Monday 15th June 2026

Art

Hag, Nag, Harpy, Hen: Olivia Plender’s ‘Little Fennel’s Complaint’

It is the examination of archaic methods and attitudes surrounding women’s bodies, and the idea of the ‘nagging’ woman, which runs through Olivia Plender’s exhibition.
Art Amy Lawson -

Hidden Gems: ‘The Storytellers’ at Worcester College

From the first moments, The Storytellers feels unusually thoughtful, generous, and alive.
Art Willow Jopp -

What I learned from Tracey Emin about regeneration

CW: Abortion I left the Tate Modern’s latest headline show, Tracey Emin: A Second Life,...
Art Willow Jopp -

Confronting the future of art: ‘Responding to AI’ at Christ Church

‘Responding to AI’ an exhibition curated by Aniq Shamshi and Alice King, confronted the question of how artists perceive artificial intelligence directly.
Art Emma Heagney -
Latest

Freida Toranzo Jaeger’s Prophetic Glitter

Freida Toranzo Jaeger names her paintings like items in a manifesto: Extinction is the price we pay for our existence (2023), Open your heart...

Artificial insights: Decoding diversity and redefining art history with AI

In the age of AI-enhanced art, the possibilities for creativity and cultural exchange are limitless—and inclusive.

The Christ Church Picture Gallery review

The Christ Church Picture Gallery has free entry for Oxford students. It offers a chance to view one of the most impressive college art collections, with pieces spanning the 14th to 18th centuries

Frank Auerbach’s Charcoal Portraits review: Self-Portrait of a Stranger

The Griffin Catalyst Exhibition, The Charcoal Heads, shows the early career of Frank Auerbach and the creation of his portraits in the 1950s and...

Remembering Oxford: Memorialising “The City of Dreaming Spires”

"As I exit the library, it strikes me that in its memorials of people long deceased and its unchanging historical landscape, Oxford seems often at a standstill."
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