subject matter. The film centres around a nameless, aging hotel doorman as he grapples with the loss of his identity after losing his job to a younger man. Despite a rather bizarre plot twist towards the end, Der Letzte Mann (or, to give it its adapted English title, The Last Laugh) provides a fascinating exploration into the dynamics of a community, and considers both the juxtapositions and similarities that exist between the rich and the poor in society. The film also features some fun technical shots akin to those found in Metropolis.

Asphalt (1929)

The conflicts that can arise from emotion versus duty sit at the heart of this drama, which depicts the relationship between Elsa, a glamorous jewel thief, and Albert, the young policeman who catches her stealing. Displaying the opulence of Weimar society before the economic devastation of the Wall Street Crash, Asphalt explores the lengths to which it is morally permissible to go for love, and the destructive fallout that can come as a result. Similarly to Der Letzte Mann, Asphalt has a more realist tone than some of the other films on this list, but does feature commonalities in cinematic technique, such as the use of emotive close-up shots and shadow. 

Bonus: Mädchen in Uniform (1931)

Although falling just outside the prime years of the German Expressionist movement, which had its heyday in the 1920s, it would be remiss not to recommend this groundbreaking example of LGBTQ+ cinema from the broader Weimar era. Set in an all-girls boarding school, Mädchen in Uniform (or Girls in Uniform) centres around new student Manuela, depicting her romantic obsession with a benevolent teacher, Fräulein von Bernburg. Themes of authoritarianism, childhood innocence and femininity run throughout, the latter of which is ensured through the film’s all-female cast.

What To Expect When Applying for Rentals Online

Applying for a room or home online involves filling out an online rental application. But is it really as simple as that, or is there more to it? In this post, we’ll show you how to navigate the whole application process and avoid disappointment, especially as a student looking for affordable housing in a competitive market.

Documents You’ll Need for Rental Applications

Before applying anywhere, make sure you collect the necessary documents. The specifics often vary from one application to another, but you’ll generally have to provide:

  • Proof of your identity (such as a driver’s license or student ID)
  • Proof of income (such as bank statements)
  • An overview of your rental history
  • Details on your contract’s potential guarantor

These documents give the landlord confidence that you’re legitimate. They’ll know you can keep up with rent and that you’re who you say you are.

Many student rentals require a guarantor—usually a parent or guardian—to co-sign the lease. If you’re an international student, some landlords may require you to pay several months’ rent upfront or use a third-party guarantor service.

If the landlord is open to pets, you’ll likely need to provide information about them. For example, does the pet have all its necessary vaccinations? You might even arrange “pet references” from people who can vouch for their behavior.

Rental Application Fees

Even the application process itself could cost a pretty penny. The landlord will likely charge a fee to finance background checks and other administrative processes. Depending on the state (and your landlord), you can expect an application fee of around £20-50 in the UK.

Luckily, UK law prevents excessive rental application fees. The Tenant Fees Act 2019 prohibits landlords from charging excessive admin fees, making it easier for students to apply without hidden costs.

How To Avoid Disappointment When Applying for Rentals

There are scams and problems lurking around every corner. You’ll need more than luck to avoid problematic rental listings. Here are seven ways you can proactively steer clear of disappointing homes:

  • Read the fine print: Check the listing over repeatedly. Make sure you’re clear on the landlord’s pet policy and that there are no other red flags.
  • Contact landlords: Most platforms let you directly message or contact a landlord. You’ll have a chance to ask any questions before formally applying.
  • Be quick: The best homes on the market go quickly. Turn on email notifications to learn as soon as a good property becomes available.
  • Arrange a viewing: Photos alone won’t tell the full story. See the home for yourself, and you’ll get a better idea of if it’s the place for you.
  • Set your budget: You can’t enjoy a property if you’re struggling to keep the lights on. Be honest about your rental budget, and never go beyond it.
  • Avoid peak season: In most states, rentals are more expensive in summer. If possible, look for somewhere in winter for cheaper rates.
  • Use advanced search: Online platforms let you calibrate a search to your needs. Some sites (such as Zillow) are even using AI for better searches.

The Tenant Screening Process

Your landlord will want to know they’re renting to someone dependable. Proof of income alone is rarely enough to give them peace of mind. They’ll usually want to conduct a background check to ensure you don’t have any undisclosed convictions.

