Tuesday 24th February 2026

Emma Heagney

How not to decolonise a museum: ‘Suturing Wounds’ at the Pitt Rivers

Emma Heagney reviews Sara Sallam's exhibition at the Pitt Rivers and how the museum interacts with decolonisation.

Navigating Oxford’s social media footprint

How do colleges maintain a social media presence when competing with 40 others? From access Instagrams to society Facebook groups to JCR-run TikTok pages,...

Family resemblance: Oxford’s twin cities

From prestigious university towns to ancient settlements, Oxford is twinned with seven cities around the world, spread across three continents.

How a visual impairment changed the way I see art

How do you study art if you can’t see? In 2025, I was faced with this question, not out of curiosity, but because half my vision significantly deteriorated.

Review: Suddenly Last Summer – ‘Cannibalism, love, and lobotomies’

This week at the Burton Taylor Studio, a new rendition of Tennessee Williams’ Suddenly Last Summer is a feast for the eyes and the...

Oxford Fashion Gala’s ‘Metamorphosis’ reflects the beauty of change

The Oxford Fashion Gala was back and bigger than ever, with a larger venue, more ticket sales, and a grander vision. On Wednesday 14th...

Tailoring expectations: Couture culture shocks

Academia has a historic relationship with fashion, both officially and unofficially. The former manifests itself in Oxford’s sub fusc – mounting costs and pressure...

The office siren doesn’t exist

What did you want to be when you grew up? An astronaut maybe, or a rockstar? A life-saving surgeon? You probably didn’t envision yourself...

Blue Monday: Forever a New Order

Everybody knows Joy Division, everybody knows New Order. If the former’s post-punk gloom is the gateway drug for 80s bands like Bauhaus and The...

Follow us