Film

‘Celebrity Traitors’ season two: Complex and compelling

Reality TV series The Traitors has returned with its celebrity version and has topped viewing charts for a second time. People are hooked on the show where logical reasoning and random chance are simultaneously at play, in a game full of drama, tension, and cliffhangers.
Culture Alice Rubli -

How cinema has taught us to see Autumn

Autumn is clearly a time for comfort and reflection, a fact the film industry has learnt very well and pumps into new releases.
Culture Amalia Dasgupta -

A jarring Mann: ‘Fatherland’ (2026) in review

'Fatherland', which recounts celebrated Modernist author Thomas Mann’s return to a Germany in wreck and rubble, deals with great personal malaise against a backdrop of great political unease.
Culture Freddie Lewis-Hedley -

NAZA: The most important film of the year

The filmmakers of NAZA clearly know that beyond physical distance, emotional distance is what allows the violence in Gaza to continue, and shows us just how easy it is to ignore what is going on right under our noses.
Culture Willow Jopp -
Latest

A Clockwork Orange: “Kubrick’s masterclass of surrealism, disillusion and delinquency”

A Clockwork Orange remains an absolute classic to this day... It represents the best of Stanley Kubrick’s vision and surrealism, and marks itself as completely unique. These types of movies represented a mental workout for the viewer, a way to leave the cinema bamboozled and desperately craving for a rewatch.

Before Midnight: ‘Linklater manages to paint a picture of love that feels real, without sacrificing any sense of beauty or magic’. 

'Before Midnight, then, beautifully and honestly draws Linklater’s Before trilogy to a fitting conclusion. As a meditation on love and relationships it reminds us that it’s not always plain sailing, but that this doesn’t erase or dampen our past experiences.' Josh McGrane evaluates the final instalment of Richard Linklater's beloved 'Before' trilogy.

No guts, no glory : the Bones and All premiere

"Bones and All...will undeniably spark conversation, introspection and philosophical debate"

Breakwater : Oxford’s first student feature-film in forty years

"Recently, our primary filming location burnt down"

Don’t Worry Darling – Review

'You get the impression that is was intended to be a feminist statement - but a statement of what ?'

The Economics of Pride

“It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.” The...

Ten years of the Dark Knight trilogy

It’s been 10 years since the trilogy that shaped my entire life came out.

Booksmart and the art of growing up

They find themselves together – still best friends, still ambitious and imperfect and stressed.

Love Without Words: The Quiet Storytelling of Heartstopper

Rare for the teen drama genre, the show, much like its sketched source material, is taciturn like an actual shy teenager.

Oxford Student Film Review: The Pacifist

The Pacifist was put together by a team of recently graduated University College students. Matthew Hardy (2018, English) wrote the screenplay and collaborated on direction with Jack Rennie (2017, PPL).

Local Hero: a modest masterpiece

What is the first thing that springs to mind when I ask you about the connection between a red phone box in the Scottish highlands, a crackpot oil multimillionaire from Houston, and a jaded and cynical negotiator who ends up trapped between the two colliding worlds?

The Godfather and the Thrill of Cinema

A film that rests so prominently in the public’s psyche can be difficult to watch subjectively. The Godfather is nonetheless a masterpiece in its own right.

The Hegelian Dialectic of James Gunn’s Peacemaker

What links the superhero show Peacemaker with the work of 19th-century German philosopher Georg Wilhelm Friedrich Hegel?

The Meaning Of Motherhood: Spencer and Parallel Mothers

Life, death, and birth are all present in Pablo Larraín’s Spencer and Pedro Almodóvar’s Parallel Mothers. Both films address, in different ways, what the meaning of motherhood is.

The fairest of them all? Hollywood’s problem with visually represented villainy

We know that we ought to validate and cherish visible difference. Why is cinema struggling so much to catch on?

From Emperors to Crystal Skulls: The highs and lows of the sequel

It’s no wonder that sequels have a, let’s say, less than stellar reputation when films like Grown Ups 2 exist.

It’s Complicated: The Status of the Romantic Comedy

Dorothy Scarborough delves into the tangled history and complicated present of the beloved genre.

Eternals: A Structurally Misunderstood Masterpiece

Marvel’s Eternals, the 26th film in the Marvel Cinematic Universe, was released to somewhat middling critical reception, despite largely positive audience scores. I think it’s a brilliant film, despite the considerable body of opinion that stands in vehement disagreement.

In Defence of the Rom-Com

Over the first lockdown, my family developed hobbies...Mine was slightly more fun: I fell into a rom-com hole.

Val Lewton’s 75-Minute Masterpieces

A lot of old movies are boring. That admission may cost me my credibility as a film nerd, but it’s true. But there are classic films that even my limited attention span can wholeheartedly enjoy, and very high on that list are the horror movies of Val Lewton.
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