In addition, they’ll look for a healthy credit score of roughly 700 or higher. These numbers show how well you can pay loans back if you earn any outstanding debts. If yours is significantly lower than 700, your landlord might ask you for a guarantor.

They’ll also ask for references. On paper, your application fee goes towards these checks. If you keep anything from your landlord, you’ll face an uphill battle to get their approval.


Arranging Your Tenant References

Every landlord handles references differently. They might ask for a professional reference to see if your job is legitimate. Put down your employer’s name and contact details. If you’re freelance, you could add your accountant or biggest client’s information.

Your new landlord will almost always want to hear from your previous one. They’ll then find out if you have any prior evictions or problems with paying rent. First-time renters can instead use personal references from somebody who knows them well.

Before adding somebody’s information, contact them to make sure it’s okay. Even if you know it is, give them a heads-up. They’ll know to expect the landlord’s call or email.

Your Application Timeline

The landlord will likely get dozens (possibly even hundreds) of applications. They’ll need time to sort through each one. After about a week, you should have their decision. However, two weeks of radio silence is likely a no.

If the landlord approves your application, you’ll receive the rental contract within a few days. You may even be able to move in within the week. Always ensure you check the lease before signing to avoid any nasty surprises.

Conclusion

Online platforms make rental applications much simpler for both sides. However, the process still requires certain documents, absolute honesty, and a strong understanding of rental market trends.

For students, especially those in high-demand areas, preparation is key. Be aware of scams, plan ahead, and know your rights as a tenant to avoid costly mistakes. With the right approach, you can secure comfortable housing that suits your student lifestyle.

“All faiths and none?”: What college chapels can offer their students

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The rustle of a scholar’s gown. Dappled evening light glowing behind a stained-glass saint. The crackling of a candle being lit. The college chapel can easily feel removed from the 21st century university that surrounds it, with its breakneck pace and crushing deadlines. The robes, Latin hymnals, and retention of original features from centuries long gone by can almost convince the casual chapel-goer that they have stepped back in time… If they can ignore the digitally printed service card and electric lighting, that is. The chapel is a distillation of that special appeal of Oxford; surrounding oneself with that which is medieval, time-weathered, enduring. 

That appeal, of course, raises a question: what is the place of the college chapel in the modern University of Oxford? In a community of which Christians, particularly Anglican Christians, are a minority, why does this particular set of religious forms and norms have an institutional place unlike any other? Chapels and their chaplains purportedly serve the multiplicity of faiths and belief systems Oxford houses – the phrase “all faiths and none” is beloved by Oxford chapels when describing their communities. At a glance, however, the Oxford set-up is an incongruous one: a largely non-religious population with a pastoral and welfare infrastructure which involves religious ministers.

How did we get here?

College chapels have been a part of Oxford life almost since the start of the University itself. The academic community in Oxford began to formalise its organisation in around 1249, with the founding of University College, originally intended to support masters of arts studying divinity. However, it was Merton College that first constructed its own purpose-built space for its academics to pray, sometime in the 1280sOnly later would the modern Christ Church College spring up around the older site of St. Frideswide’s priory. It became the city cathedral in 1546 at the order of King Henry VIII, head of the newly established Church of England. 

The histories of Oxford University and the English Church are pretty inextricable. After all, Theology was one of three subjects awarded its own degree in the early University, alongside Medicine and Law. In the medieval period, scientific and theological knowledge were not distinct. When Philip Pullman chose to begin His Dark Materials, a story about an all-powerful world church, in Oxford, it wasn’t just because of his familiarity with the scenery. It was because the idea of the University being at the heart of the Church was drawn straight from history. 

Oxford was a site of high drama in the formation of Anglican Britain. A cobbled cross built into the pavement on Broad Street marks the spot where prominent Protestant theologians were burnt alive during the reign of the Catholic monarch Mary I. The city housed the ‘counter-Parliament’ of Charles I during the English Civil War, a conflict with heavy religious strains. During the 19th century, it was the centre of the ‘Tractarian’ movement, which argued that the Anglican Church was not unique, but a branch of the historic Catholic Church. Throughout most of the University’s history, the chapels were not spaces peacefully removed from the political upheaval of the day. They were at its core.

