Sunday 7th June 2026

Culture

The death of the male novelist or the birth of the feminist?

The death of the male novelist, as a concept exaggerated by the dramaticisms of its name, fails to stand up under investigation.

OUFF’s ‘The Oxford Tales’: Celebrating student filmmaking at Oxford

It’s no secret that Oxford has long been an idealised location for film sets; official-looking SUVs with blacked-out windows and attendants in high vis parading up and down Catte Street and around the Rad Cam are a not-unfamiliar sight.

Behind the red curtain: ‘Stories From an Abandoned Warehouse’ reviewed

Leo Jones reviews Crazy Child Productions' performance of 'Stories From an Abandoned Warehouse', the first English staging of the play.

Siskin

Near the riverside, a girl with walnut hair sat with her back to the...

Spotlight: Emily the Snake

Emily the Snake are a funky outfit full of potential, says Will Cowie

A disturbing worldview undercut by patchy acting

Olivia Cormack finds that it's not just the costumes in Contractions that need ironing out

SLAM: Poetry that isn’t afraid to make an impact

William Hosie investigates how the art of slam challenges our assumptions about poetry

Old&New: Songs of displeasure

Sydney Gagliano on being open-minded about overlooked art

“More gentle slap than sucker punch”

Katheryn Thompson finds Made in Dagenham lacking in political grit

A night for dancing and jumping

Daniel Curtis is left reeling from White Lies’ unpolished yet momentous performance at Oxford’s O2 Academy

“A bold and unapologetic production”

Surya Bowyer is frustrated by a powerful production of 'Suspiria' which comes so close to greatness

Anything but a simple fairy-tale

Ebere Nweze is impressed by this unnerving and sharp new adaptation of Wilde’s short story

Zoom In: How to steal our jobs as Film and TV editors

Shivani Ananth and Katie Sayer tell you how to take over their legacy

Moonlight: a transcendent spectacle

Jonnie Barrow delights in Barry Jenkins' mesmeric exploration of identity

Single of the Week: Calvin Harris’ ‘Slide’

Natalia Bus basks in the DJ producer's sunny new collaboration

Coldplay: ‘Something Just Like Piss’

Will Cowie carefully pulls apart the new Coldplay single

Home is where the art is: Yu Hong

Queenie Li explores Chinese feminist Yu Hong’s artwork

Facing walls

Art by Mark de Courcy Ling following Cherwell's portrait photography competition

Spotlight: Yellow Days

Natalia Bus takes a look at new music

Edwin Hubble: Oxford lawyer (almost)

Richard Birch discusses the University days of the Oxford lawyer turned revolutionary physicist

“Young, classy and capable of mischief”

Jacob Greenhouse is impressed by the freshness of Consortium Novum’s production of The Marriage of Figaro

A word from the stalls

Miriam Nemmaoui chats to an audience member who is left feeling nostalgic by Anna Karenina

Single of the week: Lana Del Rey’s ‘Love’

Natalia Bus chooses the baroque singer-songwriter's latest effort as her single of the week

The female artist: speaking truth to power

Tilly Nevin asks why the art world often seems to overlook an entire gender

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