Culture

Does ‘Euphoria’ no longer speak to our generation?

Should I have been watching Euphoria’s first season as an innocent, bright-eyed 14-year-old? Probably not. At the time, I thought that the chaotic lives of the characters were what...

Culture Emma Heagney -

Bridging Communities: Vocatio:Responsio’s Liverpool Tour

Vocatio:Responsio, meaning Call:Response in Latin, is an early music ensemble founded and directed by...

Culture Evelyn Lambert -

‘Comedy is very deceptive’: Seán Carey on ‘Operation Mincemeat’

As a history student, you occasionally come across stories so strange they feel almost fictional. Operation Mincemeat is one of them.

Culture Hattie Simpson -

‘People are so hungry to create together’: Lisa Ko on going analogue, crafting, and writing the future

It’s 11:02am in New York when Lisa Ko appears on the video call. In Oxford, the sun is almost down.

Books Abigail Lakeland -

Latest

Don’t Look Back in Anger

The 90s was undoubtedly the greatest film decade, writes Josh Travers

Death By Murder Review – ‘an endearingly ambitious bunch of clowns’

Oxford's newest improvised comedy troupe impress in their debut show at the Pilch

Travesties Preview – ‘I have never felt so threatened by a teacup’

Isabella Welch sees a lot of promise in a dynamic adaptation of Tom Stoppard's hidden gem

An interview with Bea Udale-Smith

We chat to Bea-Udale Smith ahead of her upcoming production of 'Travesties' on how to get involved with directing at Oxford

The Inheritance review – ‘it is hard to imagine this play is really as universal as it advertises’

John Livesey finds that Stephen Daldry's ambitious play loses its momentum

Playlist: Childhood

A youthful and vibrant playlist on the topic of childhood

1932: The year Picasso had something to prove

The Tate’s latest retrospective shows that the artist’s peak came at a personal low

The art of painting like a child

The idea of enjoying something linked to childhood is apparently shameful

Rock, Soul, Techno – Trinity has it all

Arthur Charlesworth runs through the highlights of Trinity term's music scene

Wes Anderson’s films are nostalgic for the present

For Daniel Gonsales, Anderson’s playful films pair loneliness with joy.

Childhood’s Clarity in ‘The Ocean at the End of the Lane’

The Ocean at the End of the Lane opens with an epigraph from Maurice Sendak, “I remember my own childhood vividly… I knew terrible things. But I knew I mustn’t let adults know I knew. It would scare them.”

Top Five Must-See ‘Coming of Age’ Films

"‘Coming of age’ isn’t just an umbrella term for drippy films caught up in teenage drama"

Upcoming Trinity Theatre – a guide

Cherwell Theatre takes a look at the most exciting shows for the term ahead

Reversed: A Memoir

'One of the striking points the memoir illustrates is the level of abuse children with learning disabilities face, from teachers and others' says Kurien Parel

‘She is the one controlling the play’- Rufus Norris’ Macbeth

Norris’ production is a moving theatrical piece that allows Lady Macbeth to be the puppeteer she has so desperately always wanted to be.

The Making of Pray it Doesn’t Rain

Nabeela Zaman addresses the surge of homelessness in Oxford in her documentary Pray it Doesn't Rain.

Isle of Dogs – a minefield of toxic stereotypes

While Wes Anderson's trademark charms are present, they fail to conceal a problematic portrayal of both Japanese culture and female characters

Charmed Lives British Museum review – “you can almost feel the sea breeze darting across your face”

Place is the essence of this exhibition, which celebrates the beauty of Greece and its impact on the life and work of three famous bon vivants

RSC Macbeth Review: ‘technical wizardry fails to bring any tension or magic’

Dodgy directoral decisions and acting leaves one foreseeing a dark future for this unconvincing RSC production

Civilisations Review: Repeating the same mistakes

Simon Schama, Mary Beard, and David Olusoga; the terrible trio chosen to update the BBC relic Civilisations have fallen foul of all the usual potholes. Tasked with modernisation they haven't quite pulled it off.

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Culture

Does ‘Euphoria’ no longer speak to our generation?

Bridging Communities: Vocatio:Responsio’s Liverpool Tour

‘Comedy is very deceptive’: Seán Carey on ‘Operation Mincemeat’

‘People are so hungry to create together’: Lisa Ko on going analogue, crafting, and writing the future

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