Imogen Harter-Jones
Possessed by Muses
“There is also a third kind of madness, which is possession by the Muses, enters into a delicate and virgin soul, and there inspiring...
Record breaking performance for Oxford in QS World Ranking
Oxford has been named the world’s best university for the study of eight different subjects in the tenth edition of the QS World University...
Self-isolated student diagnosed with Covid-19
Public Health England (PHE) has confirmed that a student at the University of Oxford has tested positive for coronavirus (Covid-19) after returning home from...
Profile: Richard Bilton
Playwright Tom Stoppard said, “I still believe that if your aim is to change the world, journalism is a more immediate short-term weapon.” The...
Oxford institute working on coronavirus vaccine
Scientists at Oxford’s Jenner Institute are currently working on a project to produce the first batch of a coronavirus vaccine for clinical testing. The...
Merton pledge support for Homeless Charter
Merton College announced last Tuesday that they have pledged support for Oxford Homeless Movement Charter, becoming the latest Oxford organisation to join the cause.
The...
Christ Church Chef avoids prison for knife threat
On 30th January 2020, Christ Church kitchen staff member was spared jail yesterday for threatening a bouncer outside of Kiss Bar after a staff...
Heimat: a cinematic odyssey through 20th century German life
The controversy surrounding Taika Waititi’s recently Oscar nominated satire on Nazi Germany, JoJo Rabbit, demonstrates that dramatic portrayals of Hitler and the era of the Third...
The Fantasy of Film
Food - whether symbolising power, desire, loss, despair, love, murder or moral, social and political disorder - provides an extensive menu for films.
Imogen Harter-Jones explores its symbolic capabilities.
Dystopia in and amongst trash: Beckett’s Endgame
Beckett symbolically employs trash to reflect physical and philosophical reality of a post-apocalyptic world.
FLEABAG – Triumphant return to where it all began
Imogen Harter-Jones reviews Phoebe Waller-Bridge's return to the stage.
Twelfth Night – Shakespeare’s Rose blossoms in York and Oxford
Madness, hilarity and revelry ensues in Joyce Branagh's production of Twelfth Night.
Interview: ‘How To Use A Washing Machine’
In the cosy nook of an Oxford hostelry is where Georgie Botham and Joe Davies brainstormed into existence ‘How To Use A Washing Machine’. Little did they know, in Oxford in 2018, that their newly penned and composed musical would also then progress to a national tour.
Imogen Harter-Jones interviews them to find out about their experience.
LOVE/SICK – ‘Your trip to Tesco’s will never seem the same again’
Matter of Act’s ambitious new production in an “alternate suburban reality” details the joys of falling in and out of love.
