Tuesday, May 6, 2025
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A student’s guide to cheap wine

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Apologies are first in order. Avid readers of our section may be disappointed at the lack of our regular restaurant review column this week—partly due to the infamous affliction of “Fifth Week blues”, but mainly because a review-able restaurant didn’t really fit with our £20 challenge (see food diary). Also, who really wants to eat out in seventh week anyway? It is definitely the week to save money for the mad rush of eighth week, while enjoying the penultimate series of club nights. In the spirit of this, your dedicated food and drink editors trawled through the wine aisle in Tesco to find the best bargain wines, as well as the ones to avoid at all costs.

Echo Falls Rose Summer Berries (£4)

A dependable wine for a night out, this is my default choice. The sweet fruity taste and intoxicating scent may be overwhelming for some, but the advantage of this wine is that it tastes just like juice—perfect for downing glasses at crew dates. If summer berries isn’t your favourite flavour, Echo Falls also offer strawberry and lime flavoured rose, as well as white grape, and white peach and mango white wine (£3.95). But stay away from the raspberry and cassis red wine—those flavours should never have been mixed together.

Tesco Spanish White Wine (£3.50)

I have a friend who swears by this wine—indeed, I would venture this is one of Oxford’s favourite cheap wines. At £3.50 it certainly is one of the cheapest, most reliable wines on offer. Although I couldn’t detect much evidence of “lemony apple flavours” or a “crisp, dry finish” (as advertised), this wine undoubtedly improved the more you drank. Usage advice: keep calm and carry on.

Tesco Australian Rose (£3.95)

After deciding to spend 45p more and upgrade from a Spanish to an Australian Rose, we were expecting this rose to be mildly drinkable. Unlike the Spanish white, this rose seemed to deteriorate in flavour the more you drank, which made it quite inconvenient at the crewdate I was on. The first few glasses were moderately awful, but the bitter, unpleasant aftertaste forced me to stop drinking completely.

Tesco Cabernet Sauvignon (£4.25)

Finally, on to the reds. This wine certainly looked the part: the red lid and classy label gave the bottle a more expensive air. But the drink within was dire—supposedly “full of ripe, juicy berry flavours”, all I could perceive was the sour taste of regret. The moral of the story? Drinkable, cheap red wine is an oxymoron.

One thing I’d change about Oxford… academic freedom

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I am happy and quite sure that my classmates and I will have studied political theory to a greater depth than most political science majors at liberal arts institutions have.

That fact, and a probabilistically high potential for a career as a MP is perhaps what draws so many students to study PPE at Oxford. What I am unhappy about, however, and what I wish we could change about Oxford, is that I should be expected to spend all my academic time reading Mill and pondering the problem of evil.

I found recently, after having built a web crawler for fun, that I quite like writing code. I indulge in my own curiosity through Coursera, the Oxford University Coding Society.

But I speak on behalf of all of us when I say that I would much prefer to enroll in a lecture series taught by a professional in the field than a student society leader explaining loops in Python while on two hours of sleep.

My presence in classes wouldn’t impact how actual compsci majors perform, either. You wouldn’t even be able to tell I was there. I too, wear sweatpants and a hoodie to my lectures.

It can very well be said, and I believe it firmly to be so, that there are numerous budding programmers, novelists, and neuroscientists that may never find their new passions until later on in life or never at all, simply because they were never exposed to them.

Oxford should allow students in their subjects to formally explore others to whatever degree of intensity they feel appropriate. Intellectual curiosity should not be a zero sum game.

Instead, there is a prevailing view that study in one’s own subject leaves no time for others. That once we made the sacred, wax-sealed decision to read whatever we are reading, and accepted our offers, our lives will follow the same, with tremendous continuity and consistency—and that, is a shame.

Edwin Hubble: Oxford lawyer (almost)

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Edwin Hubble was, without doubt, one of the most influential figures of the 20th century. His impact on astronomy is immeasurable: he discovered the existence of other galaxies (and thus, that the universe was not limited to the Milky Way). His discovery that the rate of expansion of the universe was increasing was hugely important to the development of the nascent Big Bang Theory. It may come as a surprise, then, that Hubble’s studies at Queen’s College, Oxford, which followed his initial studies at Chicago, were distinctly non-scientific. Hubble’s degree at Oxford was instead Jurisprudence, to fulfil the wishes of his dying father. Fitting in the time to add in courses in Spanish and Literature, this teen track and field star from Illinois can only be described as suffering from an overbearing amount of talent. Indeed, even his high-school teacher couldn’t resist a quip upon realising the extent of Hubble’s talent: “Edwin Hubble, I have watched you for four years and I have never seen you study for ten minutes… Here is a scholarship for the University of Chicago.”

