Culture

Between beer gardens and picnics: Climate Culture Care at the Ashmolean

When I returned to Oxford this term, just as England teased us with the sixth heat-wave of the year, I found myself at a loose end. With the deadline for two vacation essays still far in the distance, the sun lit up the sign for Soma Surovi Jannat’s Ashmolean Now exhibition, Climate Culture Care.
Art Leo Maudsley-Barton -

“What is a good life?”: The Standard of Living in review 

“What is a good life?” This axiological question, asked earnestly in the opening lines of James Graham’s The Standard of Living – playing at Theatre Royal Haymarket until December 12 – is often overlooked by the fractured and hyper-specialised discipline of economics.
Culture Eoin Ware -

Diverse voices: ‘Inshallah, Madonna, Inshallah’ by Miljenko Jergović 

‘When he created Earth and these lands upon it, when he divided people into...
Books Abigail Riley -

Art as protest on university campuses

CW: rape. This week, Cornell University has made headlines as prosecutors reopened an investigation into...
Art Lara Solie-Tuluie -
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OxView: Top Ensemble Cast Films

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“Student theatre at its finest”

Miriam Nemmaoui finds 'As You Like It' to be enchanting and captivating

“A piece of theatre that feels incredibly close and genuine”

Nina Crisp finds much to praise in 'I Know You', Sam Moore's postmodernist piece of new writing

‘Plebs’ triumphs despite low expectations

Katie Sayer finds much to love in the recently-renewed adult sitcom

The shifting landscape of television news

Theo Davies-Lewis responds to a new study on how the digital revolution is changing broadcast news

“The play-text should never have been selected for performance”

Will Austin finds 'Five Women Wearing the Same Dress' to be outdated and hackneyed at the Michael Pilch Studio

Music without Borders: Welsh national music

Theo Davies-Lewis explores the importance of music to his homeland

“Guitar legends of the Sahara”

Ellen Peirson-Hagger finds a refreshing new perspective in Tinariwen's concert at the O2 Academy

Taking up Tupac’s “thug poet” mantle

'You Only Live 2wice' is Freddie Gibbs living up to his predecessors, says Jonathan Egid

“A tense and deeply disturbing piece”

Emily Lawford is left shaken by 'Orca', an award-winning drama about sacrifice and redemption

Dispatches: A meeting of minds, memories, and bad wine

Jem Bosatta explores a connection between memory and the senses

OxFilm: Oxford International Film Festival

Calum Bradshaw walks us through this year's Oxford International Film Festival

Warhol and the importance of social exchange

Mia Neafcy explores the notion of consumerism in American capitalist society

The humble notes that hold great meaning

Katherine Wood explores the past and present of Russian bard music

The comeback kids keep ‘lad rock’ alive

Kasabian's 'For Crying Out Loud' is the Leicester band at their best, says Matt Roller

Empty voices speak freely but not responsibly

Ethan Croft considers cultures of discussion within the Twitter-sphere

‘Generation Kill’ director Susanna White talks documentaries and Dickens

Calum Bradshaw reports on an evening with the acclaimed filmmaker behind a host of documentaries, feature films, and television series.

The Japanese House – “I’ve never wanted fame at all”

Ellen Peirson-Hagger interviews Amber Bain on her moody indie project

A titanic record for all the wrong reasons

Will Cowie finds Gorillaz's Humanz to be soulless and robotic
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