Mythical, dreamlike, phantasmagorical, and absurd: Surrealism, which took the art world by storm in the early 20th century, has enjoyed a huge resurgence in the past decade.
The original pioneers...
When I returned to Oxford this term, just as England teased us with the sixth heat-wave of the year, I found myself at a loose end. With the deadline for two vacation essays still far in the distance, the sun lit up the sign for Soma Surovi Jannat’s Ashmolean Now exhibition, Climate Culture Care.
It is the examination of archaic methods and attitudes surrounding women’s bodies, and the idea of the ‘nagging’ woman, which runs through Olivia Plender’s exhibition.
Tate Modern's "Leigh Bowery!" refuses easy categorisation—much like its subject
A fashion student from Sunshine, Melbourne, rocks up to London in 1980, writes 'wear makeup...
Every Magdalen member remembers their first encounter with the Waynflete Building. Sticking out a little obtrusively amidst the serenity of Addison’s Walk and the...
Religious imagery has evolved – from an appreciation of spirituality to a damning critique of religion’s role in society. Significant contributions have been made...
For anyone embarking on their photography journey now, the world of image creation can seem very daunting. The market is oversaturated with photographers, all...
When I first walked into Exhibition 004, my gaze was immediately met with Magda Adamczyk’s Nightmare. A demon, swirling with hellish strokes of red,...
Cienna Jennings explores the Ashmolean’s Reforming Abstraction exhibition, where abstract expressionism meets East Asian folklore and spirituality in the work of Cheung Yee and his contemporaries.
Just a five-minute stroll from the imposing spires of Magdalen College lies Cowley Road, the heart of Oxford’s urban culture. Oxford, renowned for its...