He was, as a matter of fact, one of the university’s most illustrious Rhodes scholars, as well as one of its first. What is interesting is how little association is ultimately drawn between Hubble and his alma mater. It makes sense, given that his future successes were predicated upon a change of course to his true intellectual passion, while his studies at Oxford were merely an obligation to his past.

It might have been hard to imagine Hubble as being one of the most famous scientists of all time in the years after his graduation, as he worked as a humble and much-beloved teacher in New Albany, Indiana. But his restless spirit remained, driving him to become a graduate student of astronomy once more at Chicago. It was here that his legacy was born, and one of the most significant physicists of all time wrote his first thesis, the discovery of the rate of expansion of the universe. The significance of this was not lost on Stephen Hawking, who noted of this discovery that it “was one of the great intellectual revolutions of the 20th century”.

Nor was it lost on the wider scientific community, who recognised (and still recognise) him through the naming of asteroids, craters, and of course, space telescopes. I think it quite likely that more people are familiar now with the Hubble Space Telescope than the man for whom it was named. If this suspicion is true, then it is a great shame that we have lost the knowledge to recognise the man who taught us more about where the universe has come from, and about the enormity of it, than anyone else. Ever charmingly humble, he merely said of his work: “Equipped with his five senses man explores the universe around him and calls the adventure Science”. Let us remember how this illustrious physicist started his academic career so differently, as a lawyer at Queen’s College, Oxford/

Recipe: Date night on a budget

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Moules marinière with a mustardy green salad and crusty bread
£2.20/head

Hidden in the fish aisle of most major supermarkets, is a secret weapon for impressing on a budget: mussels.

Ingredients:

1 packet of mussels in white wine and garlic sauce (vacuum packed in the fish section of most supermarkets)
2 bake at home baguettes
A bag of mixed lettuce leaves

For salad dressing:

3 tbsp olive oil
A dab of mustard
1 tbsp balsamic vinegar
1 clove of garlic

To serve:

A handful of parsley, chopped

Method:

1. Preheat the oven according to the instructions on the baguettes, and stick them in.

2. Finely chop the parsley and garlic. If your chopping board is slipping around, put a damp paper towel underneath it.

3. Put the garlic in a small bowl and mix well with the oil, mustard and vinegar, then season to taste (and do taste it—once it’s on the salad you can’t take it off!)

4. Tear or chop the lettuce leaves into bite-size pieces, but not too small.

5. Put the mussels in a pan on the hob and warm through, or microwave according to the instructions.

6. Plate up, mixing the dressing through the salad with a dish on the table for the mussel shells and plenty of butter for the bread. Scatter the parsley over the mussels.

Tomato and egg stir fry with spicy smashed cucumber salad
£1.50/head

There is something about a dimly lit Chinese restaurant that I associate with burgeoning romance. This vegetarian dish is very easy, although perhaps heavier on the garlic than is wise. Never mind—it’s delicious.

Ingredients:

For salad:

1 cucumber
A handful of coriander, roughly chopped
1 tsp sugar
2 tsp sesame oil
1 tbsp vinegar, preferably black but any will do
2 tsp chilli oil (see notes)
1 clove of garlic, minced

For stir fry:

3 eggs, beaten and seasoned with salt and pepper
3 tomatoes, medium, cored and chopped
sugar
2 tsp ketchup (optional)
spring onion, chopped (optional)
1 head of broccoli, cut into florets
2 gloves of garlic, minced

Method:

1. Put the kettle on and get the chopping done. Beat the egg with salt and pepper.

2. Bash the cucumber with the flat of a large knife until it splinters, and then chop roughly.

3. Mix the cucumber, garlic, coriander, sugar, oil, and vinegar. Set aside.

4. Boil/steam the broccoli in a couple inches of water, leaving the lid on the pan, for five minutes.

5. Heat some oil on a medium heat. Add the egg to the pan, stir fry, but transfer out while still soft. Heat up some more oil, then add the tomatoes to the pan, and stir fry. Add a little water and the ketchup and simmer until the tomatoes are broken down a bit. Season with sugar and salt—it should be slightly sweet. Mix the egg back in, then set aside.

