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UrbanObserver
Saturday 27th June 2026
Oxford's oldest independent student newspaper, est. 1920
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Culture
‘Scenes With Girls’ and complicated female friendships
'Scenes with Girls' deserves to be seen as one of Labyrinth Productions’ (Rosie Morgan-Males and Emily Cullinan) most impressive accolades.
Culture
Charlie Bailey
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‘The Moro Affair’: Astonishingly original, but not quite a story
The acting in 'The Moro Affair' was superb across the board, with Harriet Wilson’s Pope as a standout, and Rosie Sutton’s direction was flawless.
Culture
Ian Coates
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‘Music can be everything’: Aurora Orchestra’s Jane Mitchell on the narratives around classical music
The Aurora Orchestra, who are playing at Oxford’s Schwarzman Centre on the 19th June, are best known for performing their orchestral repertoire from memory.
Culture
Lilia Goldstein
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The ‘Obsession’ Obsession
'Obsession' is a taste of what the next generation of filmmakers looks like.
Culture
Willow Jopp
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Latest
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An American Nightmare
The glorification of greed in The Wolf of Wall Street is troubling for Becky Cook
The Lonesome West review – ‘a pressure-cooker of rage and almost-erupting violence’
Practically Peter Production give an impressive rendering of Martin McDonagh's dark comedy
Like A Virgin review – ‘the range of relationship difficulties explored is certainly impressive’
Sam Moore's play about the complexities of relationships finds resonance with audiences of all kinds
Scott Hutchison – ‘he gave expression to the things I could never’
The Frightened Rabbit frontman, who has died aged 36, confided to his listeners the perils of intimacy and loneliness
Beast review – ‘inventive visuals, fine acting, and an original story’
Order and chaos collide in this new, wild independent film
The King of The Fall rises from Starboy’s ashes
Orlaith Fox praises the moody R&B singer's latest offering
Butt Kapinski Review – ‘a masterclass in light-hearted entertainment and audience participation’
Charles Britton is both amazed and horrified by Deanna Fleysher's oddball creation
A Streetcar Named Desire Review – “a play that unpicks toxic masculinity”
The effects of modernisation upon Williams' play
Does ‘Wellington’s Victory’ deserve Beethoven’s name?
A mixture of Beethoven and Marriner, but is it any good?
Don’t know much about history
Who knew history could sound so good?
Review: Brave New World
Cesca Echlin is unsettled by Four Seven Two's evocation of Huxley's World State
The fault in our Fawlty
The show is vulgar, insular, and heavy-handed
Review – “Nell Gwynn”
University College Players capture the extravagance and obscenity of Restoration London in their production of Swale’s 2013 comedy
Changing the course of history
Our reimagination of classic works reflects our new priorities
I Need a Dollar
Cash, Rules, Everything, Around, Music
History through the lens of film: memory, culture and politics
Today's films are altering our perceptions of the past, shaping the relationships of entire nations
No Market For Old Men review – ‘an hour of fast-paced sketch comedy’
Krysianna Papadakis finds a lot of nuance in Oxford Revue's latest sketch show
The Writer review – ‘jumping out at you in wild, exciting, provocative vitality’
Hickson tries one formal experiment after another and each time brings a different gender-dynamic under her lens
Review: Avengers: Infinity War
Tony Stark (Robert Downey Jr) donned his iron suit for the first time a whole decade ago, establishing the groundwork for a cinematic universe...
Review – The House of Bernarda Alba
Ela Portnoy is impressed by this elegant adaptation of the Lorca masterpiece
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