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Keep Off The Grass
Gladiator II: A lack-lustre return to Rome
Review: Moth – ‘An unabashed, piercing piece of theatre’
Review: The Outrun
Blackfriars Fellow created a Cardinal by Pope Francis
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Oxford's oldest student newspaper
Independent since 1920
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Keep Off The Grass
Altair Brandon-Salmon
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“A Mythical Future”: Katya Rogatchevskaia on the Russian Revolution
The British Librarian curator discusses her exhibition Russian Revolution: Hope, Tragedy, Myths
Andrew Graham-Dixon: Bridging the gap between high culture and mass media
Art history documentary maker Andrew Graham-Dixon talks contemporary art and BBC spending to Altair Brandon-Salmon
‘Beautiful is good’ – Giovanna Bertazzonia on Christie’s
Altair Brandon-Salmon dives into the world of art auctions with Giovanna Bertazzonia, co-chair of Modern Art at Christie’s
How a small office in Bloomsbury keeps the tradition of criticism alive
The LRB’s Alice Spawls talks to Altair Brandon-Salmon about her journey from intern to editor at the world’s most prestigious literary journal
The Russian Revolution was a kind of orgy
Altair Brandon-Salmon is thrilled by the British Library's exhibition marking the centenary of the Russian Revolution
At the Royal Academy: Matisse in the Studio
Altair Brandon-Salmon explores the Royal Academy's latest exhibition, Matisse in the Studio
At the Royal Academy Summer Exhibition
Altair Brandon-Salmon ponders the significance of the Royal Academy's annual Summer Exhibition
Dispatches: Gentrified graffiti on the streets of Stokes Croft
Altair Brandon-Salmon explores differing responses to Banksy as a graffiti artist
American art at the cutting edge of the 21st century
Altair Brandon-Salmon explores two samples of recent art and their resonances
Dispatches: faces and encounters in a letter from New York
Altair Brandon-Salmon reflects on finding the familiar and unexpected in a new city
Between the World and Ta-Nehisi Coates
Altair Brandon-Salmon on an autobiographical look at American racism
Review: The Leopard
Altair Brandon-Salmon revisits the classic Italian 20th century novel
The richness of the materiality of books
Altair Brandon-Salmon discusses the importance of books as aesthetic objects
Conjuring some museum magic
Altair Brandon-Salmon is astounded by the Ashmolean’s Islam exhibition, Power and Protection
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