A changing landscape

Today, however, the picture is very different. Conflicts within Christianity are no longer a major factor in politics or academia. Furthermore, people’s personal beliefs have greatly changed. According to data collected by the University in 2020, 55.4% of its undergraduate population had no religion. Of the 32.7% who professed to have a religion or belief, only 22.9% were Christian. Of these, given the proportion of Anglicans in the British Christian population, less than a third are probably adherents of the Church of England, especially when the University’s large international population is taken into account. 

It’s hard to get a sense of the significance of these figures, as historical statistics on religion are tough to find and dubious at the best of times. However, the British Social Attitudes survey, which put the Christian population of Britain at a little over 60% in 1985, would indicate a marked decline, even if Oxford is more diverse than the country at large. The predominance of Anglican forms among college chapels, then, is a little at odds with the population of the University as it exists today. 

A home for all?

Most chapels are very explicit that their services and other events are open to people of “all faiths and none.” The diversity of college chapels and their chaplains means that it is impossible to generalise the experience of chapel life for students. While older colleges are bound by their royal charters to provide ‘divine service’ in accordance with Anglican liturgy, they are by no means the only model. More recent additions have brought variety to Oxford’s chapels.

Harris Manchester College has a Unitarian chapel. Mansfield College roots its chapel in a nonconformist traditionadvertising talks on queer spirituality and social justice issues. At Somerville College, chapel service is centred around ‘Choral Contemplation’. It reimagines the Oxford choral tradition, aiming to make it a place for “all faiths and none”. Somerville’s present chapel scholar and director, Arzhia Habibi, is of the Bahá’i faith, which emphasises the oneness of all religions. Though Anglicanism predominates in Oxford chapels, their gatherings can be a space for a wide range of students.

The brick and mortar of the chapels reflect historical faith movements just as much as their service cards. Student opinion on their suitability varies. In response to a Cherwell survey, some students said that the Anglicanism of a college chapel doesn’t necessarily impede its ability to be a space for all students. One respondent, not themselves a Christian, argued that “we shouldn’t let this traditional aspect… be an issue.” Others were more concerned. Several believed that, while non-religious students might not be put off participating in chapel life, students belonging to a religion other than that of their college chapel might be more alienated. One said that their chapel, as a “decidedly Anglican” space, was “exclusionary as a place of worship to non-Christian students”, while another pointed to the history of discrimination against non-Anglican Christians in Britain. According to them, a “hegemonic, institutional view of organised religion has no place in the modern university.” Chapels might welcome visitors from a range of religious backgrounds, but students seem ambivalent on whether this affects their actual impact.

A world away

Perhaps such concerns might be balanced out if the chapel is treated as more than just a religious space. Most chapels are designed to make the visitor feel as if they have stepped into a demarcated area, away from the parts of the college focused on education. The ante-chapel, the cross at the top of the capital T that forms the basic plan of several college chapels, marks a transition from the humdrum to the profound. 

This intangible quality was a common response to the question of the college chapel’s place in the modern university. One student called their chapel “an escape, a place of calm and peace.” In an environment like Oxford, oriented so completely towards productivity, this is a valuable thing. In the words of another student, “in a university where studying can feel endless and hectic and weeks seemingly merge into one another, college chapels (or at least my college chapel) offers an opportunity for reflection and stillness.” The Revd Dr Jane Baun, chaplain at Wadham, told Cherwell that during the COVID-19 pandemic, she was concerned to protect the chapel as a non-educational refuge, against thoughts of deploying it as a socially-distanced lecture hall

However, some found it off-putting that such relief was only offered in a religious context. One respondent made the case that while they tried “to appreciate the ‘peace’ and ‘vibes’ of these visually appealing historic buildings”, they were perturbed by their knowledge of the “tainted history” of the Church. For many students, Christian iconography signifies long histories of colonialism, patriarchy, and racism, although Christian ideas have been re-appropriated by movements for the liberation of marginalised people as well. 

In fact, one Harris Manchester student saw their chapel as a catalyst for social consciousness. They spoke of the ethos of Unitarianism as a commitment to “truth and justice.” The range of speakers that are invited to address college chapel services indicate an effort to move away from a solely religious space. Representatives of various clergies appear, but artists, poets, scientists, and historians are often equally welcomed.

