An Exploration: Death Grips’ Year of the Snitch

The Sacramento-based experimental hip-hop trio have released a project that mixes up plenty of fresh, new sounds even if some ideas fail to deliver

Margo Price live at the Bullingdon

Emily Beswick is delighted by the raw energy of Price's live show

‘An anthology of divergent styles that promise a skyward trajectory’

Tom Misch’s full length debut shows remarkable maturity, challenging conventional genre boundaries with verve

Kacey Musgraves basks in newfound light on her latest album, Golden...

On her new project, Kacey Musgraves opts for the personal over the political

Single of the week: Lana Del Rey’s ‘Love’

Natalia Bus chooses the baroque singer-songwriter's latest effort as her single of the week

Does ‘Wellington’s Victory’ deserve Beethoven’s name?

A mixture of Beethoven and Marriner, but is it any good?

Traditional folk music at its experimental best

Ben Ray finds Miranda Sykes’ latest release reaches dizzying new heights

A product of pointless nostalgia

Natalia Bus argues against the unfulfilling nature of musical reunions

Spotlight: Yellow Days

Natalia Bus takes a look at new music

Hannah Kessler: “Music is an incredibly therapeutic thing”

Lily Begg discusses subverting the male gaze, empowerment and juggling Oxford life with up and coming musician Hannah Kessler

Popular

Rats plague St. Hugh’s accommodation

One student was moved to welfare accommodation after they found a dead rat on their floor in the middle of night

“The ancient world is a safe space for arguing”

Mary Beard discusses the Classics, political-polarisation, and access with Barney Pite

She who dares, wins

Taking risks is the only rule of fashion

‘A Star Is Born’ as Bradley Cooper makes an impressive directorial debut

"It's the same story told over and over; all an artist can do is say how they see it"

A look at the Cuppers draw

Cal Flintoff runs through this year's competition