Culture

Why we’re obsessed with Greek myth retellings

In every bookshop today, from Blackwell’s to Waterstones, an unmistakable pattern emerges: Greek myth is everywhere. Madeline Miller’s Circe and The Song of Achilles, Natalie Haynes’ A Thousand Ships...

Books Hannah Becker -

Down the rabbit hole: illustrating ‘Alice in Wonderland’

Alice’s Adventures in Wonderland has long proved an endless source of inspiration to illustrators....

Art Verity Fleetwood-Law -

The performance of watching: Cinema in the Letterboxd age

While watching Paul Thomas Anderson’s One Battle After Another (2025) a few weeks ago,...

Culture Eve Thomas -

Film festivals should be more pretentious, actually!

Film festivals often get a bad rep. We’ve all heard the stereotype before: they...

Culture Luisa Blacker Espozel -

Latest

Review: An Anthology of Pairs – ‘Two’s a Party’

There’s a particular theatrical magic that comes from two people simply talking in a room. No stage tricks, no elaborate plot devices – just...

‘So Far, So Good’ and redefining the spotlight

So Far, So Good is a student-written, student-performed play that is shaking up the conventions of Oxford’s student theatre. From its ambitious staging (think...

Review: As You Like It – ‘What’s not to like?’

At last, the sun is coming out to play, and the Mansfield Players’ staging of As You Like It has given this summer’s outdoor...

From cloisters to concrete: Oxford’s architectural evolution

As a proud member of one of Oxford’s younger colleges – one that didn’t make it into the set of Saltburn – the magnetic...

Adolescence: Can TV spark radical change in young men?

Adolescence is just another example of art acting as a conversation piece. The recent series has inspired much conversation after it has highlighted how...

Hand over Heart

"So bite the heel that walked you home in the rain"

Oxide Radio is a breath of fresh, musical air

"This free station is worth a listen"

Exhibition 004: Oxford artistry across all mediums

When I first walked into Exhibition 004, my gaze was immediately met with Magda Adamczyk’s Nightmare. A demon, swirling with hellish strokes of red,...

Review: And Then There Were None – ‘Entertaining, suspenseful and very much worth your attention’

Hafeja Khanam’s take on Agatha Christie’s classic murder mystery And Then There Were None for this year’s OUDS BAME showcase was entertaining, suspenseful and...

Review: 113 – ‘An elusive, intangible, and shifting reality’

When I entered the Burton Taylor Studio to the sound of a mildly haunting cover of Tracy Chapman’s ‘Fast Car’, the whispered-yet-screechy vocals verging...

A ‘Closer’ look at intimacy in Labyrinth’s new production

Labyrinth Production’s upcoming production of Patrick Marber’s Closer is a novel step up in the kinds of physical and emotional intensity that the Oxford...

Review: Cyrano de Bergerac – ‘A clever adaptation of a timeless play’

I’m ashamed to admit I almost mistake Cuigy (Kate Burke) and Brissaille (Nancy Gittus) for incredibly dapper audience members before the play begins. The...

Why reading for pleasure still matters at Oxford

The idea of students reading for pleasure during term time has sparked much debate. Simply put though, Oxford’s intensive schedule makes it near-impossible. The...

The Pasts Contained in Preloved Books at the Oxford Premier Book Fair

Although post-collections celebrations usually involve nights out, followed by long, long lie-ins, I spent Saturday morning taking the bus to the Oxford Brookes Headington...

Review of ‘Intermezzo’: Chess, law, and the philosophy of language in yet another Rooney masterpiece

I thought it perplexing that critics felt Intermezzo similar to other works by writer Sally Rooney. Certainly, it shares some familiar ingredients: it’s set...