Still, chapels can’t be totally separated from the knowledge factory of Oxford. In many colleges, chaplains are a part of the infrastructure provided to students for pastoral and welfare support. Knowledge with religious bases can be helpful in day-to-day wellbeing, and chapel life seems for some to be a way to focus on mental, and spiritual, wellbeing in an environment that too often neglects it. However, there is something of a tension between the relief that a chapel is supposed to provide and the welfare system at Oxford, often focused just on restoring the student’s ability to work. Dr Baun told Cherwell that she was glad that welfare services are becoming more professionalised, so that full-time, fully secular members of non-academic staff are there for the student body.

The chapel can offer a space in which knowledge is absorbed, rather than reproduced around a tight tutorial deadline. Such opportunities should be extended as far as possible, and perhaps, in order for them to be extended to the non-religious or non-Anglican, beyond the chapel and into a wider variety of University spaces.

Common ground

There is no way to find the common thread connecting every person’s experience of chapel life. For some, the cold glare of a saintly statue and heavy-handed liturgical references to the virtue of virginity will be too much. For others, even those who are not religious, there is meaning in coming together with others on a Sunday evening, in the same way as people have gathered in that same space for centuries. Dr Baun lightheartedly referred to Wadham’s Sunday evensong as a ‘gathering of the tribe’.

Perhaps that is the most meaningful contribution of the college chapel. It is imbued with the generations of scholars and students who have passed through Oxford, each with their own ideas and inner lives. Every worn-down step or smoothened pew is a reminder of being a part of a greater whole, and not just in the college or university. Not every historical legacy associated with world religions is a comfortable one, and no two people will quite agree on the best way to reconcile tradition with modernity. Other parts of the built and lived-in environment might offer the same feeling. But if something can remind you of your own smallness, even just with its bricks and mortar, then maybe you can allow yourself to take a breath. Against the weight of time that these architectural relics represent, that deadline seems a little less crushing.

Unhappy feet? Uni on thin ice over welfare penguins

To encourage students to complete the Bodleian Reader Survey this year, a prize was offered to the college from which the most students responded to the survey – a visit from one of: an ice cream van, welfare alpacas, or welfare penguins. This offer generated a buzz, and we saw students expressing their hopes that their college would choose the penguins. Following a letter from ourselves and others in the Biology Department, the Library decided to remove penguins as a prize option and committed to not using wild animals in this capacity again. But what’s the problem with welfare penguins? And where does such an idea come from in the first place?

The concept of welfare animals is not new, with dogs, goats, and alpacas being the staple of many student union events across the UK. Penguins, on the other hand, are a less typical choice of animal for this role. Heythrop Zoological Gardens, however, regularly provide Humboldt penguins for ‘welfare’ visits to sites across England including universities, care homes, hospitals, shopping centres, ice rinks, and to Harris Manchester College in 2024. Three penguins were held on a small, fenced square of astroturf with a tent for cover and a paddling pool for water, while students loomed above them.

A letter from members of the University condemning the action was met with a response from the College stating that Heythrop had the appropriate licences to undertake such activities, and that “these particular penguins are used to human contact”. However, considering the welfare of the penguins, as Zoologists we believe that these reasons are inadequate. Animal welfare is a complicated subject, as most animals cannot express their needs, and we frequently misinterpret their behaviour. Currently, the Five Domains model is the best-established model for assessing animal welfare. The framework accounts for both positive and negative welfare effects, and by assessing the animal’s nutrition, physical environment, health, behavioural interactions and mental state we can assess how well their needs are being met. This means that animals require not only food, water, and shelter but also environmental enrichment and the potential for social interactions with their own species.

The situation at Harris Manchester will likely have resulted in an overall negative impact on the welfare of the penguins for several reasons. Studies have shown that penguins respond slightly more positively to bigger spaces, room to ‘escape’ from humans, and access to larger water bodies but have elevated stress levels when humans get closer than 2m to their enclosures. This is particularly true for Humboldt penguins, who may perceive humans as potential predators. As seen in social media coverage of the event, these conditions were not met for the Heythrop penguins at Harris Manchester.

