“Our hospitals are fuller than they were in March and April last year. We are doing all that we can to care for our patients with COVID but, if people do not stick to the national lockdown rules, we are likely to see cases rise even more and the pressure on our hospitals and our staff will increase further.”
Many want a Men in Black-style mind wipe that will erase the past year from our collective memory, only to be recalled 50 years down the line when a funky new virus dredges up the memories from the bottom of the dustbin. This, I think, is a mistake.
'It is difficult to overstate the rage I feel against America’s right wing for allowing us to get to this point. Shame on Mitch McConnell. Shame on Ted Cruz and Josh Hawley. Shame on every Republican who acquitted Trump of impeachment charges. Shame on the entire Trump family and every single one of his enablers.
Unionism can only work if all nations are satisfied: a real regard for the Scottish people must be made. Such regard that is formed by compassion and a distribution of wealth, power and opportunity would ensure that this positive situation is not only made but sustained.
"Oxford-AstraZeneca has devised a vaccine in an unprecedented amount of time... However, with any and all science, it is important that we be critical of the claims being made, and question the scientific method used to arrive at such conclusions."
'I am not sure what broke me. I think it's a close tie between the discussion around NaCl when I asked for the salt to be passed down the table or when someone genuinely asked the group what their favourite way to measure the centre of mass was.'
It would be hard to think of another set of myths that are so present in contemporary culture as those surrounding the fall of Troy and its aftermath, immortalised most notably by Homer and Virgil. Stories such as the judgment of Paris, which sets the war in motion, the deception of the ‘Trojan Horse’ and Odysseus’ encounter with the Cyclops during his decade-long journey home are many people’s first introduction to the classical past as children, and the past few years have seen a resurgence of the Trojan cycle in popular culture. Novels such as Madeline Miller’s The Song of Achilles and Pat Barker’s The Silence of the Girls have reconsidered the war and its characters from different angles, and the BBC’s Troy: Fall of a City adaptation brought the saga to a generation raised on Game of Thrones. Therefore, the British Museum chose an opportune time for this year’s BP exhibition, Troy: myth and reality, which aims ambitiously to exhibit artistic depictions of the well-known myths and their various post-classical reinterpretations alongside the archaeological evidence that Troy and the war actually existed.
Imagine the future. You walk into a room expecting an art gallery. Instead, you come face to face with a baron white cubicle. A woman stands in the corner, holding a pair of VR glasses. She hands them to you. Puzzled, you put them on.
Running since 1769, the Summer Exhibition is the world’s largest open-submission art show. From film to photography and prints to paintings (and everything in between) the show brings together the world’s leading artists of all mediums, both household names and total unknowns.