“What is a good life?” This axiological question, asked earnestly in the opening lines of James Graham’s The Standard of Living – playing at Theatre Royal Haymarket until December 12 – is often overlooked by the fractured and hyper-specialised discipline of economics.
Whether it’s a mild sniffle or full-blown tears, I always end up feeling a bit ridiculous about the whole ordeal when it’s over. I mean, it’s not real, is it? Why do I waste my grief on things that haven’t happened, that will never happen?
Fresh off the back of 'Our House' and 'Macbeth', Cross Key Productions presents an original three-hander focused on the complexities of grief and young love.
Katie Knight reviews upcoming Oxford grad company Poltergeist Theatre's new show 'Art Heist', where three art thieves try to steal the same painting on the same night!
"This performance breathed a fresh, modern dynamic to an otherwise static play".
Phoebe Athena Hennell explores the implications of language in a Modern Greek performance of Aeschylus' ancient tragedy 'Prometheus Bound'. With contributions from Andreas Janssen.
Morpurgo intended the tale to be one of ‘reunion and reconciliation’, but Nick Stafford and the National Theatre have transformed it into an ‘anthem for peace’.
Delivered in the form of a virtual ghost tour, Hoof and Horn Productions' take on The Witch of Edmonton offers an original retelling of Elizabeth Sawyer's story.