“A moving and engaging performance… beyond the level of most student...

Freddie Crowley is impressed by the professionalism and intensity of the dystopian drama POMONA at the Keble O'Reilly this week

“Emotive, vibrant, and politically charged”: Hamilton

Izzy Smith praises Lin-Manuel Miranda’s powerful soundtrack

A day in the life of… A script writer

Stage editor Katie Sayer considers the Oxford drama scene from the perspective of a budding playwright

“Student theatre at its finest”

Miriam Nemmaoui finds 'As You Like It' to be enchanting and captivating

“A piece of theatre that feels incredibly close and genuine”

Nina Crisp finds much to praise in 'I Know You', Sam Moore's postmodernist piece of new writing

“The play-text should never have been selected for performance”

Will Austin finds 'Five Women Wearing the Same Dress' to be outdated and hackneyed at the Michael Pilch Studio

“A tense and deeply disturbing piece”

Emily Lawford is left shaken by 'Orca', an award-winning drama about sacrifice and redemption

“Fun, thoroughly amusing and worth watching”

Freya Thorpe praises Ambriel Productions’ musical ensemble

A day in the life of… a lighting director

I came to Oxford with very little backstage experience. It’s really easy to get into the scene—TAFF (the University network of backstage crew) is...

“If you’d told me a year ago I would never have...

Katie Sayer chats to Callum Cameron, the writer and star of They Built It, No One Came – coming to Oxford following a successful run at the Edinburgh Fringe and a sell-out week in London

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