6. Heat up some oil in a pan and add the garlic for the broccoli. When fragrant, add the drained broccoli and stir fry until mixed together.

7. Serve with white rice, and garnish the tomato and egg with spring onion.

Letter from Abroad: Yaroslavl

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Yaroslavl is, in all honesty, bleak. I’m sure it’s beautiful in summer, when the Volga river is moving, the trees have leaves and people can walk on the streets without the risk of breaking limbs. But right now, in mid-February, the sky is grey and empty. The streets are grey and miry, and all people want to do is lie in bed watching the latest episode of Pust’ govoryat (think Jeremy Kyle but louder).

Whilst trudging all the way to university every morning, all I often long for is a cup of tea and a Kit Kat. What I am usually greeted with instead is something not quite as familiar, but equally heart-warming.

Olga, our guide through the wonders of Russian literature, often comes to us with a great Cheshire Cat grin on her face. And, without any introduction, she begins to sing.

Her seemingly endless repertoire mainly features Russian folk songs, or songs from Russian films, such as the catchy favourites of ‘Lozhkoj sneg meshaja’ and ‘Pesenka o medvedyakh’. She often concludes with a little giggle, before returning to her work. Of late, she has taken to dancing at the same time, twisting her wrists and tapping her foot whilst she sings about lonely grasshoppers and frogs travelling the world.

It’s now no surprise to me that people have inhabited this sullen corner of the world for so long, if, all the while, they’ve had such fantastic songs to keep them motivated and warmed.

The close relationship existing between Russians and their fairy tales and folk songs has greatly surprised me. In England, whilst everyone may know the story of Jack and the Beanstalk and we may all be able to recite ‘The Wheels on the Bus’ without much hesitation, it is very much an awkward and frivolous relationship. This is not to say that Russian teenagers read fairy tales instead of Game of Thrones, and hum nursery rhymes on the bus instead of listening to Lady Gaga, but they do seem to happily embrace opportunities to discuss and reminisce about the stories and songs of their childhood.

Some English friends and I recently had the honour of being invited to a school ball, about two hours outside of Yaroslavl. In Britain, if you travel for two hours out of any city, you are bound to hit another city. In Russia, bare wilderness stretches between cities. We arrived in this tiny village. It had a population of 300 and non-existent running water, yet hospitality was certainly at the forefront.

The school ball turned out to be a whole village affair, and we quickly discovered that ballroom dancing was most definitely on their syllabus. We struggled.

In the midst of this procession of waltzes and mazurkas there appeared a woman, with painted rosy cheeks and a fake nose. She was immediately recognised by the entire Russian contingent as a famous character of Russian folklore, Baba Yaga. Throughout the ball more and more characters appeared, playing various games and telling various stories, all to the delight of the Russians, and to our complete confusion.

Take a moment to visualise your secondary school prom, or college social, and then imagine someone entering dressed as Goldilocks or Tom Thumb. They’d probably be hounded out by empty Foster’s cans. If there’s one thing I want to steal from the Russians, it’s their love of their past. Their adoration of folklore in their culture. Yes, we may like making a ritual out of attending the pub or complaining about the length of the queue at Tesco, but it’s really not quite the same.

When I return to Oxford in October, I hope my tutors will have taken a leaf out of Olga’s book and will greet me with songs and folk dancing in every tutorial. That would certainly be one way to raise student satisfaction.

Growing up in the segregated South during the Civil Rights era

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Even in Oxford, separated by thousands of miles and a social and cultural chasm from the events of the American Civil Rights Movement, there are people who have experienced climactic moments in the march towards global justice. Joe Martin lived through the pivotal years which saw the struggle for civil liberties come to a fore. His story is necessary not simply in its poignancy, but for the way in which—as a white man who had lived in the segregated South—Joe has come to terms with social justice in his own life.

