Oxford's oldest student newspaper

Independent since 1920

Film

All Of Us Strangers Review – A Haunting Exploration of Love in all its Forms

"In All Of Us Strangers, writer-director Andrew Haigh leads us by the hand into a dreamlike, introspective world. "

‘Bittersweet, immersive and profoundly moving’ – Perfect Days Review

"I don’t think I’ve ever felt so ‘in the moment’ while watching a film as I did with Perfect Days"

Hollywood vs. AI – Is this the end?

"the question on everyone’s lips is: is this the end? The end of special effects teams? The end of video creation? The end of filmmaking?"

Poor Things – Review

Includes some spoilers Poor Things takes place in a world only Yorgos Lanthimos could create....

The Roaring Twenties

"The Roaring Twenties (1939), freshly remastered this year in 4K, is the last and greatest gangster film of the 1930s."

Midsommar (2019)- Review

Colette Webber critiques Hereditary director Ari Aster's new offering Midsommar, a contemporary take on the folk horror sub genre.

Salò, or the 120 Days of Sodom: The Pornography of Power

"Pasolini uses the language and imagery of obscenity in order to shock, but if not shocked, we would only be indifferent."

‘Spider-Man: Far from Home’: Marvel’s much-loved web-slinger swings back into action

"A pitch-perfect teenage (read: awkward) romance with great action, all anchored by solid performances from the ever-maturing cast."

Love Island: the breaking point for exploitative television?

"Love Island doesn’t just expose its contestants to the vitriol of the public, it actively encourages it."

Sensual Absence in Jim Jarmusch

"If there is one thing Stranger than Paradise and Down by Law teach about Jarmusch, it is that he does a disservice to himself every time he makes a film in technicolour"

Boards, Beats and Bros: Mid90s Review

"Following the traditional narrative arc of the coming-of-age tale, the film follows Stevie as he rides out the highs and lows of adolescence, and learns important life lessons along the way."

9 to 5 and Feminism

Dolly Parton's iconic film is a feminist powerhouse

The Sweet Smell of Excess

"While the social implications of excessive behaviour seem real and uncomfortable, then, the extent to which films tend to deal with these is, we surely have to admit, limited."

In Defence of Excess

"You feel attacked, but you also feel seen – and really, is that not one of the most important things people look for when watching a film – to feel seen? "

‘Carry-On’ Excess-ing?

The dated views of the Carry-On films may offer their own entertainment

Ted Bundy Reinvented

Joe Bertlinger’s Ted Bundy biopic, released to Sky Cinema on Friday, seemed to be just one more of the latest string of films blatantly...

Behind Closed Drawbridges

Why are we so fascinated by stories of royalty?

Inheriting ‘The Big Score’

Examining the appeal of the classic heist film

Daydreamers: Fantasy in the Face of Stasis

There’s a scene in one of my favourite films, High Fidelity (2000), in which John Cusack’s Rob plays out a number of angry reactions in his head...

Follow us