Culture

How an Oxford undergraduate made a name in choral music

When he arrived at Oxford, he expected his future to lie primarily in orchestral music. Instead, it was choral music that transformed his direction.

Culture Anish Vedantham -

‘Scenes With Girls’ and complicated female friendships

'Scenes with Girls' deserves to be seen as one of Labyrinth Productions’ (Rosie Morgan-Males and Emily Cullinan) most impressive accolades.

Culture Charlie Bailey -

‘The Moro Affair’: Astonishingly original, but not quite a story

The acting in 'The Moro Affair' was superb across the board, with Harriet Wilson’s Pope as a standout, and Rosie Sutton’s direction was flawless.

Culture Ian Coates -

‘Music can be everything’: Aurora Orchestra’s Jane Mitchell on the narratives around classical music

The Aurora Orchestra, who are playing at Oxford’s Schwarzman Centre on the 19th June, are best known for performing their orchestral repertoire from memory.

Culture Lilia Goldstein -

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Revues reviewed: the best (and worst) student comedy at the Edinburgh Fringe

Benn Sheridan reviews student comedy from across the country

Three Strikes and you’re onto a very enjoyable TV show

Susannah Goldsbrough enjoys the latest Rowling screen adaptation of Strike: The Cuckoo's Calling

‘SiX’ at the Fringe review – “the best hour of comedy I saw all week”

Emily Beswick is blown away by 'SiX' at the Edinburgh Festival Fringe, the first original musical toured by The Other Place's Musical Theatre Society

‘It’s even kind of morale boosting, in a Lana kind of way’

Nicola Dwornik praises Lana Del Rey's latest subtle reinvention

My naked truth

Jess Brown contemplates the merits and shortcomings of life drawing

Grayson Perry’s Polymorphous Popularity

Georgiana Wilson explores Grayson Perry's image, identity, and popularity after seeing his latest exhibition

‘A nuanced and complex musical creation’

Thomas Athey finds Public Service Broadcasting's 'Every Valley' has many peaks

‘Sex Education’ at the Fringe review: ‘unapologetic’ and ‘well-researched’

Po Odomil Ler learns a lot from 'Sex Education'

The everyday art of living

Ramani Chandramohan is enthralled by the creativity behind Japan’s cities and homes, explored in the BBC documentary, The Art of Japanese Life

Coming full circle: The importance of Queer British Art for young people

Billie Esplen considers the relevance of Tate Britain's Queer Britain exhibition

Oxford can’t afford to lose clubs like Cellar

The planned closure of Cellar is a warning sign of our city's creeping gentrification

The Russian Revolution was a kind of orgy

Altair Brandon-Salmon is thrilled by the British Library's exhibition marking the centenary of the Russian Revolution

Houghton Festival 2017 Review

The brand new Houghton Festival impresses, delights and transcends the music it focuses on all together.

‘Half Breed’ at the Fringe Review: ‘Beautifully articulated’

Izzy Smith is overwhelmed by Natasha Marshall's play about race, friendship and finding a voice

The Morality of Mario Kart’s Blue Shell

Nancy Epton discusses the infuriating Blue Shell, the bane of Mario Kart gamers

‘The Inevitable Quiet of the Crash’ at the Fringe – “a piece that glows with a soft power”

Ela Portnoy falls in love with 'The Inevitable Quiet of the Crash' at the Edinburgh Festival Fringe

Titus Andronicus at the RSC – “Why dost thou laugh? It fits not with this hour”

Will Austin finds the RSC's new production of 'Titus Andronicus' to be an intriguing blend of gore and farce

‘The Optimists’ at the Fringe review – “A farce with the potential to shine”

Sarah Wright is optimistic about 'The Optimists' at the Edinburgh Festival Fringe

‘Hotter’ at the Fringe – experimental and warm, but just short of hot

Ela Portnoy leaves this piece of feminist theatre with a smile on her face

The Death and Rebirth of MS Paint

Chloe Dootson-Graube investigates the artistic importance of Microsoft Paint

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Culture

How an Oxford undergraduate made a name in choral music

‘Scenes With Girls’ and complicated female friendships

‘The Moro Affair’: Astonishingly original, but not quite a story

‘Music can be everything’: Aurora Orchestra’s Jane Mitchell on the narratives around classical music

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