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UrbanObserver
Sunday 8th June 2025
Oxford's oldest independent student newspaper, est. 1920
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Culture
‘Love in the face of hate’: A closer look at ‘Blood Wedding’
Emma Nihill Alcorta is the director of a new adaptation of the Spanish masterpiece Blood Wedding, running at the Oxford Playhouse. With flamenco rhythms and Spanish soul, our passionate ensemble...
Theatre
Emma Nihill Alcorta
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Duplicity, infidelity and loyalty in ‘Crocodile Tears’
“An Italian summer romance that goes wrong” – this is how Crocodile Tears was...
Theatre
Phoebe Davies
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Review: The Great Gatsby – ‘Indulge the extravaganza’
Sophia Eiden’s production of Simon Levy’s script of The Great Gatsby is an undoubted...
Theatre
Peter Chen
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Barry Lyndon – Kubrick’s ultimate antifilm?
Barry Lyndon has always been dismissed within Kubrick’s filmography. While he is a filmmaker...
Film
Ruby Tipple
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Grappling with graffiti
Jorge López Llorente loses himself in the visual trickery of art and graffiti
Richard Burton’s well trodden boards
In the latest installment of Through the Looking Glass, Daniel Curtis investigates the past of the Burton Taylor Studio
Conjuring some museum magic
Altair Brandon-Salmon is astounded by the Ashmolean’s Islam exhibition, Power and Protection
Review: It Felt Empty
Amaris Proctor is impressed by this immersive and thought-provoking explanation of the human effects of sex trafficking—a four star production
Preview: It Felt Empty
Miriam Nemmaoui looks forward to a hard-hitting and sensitive production
Live review: The Lovely Eggs, Cellar
Ellen Peirson-Hagger looks under the shell of The Lovely Eggs
Getting it right: political commentary and rap
David Lawton highlights the political potential of rap, and consigns folk and punk to the dustbin of history
A dark trend in music documentaries
David Lawton argues that the rebirth of the tortured artist’s image in music documentaries exploits pain
Rewind: The Gunpowder Plot
Thomas Athey seeks to learn the lessons of the Gunpowder Plot
Memes, Trump and MLG
William Shaw analyses the past, present and future of YouTube memes
Preview: Frankenstein
Nina Sandelson comments on this week's bold reimagining of the classic Gothic horror at the O'Reilly
“Dear Non-American Black…”
Hannah Chukwu discovers a new way to talk about race and multiculturalism in Chimamanda Ngozi Adichie’s Americanah
Scientists of the literary world
Daniel Villar marvels at those who bridge the divide between disciplines
US Elections: The Movie
Katie Sayer gives you comedy options for the end times brought about by the turbulent US election
Review: The Accountant
Despite Ben Affleck's performance as an action-ready autistic accountant, Markus Beeken is left amused but unconvinced by The Accountant
Review: The Nether
Nina Crisp is sucked into virtual reality by a magnificent production at the Playhouse
Backstage with Sharon Yip
Sapphire Shoferpoor and Sharon Yip talk clubs, directors, and getting creative on a budget
Review: The Skriker
Matt Roberts is seriously creeped out by this baby stealing, terror inducing Pilch show
Drugs, Childbirth, and Sandwiches: Trojan Women Review
Olivia Cormack enjoys an enthralling production of a darkly comic play about women after war
Review: Copenhagen
Mark Barclay tackles quantum theory and self referentiality at the Pilch
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