It could be argued that penguins can become habituated to human contact, and to some extent this is possibly true. Some zoos have designed penguin-visitor interactions, with neutral or even slightly positive responses from the penguins, but these encounters were carefully controlled. Penguins had the option to leave the area with humans at any time, were provided with enrichment such as laser pointers, and the humans sat quietly on a bench, did not interact directly with the penguins and did not take photos. This is a far cry from what the Heythrop penguins experience when they are handled by many unfamiliar people. Furthermore, the penguins must endure the stress of transportation between these locations, with birds known to be very sensitive to noise disturbance.

Heythrop Zoological Gardens, when contacted for comment, stressed that the penguins were trained and used to human company, and have become “gradually desensitised to any possible stress” from these interactions. They said the penguins were in a temporary enclosure for “a maximum of three hours”, that they are familiarised with transport, and that all handling is through experienced penguin trainers. Heythrop argued that such experiences help conservation and “a sense of connection with nature”.

We argue that this exploitation of animals by Heythrop Zoological Gardens is completely inappropriate and results in poor welfare for the animals. Welfare opportunities for humans do not need to come at the expense of animals. Contact with nature provides multiple benefits for human health and wellbeing. This could involve visiting a nature reserve, tree planting, or outdoor meditation, all of which are more immersive than ogling at some fenced-in penguins.

We commend the Bodleian Library’s decision to remove the penguin ‘prize’ as an option. If the wider University and colleges truly care about welfare – both human and animal – then a policy should be developed ensuring that the needless exploitation of animals for student’s entertainment no longer occurs on campus.

Have an opinion on the points raised in this article? Send us a 150-word letter at [email protected] and see your response in our next print or online.

Shakespeare and the ‘Dark Lady’

Shakespeare is undoubtedly the most well renowned English playwright. Thus, the chance that the bard might have been strongly influenced by a woman, as early as the 17th century, would mean something truly radical, redefining how scholars read the dramatic canon and place women within its landscape. The influence of Æmelia Lanyer is something that has been debated and discussed, with scholars ranging from identifying her as the ‘Dark Lady’ to thinking her the real Shakespeare. But who was she, and what is the actual evidence?   

But who was Lanyer? Lanyer was a pioneer in women’s writing. She was one of the first women to publish poetry in her own name, designed to attract patronage, and ‘Description of Cookeham’ was even one of the first country house poems.

She was brought up by an Italian-Jewish family of musicians, the Bassanos. After the death of Lanyer’s mother, it is suspected she became mistress to Baron Hunsdon, Lord Chamberlain of Elizabeth I. Her fairly liberal access to education, and musical ability, landed her in the charge of Llady Anne Clifford, daughter of Margaret Clifford, Countness of Cumberland. To enter this domestic sphere was to enter into sympathy with a woman fighting for economic autonomy – Margaret Clifford was in conflict with her husband, who wished to deprive his daughter of inheritance and neglect his financial duties towards his wife. Clifford acted as Lanyer’s patron, and thus ‘Description of Cookeham’ is dedicated to her.  

So why is Lanyer so linked to Shakespeare? Lanyer’s affair with the Lord Chamberlain would likely have put her into contact with the Lord Chamberlain’s men, the most prolific Elizabethan playing company, which Shakespeare was a part of. This is why many suspect that Lanyer and Shakespeare had an affair, or at least met. But is there any textual evidence for such an encounter? Well, many have ascribed Shakespeare’s strikingly modern instances of female characterisation to Lanyer’s influence. Her namesake in Othello, Emilia, argues something very similar to Lanyer’s poem ‘Eves Apologie’: ‘I do think it is their husbands’ faults / If wives do fall’. As Emilia subverts the blame of women for poor behaviour, pinning it on the patriarch of the marriage, Lanyer asserts that Original Sin is not the fault of Eve, but of Adam, who had more agency as a man to exercise judgement, but transgressed anyway. It does seem idiosyncratic for a Renaissance man to write characters who make such radically subversive political statements. Furthermore, Shakespeare’s Bassanio, in The Merchant of Venice, sounds surprisingly similar to ‘Bassano’, Lanyer’s maiden name. This is certainly striking circumstantial evidence, and might suggest that Lanyer had influenced Shakespeare’s works, at least.  