Having left the spires and cobble-stones, and an ever-growing pile of paper behind, I find myself just outside of Oxford, sat in a little white house. Here too are piles of books and pages: it is a collection which spans decades. It is the lifelong, intellectual and moral pursuit of one man seeking to make use of the privilege his race affords him. A pursuit which stems from a childhood in the segregated American South and is directly linked to the school which features in three laminated pictures, stuck with a purposeful precision to a kitchen wall.

The school is Central High: Little Rock, Arkansas. And the man who has opened his home to me is Joe Martin. Not only was Central High Joe’s high-school, but it was here, a few years following his graduation, that the admission of nine black children to the school sparked the decisive battle between federal and state power over the legal right to integration in segregated 1950s America. The ‘Little Rock nine,’ as they came to be called, were subject to the same emotional and physical abuse which with a sickening thud reverberated throughout the Civil Rights era. Their actions, poise, and courage were at the heart of one of the most crucial battles in the struggle for equality.

Joe points to the pictures of Central High. This is what I’ve come to talk to him about—the building, the town without, and the people within it. I wonder if there is a current of penance that has motivated his life-work. Joe later confirms that, yes, having been a white man on the ‘privileged’ side of segregation, this “puts an obligation on me” to put himself in the position of those who did not have his same privileges. He draws in his breath—”it makes me so angry” he says, as he recalls a hatred against blacks which he has had to access through the pages that fill his home. The gains of the past where black and white began to merge, has today given way to a violent, murky darkness—just as the oil mixed in water separates once more. We see it in the present American divisions surrounding police-involved killings, poverty, and institutional distrust. It is this resurfacing of old hatred through the cracks in our present, which makes Joe’s life-story, his internal struggle and attempt at understanding, ever-more essential for Oxford students to understand the real history of the American Civil Rights Movement and its lessons for our own time.

Born in 1934, Joe grew up in the ‘segregated South,’ where the racial divide was both instituted and reinforced by the day-to-day intellectual and social practice of ‘acceptance.’ It is this—an unquestioning personal and tangible reconciliation with segregation— which remains one of the most terrible and foundational aspects of the simplistic brutality of the racial divide. Though he does not believe that many were used, Joe tells me that in his neighbourhood, each house had been built with a servant’s quarters attached to the garage. ‘The help’—a term that he struggles to use, explaining to me that he will only repeat such terms to me in telling this story, as this

was the language of the time—were all black, like the ‘yard boys’ who would work in the gardens. Of course, these ‘boys’ were men, and Joe says he hates the term. And yet, the allusion to these anachronisms reminds us of the potent force of language, which acted to first reinforce a notion of racial hierarchy, and then, led to the debasement of the black social contingent.

Language, however, is merely the signifier for what translated to distressing and deplorable social realities. Somewhat to this end, I asked Joe at what point he had found himself aware of a racial ‘difference’—this social construct which necessitated society to draw boundaries, strengthened by fear and enmity, around ‘the other’. He told me that, in fact, he had grown up only vaguely aware of the divide, with a perception of blacks simply being the servant class; these were the only people of colour he encountered.

As was the tradition, he and his sister were taken care of by black nurses, and in his household the cooks and the cleaners were black. He tells me that he loved his nurse, and yet there remains an undeniable irony in so many growing to alienate and hate so deeply those whom, as children, they had grown and known to love.

Joe never learned to be comfortable with these contradictions. He has spent his adulthood attempting to understand (though he is the one to express how, removed from the experience, full understanding will never be wholly possible) the torments of the life that plagued those on the opposite side of the divide that demarcated his early life. As a child, it was an inexplicable feeling of ‘wrongness’ which first made him ‘aware’ of segregation and division.

As a toddler, in the years before America’s entry into WWII, Joe recalls how one of the ‘servant’s quarters’ annexed to the houses along the street was occupied by a maid, who had a small child of four or five. Joe, around the same age, along with other children in his neighbourhood, would all play together with the boy—evidently black. And yet, for no reason other than ‘the grown-ups’ belief that this interaction was ‘wrong,’ the white children were not simply told to stop playing with the maid’s son, but both the child and mother were forced to leave the annex—their home— and live back in the ‘black’ side of town.

It was at this point that Joe remembers feeling upset, that this was not right. His epiphany mirrors the gradual realisations of countless others at various moments across the South, having reached that point at which the scales are at first tipped from a point of innocence to hardening enmity towards an unjust system. Martin Luther King provides a poignant example. In The Autobiography of Martin Luther King , Jr., he writes:

“From the age of three I had a white playmate who was about my age. We always felt free to play our childhood games together.”

