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UrbanObserver
Friday 29th May 2026
Oxford's oldest independent student newspaper, est. 1920
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Culture
Oxford on-screen: Historical atmosphere and fantasy worlds
Ideally, we should strike a balance; an awareness of the reality of life at Oxford can co-exist with an appreciation of its grand architecture and historical atmosphere.
Culture
Siena Tracey
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The rise of Stats.fm: Music as a signal of identity
It is far harder to maintain a separation between your taste, your identity, and how you are thought of by others.
Culture
Suzi Sharp
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‘Would you mind if I asked you a troubling question?’: ‘Ulster American’ in review
Arun Lewis reviews Grá Productions' staging of David Ireland's 'Ulster American', and finds fault in an otherwise fascinating performance.
Culture
Arun Lewis
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Subs, dubs, and AI flubs: Lost in film translation
How hard could it be to watch an entire film in German when I could not even introduce myself in the language? Quite hard, it turns out.
Culture
Emma Heagney
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Underrated Spaces: Jesus College Hall
The Devil is in the detail of this early modern revival
Funny Friends Preview – ‘A roundup of all the best student talent in the country’
Funny friends and frenetic feminisms fuse in this upcoming Playhouse performance
An American Nightmare
The glorification of greed in The Wolf of Wall Street is troubling for Becky Cook
The Lonesome West review – ‘a pressure-cooker of rage and almost-erupting violence’
Practically Peter Production give an impressive rendering of Martin McDonagh's dark comedy
Like A Virgin review – ‘the range of relationship difficulties explored is certainly impressive’
Sam Moore's play about the complexities of relationships finds resonance with audiences of all kinds
Scott Hutchison – ‘he gave expression to the things I could never’
The Frightened Rabbit frontman, who has died aged 36, confided to his listeners the perils of intimacy and loneliness
Beast review – ‘inventive visuals, fine acting, and an original story’
Order and chaos collide in this new, wild independent film
The King of The Fall rises from Starboy’s ashes
Orlaith Fox praises the moody R&B singer's latest offering
Butt Kapinski Review – ‘a masterclass in light-hearted entertainment and audience participation’
Charles Britton is both amazed and horrified by Deanna Fleysher's oddball creation
A Streetcar Named Desire Review – “a play that unpicks toxic masculinity”
The effects of modernisation upon Williams' play
Does ‘Wellington’s Victory’ deserve Beethoven’s name?
A mixture of Beethoven and Marriner, but is it any good?
Don’t know much about history
Who knew history could sound so good?
Review: Brave New World
Cesca Echlin is unsettled by Four Seven Two's evocation of Huxley's World State
The fault in our Fawlty
The show is vulgar, insular, and heavy-handed
Review – “Nell Gwynn”
University College Players capture the extravagance and obscenity of Restoration London in their production of Swale’s 2013 comedy
Changing the course of history
Our reimagination of classic works reflects our new priorities
I Need a Dollar
Cash, Rules, Everything, Around, Music
History through the lens of film: memory, culture and politics
Today's films are altering our perceptions of the past, shaping the relationships of entire nations
No Market For Old Men review – ‘an hour of fast-paced sketch comedy’
Krysianna Papadakis finds a lot of nuance in Oxford Revue's latest sketch show
The Writer review – ‘jumping out at you in wild, exciting, provocative vitality’
Hickson tries one formal experiment after another and each time brings a different gender-dynamic under her lens
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