But many scholars identify the potentially negative social implications of attributing Shakespeare’s works to Lanyer. For a start, feminist scholars are concerned today that identifying Lanyer as the ‘Dark Lady’ takes attention from her own merit as a poetess. She becomes not a female pioneer, but merely a propellent of one of English dramatic history’s most famous men. Similarly, many believe that Lanyer was Shakespeare’s real identity because she had a background with courtly education, in fields such as Latin, which the Bard’s plays hold numerous references to. The assumption that Shakespeare could not have written his own plays, due to his yeoman status, has been decried as a fundamentally classist one. Many see Lanyer and Shakespeare as coincidental contemporaries, and argue there is no evidence that they had any close liaison, though they might have met. Has the history of English drama been corrupted by conspiracy theorists, who merely share a love of gossip and scandal?  

Overall, there is certainly circumstantial evidence that Lanyer and Shakespeare are connected. Whether you believe that Lanyer is the Dark Lady, the real Shakespeare, or another figure entirely, what is clear is that she is a forgotten but truly radical poet. As many feminist critics have suggested, to understand more about Shakespeare and this great period of drama and sociopolitical thought, reading Lanyer is an informative and eye-opening experience. What is also clear is that theatre history can be an intensely political topic of conversation, and challenging what we think we know has striking social implications. 

University moves Classics exams due to concerns over OA4P protest

This year’s Classics Moderations exams, which began on Monday 3rd March, have been moved to Ewert House in Summertown from the usual Examination Schools. Two students from different colleges independently told Cherwell that Classics faculty tutors said that the exams have been moved in order to avoid disruption from potential Oxford Action for Palestine (OA4P) protests; however, the University attributed the change to “operational reasons”. 

A spokesperson from Oxford University told Cherwell: “For operational reasons, Ewert House will be used for exams taking place in Weeks 7 and 8 of Hilary term. Further exams will take place in the Examination Schools in March, and Trinity term exams are scheduled in both the Examination Schools and Ewert House, as is standard.” 

The University also emphasised the fact that Ewert House is used routinely for examinations, with just under 5,000 exam sittings taking place there in 2023/24. 

In previous years, Classics Mods were held in Examination Schools. One second year Classics student told Cherwell: “It’s really frustrating that Examination Schools moved our exams with hardly any warning, and on the basis of a supposed protest. It’s made travel to the exam venue much more stressful and expensive than it should have been, especially since I live in Iffley.” 

Another Classics student told Cherwell: “The reason for all this venue change is apparently OA4P…It was told to us by someone high up in the faculty verbally [instead of via email], but my whole class can attest to the information being true.”

When protesters occupied a hall in the East School of Exam Schools on 13th June 2024, some exams scheduled to take place that morning were cancelled, and students were advised to “put tissues in [their] ears” by invigilators. OA4P said on the day of the occupation: “the action was unaffiliated with OA4P and was undertaken without OA4P’s knowledge.”

Following the event, the University said: “The University condemns the actions of the seven protesters who invaded the Examination Schools last Thursday. We are extremely sorry for the disruption to students who had an exam cancelled, who had exams affected by noise and delay, and who had to sit exams at alternative locations.”

BMW freezes investment at Cowley electric vehicle plant

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German carmaker BMW Group has paused a £600 million investment in its Cowley factory. The project was expected to create 4,000 new jobs and expand the plant’s production capacity for electric MINIs. The factory still remains the largest industrial employer in Oxfordshire. 

BMW said that a reason for this is the “multiple uncertainties facing the automotive industry” as the UK is seeing weaker demand for electric vehicles at a time of rising consumer costs. The site is still earmarked to only produce electric cars by the year 2030, and for now, the production of internal combustion engines will continue. BMW had previously received funding from the UK government to help enhance its electric vehicle production but now will no longer be able to accept a previously announced UK government grant for the project. For now, electric MINIs will continue to be produced in China.

Automobile manufacturers have precise quotas on the amount of non-electric cars they can produce. The UK government plans to prohibit the sale of petrol and diesel cars by 2030. The electric quota increased this year by 6% to hit 28% of total production, with companies fined for non-adherence. 

Business and Trade Minister Sarah Jones also reiterated in the House of Commons that the investment plans had been “delayed, not cancelled”. 