But later… “the climax came when he told me one day that his father had demanded that he would play with me no more. I never will forget what a great shock this was to me… and here for the first time I was made aware of the existence of a race problem.”

Similarly too, my own father, a black child in Wales, remembers the first time he felt ‘different.’ Walking along the road with my grandmother, a little white boy came up to her, kicked her in the shin, called her ‘black’ and then ran away. Stories like these, where we bear ‘witness’ to the moment at which the children are conditioned to hate, and to ‘see’ race, remain the greatest tragedy to me. They are the greatest proof, perhaps, that difference at its core is truly founded upon artificial distinctions.

The question of sight and blindness was one I talked about with Joe. Given his devout Christianity, I wondered how one reconciled segregation with a religion preaching of the brotherhood of all people. His struggle seemed to bear something in common thematically with the story of the black church in Harper Lee’s To Kill a Mockingbird that is turned into a white gambling house on weekdays. It is a question which I sense Joe has struggled with before. He tells me that, particularly in reading about the lynchings of the 1920s and 30s where death became a sport and a spectacle, he finds it hard to believe that those people, standing there, taking pleasure in the killing, were true Christians. He closes his eyes, pained, as he shakes his head at the thought of these lynchings. He tells me that learning about these events came as a painful surprise. And yet, as our conversation deepened, I came to believe that it is our duty to—however pain- fully—resurrect this past, so that it may form a barrier to the hate which begins to take its ancient forms once more.

He evokes his own father to me—a partner in a roofing company—who Joe says not only directed a large group of all-black workmen, but was respected for his fairness. Though he was proud of his father’s decency, he acknowledges that the idea of integration was unthinkable to his parents. Though they were kind and fair, they operated within the limits of segregation. He does not believe that they were not Christians: he argues that it is wrong to devalue their professed faith as Christians for their blind spots as, like them, there were many who still practised love and fairness. However, there remains on his part a decisive and lasting frustration with what they did not see, and how they could not escape the boundaries they imposed.

However, for Joe, the Church was also the institution through which he was able to discover a community supporting increasing resistance to the segregation, racism and prejudice of the time. In Sunday School classes at the Methodist Church, Joe tells me how by the time he was twelve or thirteen, teachings would incorporate the idea that separation on the basis of race was wrong, and that this “resonated with what I felt within myself.” There were other instances of attempts to encourage tolerance, and integration, with the members of the Nationalist Women’s Methodist group setting about building a campsite near Little Rock, which was to act as a forum for inter-racial discussion in the ‘de jure’ era of segregation.

However, whilst Joe helped build the campsite, after just one meeting with the members of a Youth Group from a Black Methodist Church, no further events were allowed to take place due to the ‘concerns’ of white parents. The suppression of progress was di cult to bear. Joe himself says that even when he had reached a point where he was at last aware of segregation, he still believed that integration was an ideal, a state of living that he would not see in his lifetime. It would take many years to come about. This would seem to exemplify to me above anything else the sheer extent to which segregation was ingrained in the psyche of the time, and doubly, Joe tells me that this came from his lack of true understanding of black lives.

For all the tragedy, the scene that Joe paints of the time is a bitter comedy. The expanse of Central High, which took up the space of two city blocks, was deemed “the most beautiful high-school in the country”. Joe recalls how he and his classmates would talk of “how wonderful it was” that there was such diversity in the school (whose students came from three distinct socio-economic areas), with all its different classes and backgrounds, and that this was ‘special.’ They were ‘blind’ to the fact, however, that 25 per cent of kids their age were not there, but in a different school, for black children, on another less beautiful block in town.

Segregation was taken for granted. The permanence of the racial divide continued into Joe’s college years when, as a scholarship student at Harvard, he remembers there only being ten black freshman amidst 1,000. He remembers one, Clifford Alexander, to have been an ‘outstanding’ person, President of the class, and talented. Yet even though the students ate at the same table, the black members of the class were so few among the sea of thousands that ‘you didn’t get to know them, really.’

