During the odd ‘in-between’ space that is Week 0, I searched for a show to give me something to do, amid the random dilly-dallying and the odd collection currently occupying my time.
“What is a good life?” This axiological question, asked earnestly in the opening lines of James Graham’s The Standard of Living – playing at Theatre Royal Haymarket until December 12 – is often overlooked by the fractured and hyper-specialised discipline of economics.
Whether it’s a mild sniffle or full-blown tears, I always end up feeling a bit ridiculous about the whole ordeal when it’s over. I mean, it’s not real, is it? Why do I waste my grief on things that haven’t happened, that will never happen?
Planning a holiday soon? Why not visit the prosperous, democratic and perpetually joyful nation of Orgislavia? They’ve hosted the Olympics for hundreds of years...
"Stage Wrong’s performance draws us into the dysfunctional, haunted world of the Rice family and insightfully pulls apart their fractures." Alice Williams reviews The Entertainer at Keble O'Reilly.
This week,
we saw the death of theatre director Terry Hands, acclaimed for his founding of
the Everyman in Liverpool among various other theatrical, notably
Shakespearean, endeavours....
Martin McDonagh’s jet black comedy is brought to life (and sentenced to a gruesome death) by Tom Fisher and his stellar cast.
I coughed, continuously,...
The power of identity is arguably greater today than ever before. The stale, collective “British” identity is slowly being pervaded by the vibrant diversity...
It’s January 2020 and a new controversy has arrived to add
to the Britain’s collection. Popular discussion of the Duke and Duchess of Sussex’s
exit from...