A BMW spokesperson told Cherwell: “Plant Oxford is at the heart of MINI production, manufacturing and exporting a range of models sought after in the UK and around the world,” adding that the company is only “reviewing the timing” of the investment.

“Much of the investment is progressing with construction well underway to make the plant future-ready.” This includes a “state-of-the-art logistics facility.”

In response to BMW’s decision, a spokesperson for the Department for Transport said: “We recognise the global challenges car manufacturers face and have listened to their concerns by consulting on reinstating the 2030 EV deadline whilst also protecting jobs – a decision supported by a majority of manufacturers who have been working towards this date, and are on track to meet their ZEV mandate targets.

“We’re investing over £2.3 billion to support industry and consumers make the switch, tapping into a multi-billion-pound industry that will create high paid jobs for decades to come, make the UK a clean energy superpower and help deliver our Plan for Change.”

Pakistani Government supports six new scholarships at Oxford

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Pakistan’s Sindh government in collaboration with The Oxford Pakistan Programme (OPP), has announced it will provide six scholarships for students pursuing graduate studies in STEM at Lady Margaret Hall.

The merit-based scholarships will cover tuition and living expenses, with preference given to PhD students. Last year, OPP awarded scholarships to three students: two from Sindh and one from Balochistan.

Three will be awarded to men in honor of Zulfikar Ali Bhutto and three to women in honor of Benazir Bhutto. Benazir Bhutto (LMH, BA PPE 1973) was Pakistan’s first female Prime Minister and her father, Zulfikar Ali Bhutto (Christ Church, BA Law & LLM 1950), also served as Prime Minister and founded the Pakistan People’s Party (PPP).

The scholarship program was announced by Sindh Chief Minister Murad Ali Shah and Bilawal Bhutto-Zardari, son of Benazir Bhutto and current Chairman of the PPP, during a lunch hosted by LMH Principal, Professor Stephen Blyth. At the event, they were briefed on OPP’s initiatives to expand educational access for Pakistani students from disadvantaged backgrounds.

The event was attended by prominent figures, including Dr. Mohammad Faisal, Pakistan’s High Commissioner to the UK; Imran Zarkoon Khan, Secretary of Finance for Balochistan; Sanam Bhutto; historian Victoria Schofield; and senior officials from Sindh and Balochistan.

Speaking at the Benazir Bhutto Memorial Lecture at the Oxford Union, Bhutto-Zardari reflected on his mother’s legacy, emphasized the significance of women’s participation in higher education, and reaffirmed his belief that “democracy is the best revenge”.

Beyond the scholarships at Oxford, the Sindh government has approved 3,157 additional scholarships for the 2023-2024 academic year under the Sindh Education Endowment Fund. These scholarships are intended to support students pursuing higher education, particularly those from disadvantaged backgrounds.

Commenting on this broader initiative, Chief Minister Murad Ali Shah stated: “These scholarships will enable students from Sindh to study at one of the world’s finest institutions. Not only will they benefit from this opportunity, but Sindh as a whole will gain as these scholars return with knowledge and expertise to uplift their communities.”

In an Instagram post, OPP stated: “The establishment of the scholarships was supported by Israr Khan, President of the Oxford Union,” who is a Pakistani scholar from Balochistan. 

The OPP was founded and is led by a team of Oxford professors and alumni. Since its launch, it has provided over £600,000 in financial aid, supporting 48 Pakistani graduate students at Oxford. Funded by donors like the Malala Fund, the British Council, and the Pakistan High Commission, OPP follows a spend-down model, pooling small donations for high-impact initiatives.

The program emphasises the limited representation of Pakistani students at Oxford, noting that in 2021, only about 12 undergraduates and 45 graduate students from Pakistan were enrolled—despite the country’s population exceeding 220 million, with over 60% under the age of 30. Furthermore, British Pakistanis remain the most underrepresented BAME group at the graduate level within the university.

The announcement follows the signing of a Memorandum of Understanding (MoU) between the UK and Pakistan, which highlighted the importance of education and empowerment.

How Oxford celebrates Pancake Day, from races to formals

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Today is Shrove Tuesday, the last day before Lent, and coincidentally, pancake day! Oxford does a lot to celebrate, and Cherwell is excited to give a rundown of all the pancake-related shenanigans that are going on today. 