It was in the summer after his freshman year that that uncomfortable, growing sense of an ‘unjust’ status-quo, a feeling which originated in interrupted childhood friendship, reached the point where knowledge first touched ‘understanding.’ It was in coming to know the permanent directors of a Christian campsite, who in turn knew the leaders of a Black Methodist run camp, that Joe first agreed to help one day, and then took up the offer to stay a week in the camp run for black children.

Joe Martin sits on his sofa and I take this moment to say that I admire him greatly: for his fearlessness to draw out and reflect upon his, and all our limitations, the way in which he thinks carefully and fully before and as he speaks, and for the way in which he sees no end to betterment. He tells me then, with the genuine scope of seeking to understand this time in his life, that he remembers that he found it a ‘somewhat frightening prospect’ to spend the night as the only white man among many black men.

He was not spat upon or kicked at, and staying the night did not launch a battle between state and federal power, and yet, in a time where it was too easy to live in blindness, much in the spirit of the Little Rock Nine, Joe made his own first steps towards integration and towards positive change. It was “good for me to be the one in the minority.’ Preaching to the crowd the next day—his first ever sermon, which he says was not a good one, written by the eighteen-year-old that he was—he recalls with a laugh how encouraging that congregation was, clapping this young, white preacher.

It was then that Joe tells me that he came to the realisation that his ideas concerning segregation’—his belief that it would take generations for change to happen, were ‘unjust’. He came to understand the necessity of change.

Joe has lived in England for many decades now, and he recites to me the words of his dear friend Sylvester Jacobs, who with the help of Joe’s late wife, wrote of his experiences as a black man. These were words which Joe said affected him deeply. Jacobs, in his writings, asks ‘I kept wondering, am I really inferior, does God really hate black people?’ Joe talks to me of how it long it took Jacobs—a grown man—to be able to look at himself in the mirror; to look at himself and like his dark skin, his ‘black’ face, his black lips, the palms of his hands which were faded and pink, and the blackness of his body.

On Joe’s wall are photographs taken by Jacobs, black and white images which are poignant not for the colour of the people’s skin but in the universality of the pain they depict, as parents stand together at a funeral. We talk of Joe’s house in England, and of how he made sure that his door was open to all (despite the British being much less inclined to walk in). It brings him great happiness to see that his children, who he wanted to condition not to division, but to inclusion, are raising their own children in the same way.

Joe visits Little Rock every five years, for his high-school reunion. He tells me that each time, he walks back down to his old home, knocks on the door and asks whoever is in whether they would like to know the history of the house. He tells me, also, how one such time, it was a black man who opened the door. A black man wearing a Harvard jumper, and who had also gone to Central High. They’re great friends now, and always sit down for tea. Joe tells me with great joy how happy it makes him that it was “my house that integrated Little Rock!”

At his next high-school reunion, Joe wants to suggest that the alumni from Dunbar—the black high-school in Little Rock—are invited too, and he points me to a new study on Civil Rights era America on his windowsill that brings him as much pain as understanding. Yet, as we get up to look at the pictures on the wall, what strike me are the emotions—the sadness of Jacobs’ pictures, and the happiness in the Martins’ wedding day photos. It is simple, it is clichéd, but I think somewhere it must be said that we are all ‘human,’ all people.

The photographs of Central High are beautiful, but perhaps a tad artificial with no person in sight. Joe says that the hostility that the Little Rock nine faced in the halls which he had just left was ‘ludicrous’. And yet, there is some promise in those three pictures, a reminder that we are the ones who fill the halls, and have the ability to build up barriers and break down walls. Let us break down walls.

Returning home, the familiar path I take down past G&Ds is one that I am fortunate to take. I don’t ride down to a part of town where I must live in oblivion due to the colour of my skin. For now, the only pit of despair I must climb out of is an essay crisis. And yet, I say this all with a very heavy pinch of salt. My father became the first of his family to make it to university, kicked and spat at in school, and himself one of the few black men or women among hundreds. Unlike him, I was not told to not bother trying making an application. Yet, I remember wondering since a young age, being someone somewhere between black and white, what path my life would’ve taken as one, or the other. Because race matters. It still matters today, as latent lines of segregation x in our minds, and a propensity to divide still reigns.

