Don’t worry, this isn’t one of those articles about how superhero blockbusters are awful compared to classic movies. No, I’m here to explore the weird commonality between Ingmar Bergman’s The Magic Flute and modern blockbusters. Linking these different approaches to film will be a strange journey, but at its end lies an intriguing idea: that reality and fiction may be one and the same.
This is the time of year for promises we may not keep. And we’ve got plenty of movie-related resolutions, whether it’s something we always wanted to see but have never found time for, or a new aspect of film that we want to get into.
The well-established mix of humour and honesty that Sex Education brings to these themes is a refreshing approach, and enables an exploration of a huge variety of sensitive issues regarding sexuality, as well as more light-hearted everyday adolescent dramas.
CW: sexual assault.
For musical theatre purists and sceptics alike, Steven Spielberg’s reboot of West Side Story remains a hard sell. According to the naysayers,...
"Yet the message carried in this little soap opera bubble is nonetheless heartening: that the queer community is supportive and inclusive, and that for the very vulnerable, it’s often more loving and nourishing than the institutions and relatives that have failed to accept them."
No Time to Die has emerged from all of its production chaos triumphant, dusting itself off and adjusting its shirt cuffs with all the effortless sophistication of its protagonist.
“I’m a superhero,” cries Polka-Dot Man in the third act of the film. “I’m not just a superhero movie,” screams The Suicide Squad for the entire 2h12m runtime. James Gunn’s movie perfectly captures the essence of his source material, while also challenging the conventions of Marvel/DC films. Gunn has done this in a year that has seen Zack Snyder’s Justice League released while demands continue for #ReleaseTheAyerCut, but he has risen above these controversies and put his stamp on the project. And so, The Suicide Squad comes as an entertaining breath of fresh air.
Summer of Soul, which seamlessly interweaves original festival footage with contemporary interviews and news footage from the time, is truly brilliant. To say that the film merely shows the absolute talent of many of these performers would be an incredible understatement – the film positively resurrects them.
Watching Too Hot to Handle, you would think that we were living in the Victorian era rather than the sexually liberated society that many of us recognise.
“No pare, sigue, sigue” (a Spanish aphorism which translates as “don’t stop, keep going, keep going”) is a particularly catchy recurring motif from the...
'The truth is that travelling to different time periods might even give us a better awareness of the idiosyncrasies of our own era – an era which, for all its shortcomings, could well be the golden age of the television series as we know it.'
Somehow, “Pentagon confirms UFOs may exist” barely registers as news. It’s a shame, since our cultural obsession with the great unknown of outer space...