Worcester, Christ Church, and Oriel college are each doing their annual pancake day race, running around their quads. At Oriel, for instance, runners dress in sub fusc and substitute frying pans for battons, flipping a pancake as they pass each corner of their front quad. Some races raise money for charity, and some are just part of the tradition! Due to the building works in their quad, Hertford is doing a pancake race with a twist – instead of running, each racer needs to flip their pancake and then pass it to the next person. 

For those who are less athletically inclined, Kellogg is doing a pancake-only formal tonight, while Corpus Christi is hosting a pub quiz – some very Oxford traditions for a very traditional day. 

If you love pancakes but have no kitchen access, George Street Social has a £10 pancake deal, and the Graduate Society is serving Ukrainian pancakes tonight at Ertgun House. For those who like their pancakes a little bit thicker, Fuwa Fuwa in the Golden Cross shopping center makes fluffy Japanese-style pancakes, whereas the Handle Bar and the Oxford Brunch Bar both make some delicious American pancakes. 

One slightly less pancake-related tradition this Shrove Tuesday: Brasenose’s Ale Verses, where students make up and sing parodies of popular songs, centered around aspects of Brasenose life. Pancakes are often for dessert, with ale served in honor of the occasion!

Whether you are eating pancakes straight out of the pan in your kitchen or flipping them on the run, Oxford certainly makes the most of Pancake Day.

Torpids 2025: Bumps, slumps and eleven-spot jumps

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Torpids: the bringer of cult-collegiate support, un-ironic unitards, and this year: the first blue skies in what has felt like an eon. Torpids sees colleges qualify as many boats as they can in both men’s and women’s divisions and enter them into four days of bumps racing. From the bung lines at Iffley Meadows it’s a mad dash to the finish just before Folly Bridge; battling to bump the boat in front, avoiding being bumped by the boat behind and as was painfully reminded to the St Catherine’s College and St Hilda’s College boats this year, evade swans that should happen to cruise into the racing line!

Torpids 2025 provided a turbulent competition with immediate disappointment for the lower-half divisions who missed out on racing altogether due to the high stream. It was up to the top 37 men’s and women’s crews to carry to competition for their respective colleges.

Crews across the divisions were gunning for blades, an honour only bestowed upon crews who bump every day of Torpids: Hertford College maintained consistently high performances as their W1 and O1 both secured their set, with W1 even jumping up into the top division. Men’s Division III saw blades for four of their twelve crews; St Hilda’s, Oriel College, Wolfson College and Worcester College, rendering it the most fruitful division of the competition, closely followed by Women’s Division II in which three sets of blades were won by Hertford, Exeter College and Somerville College. The college who gained the most places at Torpids was Worcester, with an increase of eleven; six places gained by the men and five by the women. 

But as some colleges soared, others (almost literally) sunk, and we had no shortage of spoons this year. Women’s Division I dished out three sets of spoons to Magdalen College, Trinity College and Lady Margaret Hall, as these three boats had fallen into the division below by the end of Saturday. Linacre College suffered a huge dip in the position of their O1 boat as they dropped eleven places down the ranks. It was only their women’s crew that prevented total annihilation by gaining two places overall. The most catastrophic spoons recipients of this year’s Torpids were St Anne’s College. Starting at a comfortable 20th, the week saw Anne’s only qualified boat, their W1 crew, plummet down to 33rd. Perhaps the lack of lower-half divisions was a blessing in disguise, as it prevented any further spiralling.

Saturday provided a lovely end to the occasion as the smell of cheap prosecco drying on the pontoons filled the air, as the commentator repeatedly reminded crews to hold back from jumping into the river in celebration. Ultimately, it was the Wolfson men and Pembroke women who both solidified the top spot in each Division I, and won their first Torpids Headships. 

As support and excitement built over the week, the Isis welcomed back its state of boat-induced chaos. Bank riders, spectators, umpires, and poorly timed pedestrians lined the banks and, as you made your way down the towpath, Torpids was on every tongue. Now that rowers have wetted their racing appetites, it’s up to the boat clubs to keep up the momentum and use their victory or defeat to fuel their training for Trinity’s Summer VIIIs.