Somewhere today someone was shot dead because of the colour of their skin, for their religion. The headlines ash, we feel a pang, and yet most of us fall back to our old rhythms: those of the past. My greatest admiration for Joe is his refusal to see an end, or to believe it to be the duty of the future to bring about change. He admits that there is still much to be done, and indeed we must do. We cannot be blind. We must remain aware—“woke”—and not allow time to soften the image or the reality of events of history or of today. It is for us to strive to know our other, and work to understand, so that one day all can truly live in the image of the maxim, that that we are all indeed “just human.”

 

Head to Head: blues OURLFC captain and Pembroke captain of boats

George Mason interviews Jordan Ayling OURLFC captain

Can you outline the basic differences of Rugby League from Rugby Union?

The most fundamental differences between the two codes stem from the breakdown. Not only is there a finite tackle limit in league but the ruck is not a competitive chance to recover the ball but a more restricted ‘play the ball’ where a player rolls it behind themselves with their foot to restart play. The other major differences include the number of players, with League fielding only 13 compared to Union’s 15, and the scoring system where tries are worth four points and drop goals one point, compared to Union where tries are worth five points and drop goals three points.

How do you feel about this year’s squad and its chances in the Varsity match this year?

The Blues have had a particularly strong year, losing only one game in the league and an impressive cup run that has seen us progress to the quarter finals with hopes of going all the way. The consistency of performance at such a high level is revealing of the squad depth and talent in the player pool, which ultimately leaves me in little doubt as to the outcome of the Varsity match—it looks likely to be an all dark blue affair.
If you could pick one player to watch out for and why, who would it be?

I think Marco Hiscox is one of the most exciting prospects of the club, Only joining us this season he has made a swift code transition from Union and has found himself a regular in the Blues squad this side of Christmas. Beyond being an all-round athlete, content to grind out the full 80 minutes with a negligible drop in performance, he has developed a real aptitude for finding the space around markers at the breakdown. Cambridge need to be particularly disciplined in that area come Varsity or he’ll be certain to break their line all game long, much as he has done all season.

What do you think the strengths of Cambridge’s team will be?

The Cambridge team have always been resilient in my experience. Their determination to maintain the fight throughout the match is their biggest asset and one that we’d do
well to remember so as not to lose momentum at any point in the 80 minutes.

What do you think this year’s team must focus hard on to ensure success this year?

Domination of the contact area on the floor will be where we look to control the game—slowing Cambridge attacks whilst quickening the tempo of our own will be crucial to keeping the momentum swinging in Oxford’s favour.

What is your game-day choice of breakfast and why?

I’m without doubt a creature of habit, and albeit almost certainly a psychological effect, I take great strength from an oversized bowl of porridge on game day, swiftly followed up by a banana.

What’s your highlight of the season so far?

My highlight of the season would have to be the last 16 fixture of the cup against Northumbria 2nd XIII. Underdogs on the way in, the Blues fi red out of the blocks taking a deserved 20-4 lead into the break, seemingly in control. A lapse in concentration however saw a delayed comeback from the northern side. Ominous signs afoot for the aspirations of an Oxford cup run, the Blues rallied together with an unmatched resilience that had us see the game out in a thrilling fashion with only one score to separate both sides. Edging a more experienced side in a gritty performance made the victory all the more sweet and one that I certainly won’t forget for a long time.

Why do you play rugby league, and why should prospective players get involved?

I was drawn to the club by what I believe is an unparalleled sense of brotherhood amongst the players—everyone trains and attends socials together, which builds a better togetherness and sees more effective player improvement across the course of the season. All teams are as accessible to a newcomer as they are to the veterans of the club so the only limit to individual achievement is the amount of work you’re willing to put in. The ‘one club’ mentality of OURLFC is certainly the biggest draw for any prospective players looking to try their hand at a new sport.

If you could sum up Rugby League in three words, what would they be?

Exciting, punishing and rewarding.

 

Karl Frey interviews Chris Liang, Pembroke captain of boats

Did you row before you came to Oxford? What makes you so passionate about the sport?

Nope—started out as an ex-novice, and not a very good one at that. I’d like to think I’ve gotten better but that’s for everyone else to judge! The squad spirit definitely helps with enjoying the sports: the simple things like all eight guys training together in the boathouse then going out for a crew meal really make the early morning and the late evenings worth it. PCBC M1 was headship at Torpids last year.

