Touch, tenderness, and technology in Cloud of Petals

Sarah Meyohas’ new exhibition embraces electronic form in its exploration of beauty, writes Eleanor Birdsall-Smith

Andrew Graham-Dixon: Bridging the gap between high culture and mass media

Art history documentary maker Andrew Graham-Dixon talks contemporary art and BBC spending to Altair Brandon-Salmon

Imagining the Divine review – engrossing and important

Lizzy Diggins is intrigued by the religious crossovers at the Ashmolean's new exhibition

A perfectly preserved corner of London speaks to modern Britain

Susie Finlay discovers the delights of still-life drama

A film that celebrates an artistic history too long hidden,...

Gazelle Mba discusses a groundbreaking feminist film and the politicisation of artistic identity

How traditional craftsmanship meets modern aesthetics on Pakistani trucks

Sam Dalrymple reports on the phenomenon of truck art that is spreading across Pakistan

‘Beautiful is good’ – Giovanna Bertazzonia on Christie’s

Altair Brandon-Salmon dives into the world of art auctions with Giovanna Bertazzonia, co-chair of Modern Art at Christie’s

Political cartoons must now be held to a new standard in...

Viveka Herzum challenges the role political cartoons play in our current climate

Basquiat brought to life at the Barbican

Excessive detail hinders an energetic and ground-breaking Basquiat exhibition, writes Eleanor Birdsall-Smith

Opera: Passion, power and politics

The new exhibition at the V&A entertains yet bemuses Julia Alsop

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The traditional restaurant sticks to the classics from India, Bangladesh, and Pakistan

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Poetry in motion: the nature of lyrics

Should lyrics be given the same respect as poetry?