Often, how much we like artwork comes down to ‘vibes’, initial gut-reactions we make, and then quickly negate by stating that surely it's all about taste.
Smith’s appointment has raised some serious questions about the extent to which nepotism and celebrity is superseding artistic talent in the fashion industry at present.
James Graham’s Ink, directed by Georgina Cooper with the St John’s Drama Society, dramatises Rupert Murdoch’s acquisition of The Sun in the 1960s, tracing its astonishing surge to unprecedented popularity.
★★★⯪☆
Returning for their 62nd annual pilgrimage to the Edinburgh Fringe, the Oxford Revue rolled into town with their new sketch comedy hour For Revue...
R.F. Kuang’s Katabasis touches on a range of near-universal academic experiences: impostor syndrome; frantic, caffeine-fuelled study sessions; watching someone effortlessly ace every single test...
★★★★☆
A capella groups from Oxford have long been favourites at the Edinburgh Fringe, with Out of the Blue, Oxford Gargoyles and Oxford Belles often...
★★★⯪☆
Do Zombies Dream of Undead Sheep? is a one-man, one-puppet musical journey through the apocalypse. After a 'catastrophic' magnitude 1-ish earthquake, the dead are...
★★★★☆
Timestamp is a part-theremin, part-dance exploration of womanhood, expectation, and time. Brought to the Edinburgh Fringe after a successful run in New York City...
Tate Modern's "Leigh Bowery!" refuses easy categorisation—much like its subject
A fashion student from Sunshine, Melbourne, rocks up to London in 1980, writes 'wear makeup...
If not taken too seriously, Netflix’s new movie My Oxford Year is a surprisingly good time, despite its cliché storyline. The rom-com, starring Sofia...