Spotlight: Sal Para

Natalia Bus is captivated by this Oxford artist's authentic debut effort

OxFolk reviews: ‘Here We Go 1, 2, 3’

“Here we go, 1, 2, 3, hold your hands out to me…” so opens this beautifully formed album ‘Here We Go 1, 2, 3’...

A titanic record for all the wrong reasons

Will Cowie finds Gorillaz's Humanz to be soulless and robotic

Circa Waves – Different Creatures review

Matt Roller deems the sophomore effort from Circa Waves to be refreshing, but inane

Playlist: Hottest Tracks of the Month

These are the songs that have lit up March, making us ready to spring into Easter.

Memorable sax solos and individual flair at the Varsity jazz-off

If this show was about demonstrating the very best they can do, then Oxford delivered

“A fresh and beautiful contemporary jazz repertoire”

Ela Portnoy is overwhelmed by The Oxford Gargoyles' a capella performance at the Edinburgh Festival Fringe

Playlist: Sounds of Spring

Celebrate new life with this new playlist

Margo Price live at the Bullingdon

Emily Beswick is delighted by the raw energy of Price's live show

Melodrama Review: honest without being embarrassing

A considered and uncontrived album that makes even the drama of a hangover seem profound

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Wes Anderson’s films are nostalgic for the present

For Daniel Gonsales, Anderson’s playful films pair loneliness with joy.

Childhood’s Clarity in ‘The Ocean at the End of the Lane’

The Ocean at the End of the Lane opens with an epigraph from Maurice Sendak, “I remember my own childhood vividly… I knew terrible things. But I knew I mustn’t let adults know I knew. It would scare them.”

Oxford should not accept billionaires’ vanity projects

Oxford’s continued acceptance of donations by the super rich like Blavatnik is rotten to the core.

Top Five Must-See ‘Coming of Age’ Films

"‘Coming of age’ isn’t just an umbrella term for drippy films caught up in teenage drama"

The Taste of Success

Julia Alsop speaks to MasterChef finalist and Oxford PhD student, Nawamin Pinpathomrat