Culture

How books are burned today

It is a worrying thought that what sits on your bookshelf today could be out of reach tomorrow. You might believe book banning to be a thing of the...

The burden of the face: Why are so many singers wearing masks?

We can all name at least one musician who has performed behind a balaclava, helmet, or hood. Whether to preserve anonymity, cultivate mystery, or construct an entirely new artistic identity, masking the face is common among those under the limelight.

New Oxford Windrush generation exhibit opens for Black History Month 

Amidst recent political tension provoked by the government’s refusal of slavery reparations to the...

“There’s a play in that”: interview with ‘The Gang of Three’ playwright Robert Khan

It’s Budget Day as I sit in the foyer of the Oxford Playhouse. Down...

A limp, lifeless insult to every single viewer

Christopher Goring is reduced to a gibbering mess by "Sandy Wexler"

American art at the cutting edge of the 21st century

Altair Brandon-Salmon explores two samples of recent art and their resonances

Exploring Hull and its high water

Julian Wood travels around Kingston-Upon-Hull and immerses himself in 2017's 'City of Culture'

“Fun, thoroughly amusing and worth watching”

Freya Thorpe praises Ambriel Productions’ musical ensemble

Acting out against commoditisation in art

Anoushka Kavanagh considers resistance to the shifting role of the consumer

A day in the life of… a lighting director

I came to Oxford with very little backstage experience. It’s really easy to get into the scene—TAFF (the University network of backstage crew) is...

“If you’d told me a year ago I would never have believed it”

Katie Sayer chats to Callum Cameron, the writer and star of They Built It, No One Came – coming to Oxford following a successful run at the Edinburgh Fringe and a sell-out week in London

An odd mix of Sophocles, Stoppard and Wilde

Katie Sayer gives four stars to Simon Callow's revival of a 1970s classic

Dispatches: ‘Marooned between past and present, not here’

A short story of everyday escapism, by Izzy Smith

Fresh ideas abound in new Netflix original ‘The OA’

Priya Khaira-Hanks is intrigued by this enigmatic new sci-fi series

A day in the life of… an assistant director

Rebekah King describes her role assistant directing Brontë, Polly Teale’s successful 2005 period drama

Rewind: “Our greatest work may be found in our escape”

Carmen Martinez explores the dawdles and doodles of Dr Seuss' Oxford days

Tolkien and ‘the problems of another place’

Sandy Elliot makes the case for art in all its uselessness

Becoming a metropolitan through life in slow motion

Maddison Sumner discusses her experience of moving from the town to the city

“An aspirational first performance”

Jacob Greenhouse is impressed by 'Blatavsky's Tower', the first production from newly founded company

“A little-known gem”

Thomas Player gives four stars to 'Dear Brutus', an underrated classic

Dispatches: faces and encounters in a letter from New York

Altair Brandon-Salmon reflects on finding the familiar and unexpected in a new city

In the age of franchises, are originals dead?

Calum Bradshaw questions the decline of film innovation in recent years

Interview: A.C. Grayling

John Maier in conversation with A.C. Grayling about New Atheism, analytic philosophy, and the EU

Same theme, new style in ‘Better Call Saul’

Sandy Elliot lauds 'Better Call Saul,' the brilliant 'Breaking Bad' prequel

Follow us