Music

Night School: Oxford’s after-hours curriculum

The first time I saw Nahom and Ethan, it wasn’t on a night out – it was an early morning. I was shuffling through the half-awake crowd when my...

Culture Maya Rybin -

Oxford Commas at the Fringe – Interview

The Oxford Commas are a contemporary gender-inclusive a capella group who had their Fringe...

Culture Lara Machado -

‘Aca-demic Weapons’ at the Fringe: Oxford Commas Review

★★★★☆ A capella groups from Oxford have long been favourites at the Edinburgh Fringe, with...

Culture Alexander Kwon -

St Anne’s goes All-Steinway: A purposeful and bold commitment to music

In a move that lives up to its motto of ‘Consulto et Audacter’ (purposefully...

Culture Miriam Hussain -

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Does ‘Wellington’s Victory’ deserve Beethoven’s name?

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I Need a Dollar

Cash, Rules, Everything, Around, Music

‘An anthology of divergent styles that promise a skyward trajectory’

Tom Misch’s full length debut shows remarkable maturity, challenging conventional genre boundaries with verve

A Band With Purpose and Integrity

Shona Galt talks to the lead singer of Little Comets

Playlist: Childhood

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Rock, Soul, Techno – Trinity has it all

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Kacey Musgraves basks in newfound light on her latest album, Golden Hour

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Music

Night School: Oxford’s after-hours curriculum

Oxford Commas at the Fringe – Interview

‘Aca-demic Weapons’ at the Fringe: Oxford Commas Review

St Anne’s goes All-Steinway: A purposeful and bold commitment to music

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