How does this years first men’s boat differ from last year’s? Do you back the team to win again?

There have been a couple of changes in personnel to our M1 boat, but if anything the boat has gone from strength to strength in recent times. Our fitness has improved massively and we’re making some serious technical gains on the water. We’ve recently won medals at Henley fours and eights with some astounding times, and the crew has really come together this year.

What other boats in PCBC have good chances to do well at Torpids?

M2 are doing extremely well despite an almost complete overhaul of last year’s legendary crew. We definitely stand a fighting chance against everyone else’s M1 crews. M3 and M4 look in good shape to qualify this year following disappointing results last year, so they’ll be looking to put those memories to bed. On the women’s side, W1 are in a good position to challenge for Torpids, sitting at third on the river. W2 have a really strong crew this year, so blades isn’t out of the question, but we’ll take that one step at a time. W3 also have a really good crew, and W4 are coming along quite nicely, so those two crews should be able to qualify along with M3 and M4.

What has the team done in preparation for Seventh week?

Train, and train hard. Not giving anything else away though—can’t let the opposition know.

Who is the scariest cox you have witnessed in your time at Pembroke?

Not actually experienced any scary coxes as of yet. I hope I never have to.

What is the hardest part about being a boat club captain?

Sometimes you can end up spending days doing admin which really messes up your week. I haven’t done any work in the last 3 days. It’s less the actual admin itself, but more the unexpectedness of when it’ll turn up – you can find yourself

Who in the team has the best/worst banter?

Best: loudest jokers are probably Carl Gergs and Khalid Mohsen, but there are some sly ones out there like Andy Saul who are more than capable of holding their own. Kieran Wachsmuth doesn’t have the worst banter, but some of his chat is truly horrific. Sorry mate. Rowers need a lot of food to complement their many hours of training.

Who in the team has the greatest calorie intake?

Willem de Bruijn. He calls four pints of whole milk, a large triangle of brie, a pack of Babybels and a meal deal “a light snack”. I watched him eat all of it in 20 minutes. It was disgusting. What is your favourite cuisine? Steak. What’s your favorite song at the moment? Uptown Funk. Always the one that gets M2 going on the ergs.

Rowing chat. Yes or no?

Yes. #RIPRowchat

“Young, classy and capable of mischief”

Consortium Novum is not a new name on the Oxford music scene and after their successful production of Cosi Fan Tutti last year, it was no surprise that their production of The Marriage of Figaro sold out on all three nights in the New College Antichapel. The producers made good use of the space available, balancing the demand for seating with a full orchestra and a stage. The minimalist layout worked well with the space, a tall black cuboid in the middle acting as various props. Moreover, the clever staging of the opera as a modern office space made it more relatable to a modern audience. Through a few small changes to the 1930s translation, the script dealt with new issues such as feminism and class divide.

It was clear from the first aria that the director’s choice to pair Elspeth Piggot (Susannah) and George Robarts (Figaro) together was an excellent decision, their witty and often comic double act working well to reveal a couple young, classy, and capable of mischief . The high standard of music never faltered throughout the performance, an especially impressive feat with a cast of mainly undergraduates. Furthermore, the orchestra provided a strong accompaniment, always in time with the singers (a rarity in student productions!) with William Fox doing a fine job of conducting.

There is also something to be said for the excellent costume designs. The upturned collar and casual chinos of Basilio (Alexander Gebhard) contributed to the slimy nature of the character. Director Liz Jones’ ability to weave in clever nuances such as splitting the stage into good and evil characters during various important plot points kept the audience constantly engaged with their heads forever rotating side to side. This, combined with a modern comedic twist, made the entire performance particularly enjoyable, cementing Consortium Novum as one of Oxford Universities’ finest companies.

A word from the stalls

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What were you expecting from this production?

A musical with a Russian flavour. A gifted cast of student musicians and actors. Something that would take me back to my student days.

Has it delivered?

Enthusiastically!

Highlight of the production?

The Russian song and dance were amazing, and the song ‘That Is What’s Expected from a Woman’.

Describe the production in 3 words.

Enjoyable night out!

What would you change?

More passion was needed in some of the dancing pieces.

Fittest cast member?

The guy playing the old man was adorable (Matthew Jackson).

Marks out of 10?

A solid 8.