Culture

Why you should spring clean your bookshelf this Trinity

In the Northern Hemisphere, astronomers mark the beginning of spring on the date of the spring equinox. This year, it falls on the 20th of March. For Oxonians, spring...

Books Elizabeth Bourn -

Does ‘Euphoria’ no longer speak to our generation?

Should I have been watching Euphoria’s first season as an innocent, bright-eyed 14-year-old? Probably...

Culture Emma Heagney -

Bridging Communities: Vocatio:Responsio’s Liverpool Tour

Vocatio:Responsio, meaning Call:Response in Latin, is an early music ensemble founded and directed by...

Culture Evelyn Lambert -

‘Comedy is very deceptive’: Seán Carey on ‘Operation Mincemeat’

As a history student, you occasionally come across stories so strange they feel almost fictional. Operation Mincemeat is one of them.

Culture Hattie Simpson -

Latest

What to watch in the time of Trump

Tilly Nevin praises a new generation of political comedy in a ‘post-truth’ era

Two lonely people, one heartrending production

Bessie Yuill promises an intense evening of Beckett made accessible to all

Society divided: Dickens and revolution

Ethan Croft considers the politics of Charles Dickens’ A Tale of Two Cities

The Coen brothers: a dynamic directing duo

Jack Allsopp argues that we should stop thinking of the director solely in the singular

The Winning Shots

Results of the portrait photography competition are in! Was your photo selected? Check out our best submissions here

Old&New: The potential of oranges

Sydney Gagliano reflects on the question of modern art’s accessibility

Rag’n’Moan Man: human after all?

Dom Saad serves up a post-mortem for Rag’n’Bone Man’s "Human"

The winter’s dead, long live the Spring King

Ellen Peirson-Hagger’s ears are left ringing after a noise-fuelled night from a trilogy of bands at the Bullingdon

Spotlight: Bad Sounds

Will Cowie on new band of the week, Bad Sounds

Single of the week: Katy Perry’s ‘Chained 2 the Rhythm’

Natalia Bus discusses the latest Katy Perry release

Review: The Homecoming

After the play finished, a few good friends walked towards me. “Wait, so what happened?” My friend Alex’s facial muscles were contorted. “What the...

Drop dead funny

James Lamming is impressed by the originality and comic maturity of the Oxford Imps’ latest production

‘Jackie’: simply a mishandled film

Surya Bowyer is unstirred by Natalie Portman’s performance as America’s sweetheart

Democratic Art Republic

Queenie Li produces her version and vision for art, open to all and owned by all

Examining Oxford’s earthly pleasures

Daniel Curtis sees the city through the lens of the 2007 post-punk revival

Album of the week: Sampha’s Process

Sampha’s debut is an electrifying mix of emotion, says Natalia Bus

Much more than just Kandinsky: ‘Russian Art 1917-32’ at the Royal Academy

Timothy Drummond is impressed with how this new exhibition provides a valuable insight into Russian visual art during the 15 years following the Revolution.

“It’s about the ways that hope and faith fill up the cracks in pain”

Hannah Chukwu is moved by the sensitivity of this production of 'Dying Light'

In conversation with the directors of ‘Anna Karenina’

Jeevan Ravindran discovers how the three directors developed this new musical

Exhausted tropes and the odd jump scare: ‘Split’ review

Louise Howland is unimpressed by 'Split', Shyamalan’s attempt at psychological horror

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Culture

Why you should spring clean your bookshelf this Trinity

Does ‘Euphoria’ no longer speak to our generation?

Bridging Communities: Vocatio:Responsio’s Liverpool Tour

‘Comedy is very deceptive’: Seán Carey on ‘Operation Mincemeat’

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