Art

Confronting the future of art: ‘Responding to AI’ at Christ Church

‘Responding to AI’ an exhibition curated by Aniq Shamshi and Alice King, confronted the question of how artists perceive artificial intelligence directly.

Art Emma Heagney -

“Everything is political!”: How The Hot Mess Project is reviving Oxford’s creative communities

If you’ve been online recently, browsing in search of something to fill an empty...

Art Maya Heuer-Evans -

Art is an argument, so argue back

Often, how much we like artwork comes down to ‘vibes’, initial gut-reactions we make, and then quickly negate by stating that surely it's all about taste.

Art Maxim Vorobev -

How not to decolonise a museum: ‘Suturing Wounds’ at the Pitt Rivers

Emma Heagney reviews Sara Sallam's exhibition at the Pitt Rivers and how the museum interacts with decolonisation.

Art Emma Heagney -

Latest

Frank Auerbach’s Charcoal Portraits review: Self-Portrait of a Stranger

The Griffin Catalyst Exhibition, The Charcoal Heads, shows the early career of Frank Auerbach and the creation of his portraits in the 1950s and...

Remembering Oxford: Memorialising “The City of Dreaming Spires”

"As I exit the library, it strikes me that in its memorials of people long deceased and its unchanging historical landscape, Oxford seems often at a standstill."

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Art

Confronting the future of art: ‘Responding to AI’ at Christ Church

“Everything is political!”: How The Hot Mess Project is reviving Oxford’s creative communities

Art is an argument, so argue back

How not to decolonise a museum: ‘Suturing Wounds’ at the Pitt Rivers

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