Culture

The legacy of the caricature

That the ‘In Memoriam’ section of the 2026 Academy Awards is going to be a serious tear-jerker was solidified by the passing of Dolly Parton and Tim Curry over two consecutive days.
Culture Ruya Oral -

The problem with Nolan’s ‘The Odyssey’

Nolan had all the tools for greatness. Instead, to my eternal frustration, his 'Odyssey' will always only be just alright.
Culture Kelly Yu -

‘One Night Only’ (2026) and the death of romance

Romance movies are, on the whole, my favourite movie genre. But good romance movies, like good romantic relationships, are hard to find, and easy to mess up.
Culture Willow Jopp -

Caught between grief and hope: ‘On Some Far Shore’ reviewed

Fresh off the back of 'Our House' and 'Macbeth', Cross Key Productions presents an original three-hander focused on the complexities of grief and young love.
Culture Melissa Eddon -
Latest

The Cursed Child: ultimate fan fiction?

To get this out of the way: yes, Harry Potter and the Cursed Child is not only like a piece of fanfiction, but aims...

OxFolk Reviews: ‘Bird’s Nest’

It isn’t often that you come across instrumental music that is so beautiful that each track feels like brushstrokes in a piece of artwork....

OxFolk Reviews: ‘Old Adam’

“How do stories make us who we are?” This is the surprisingly philosophical question posed to us by Fa Hield in the introduction to...

Interview: Nish Kumar – “A snapshot of what I’m interested in”

Emma Leech talks politics, publicity and publishing with comic Nish Kumar

Review: After the Poet, the Bar

Benn Sheridan delights in the life and language intertwined in Ben Ray’s first poetry collection

Poetry as a necessity and a joy

Katie Mennis celebrates new verse at the Forward Prize for Poetry 2016

Preview: A Clockwork Orange

Olivia Cormack is delightfully disturbed by a preview that leaves her wanting more

Cherwell Film School: Telling a story

Stories are the referential point of film, a good story says something in a coherent and human way in order to relate to real experiences

Troublingly telegenic: Oxford in film

Priya Khaira-Hanks takes issue with the extent of Oxford’s fictional presence.

Interview: John Robins – “There are no real shortcuts”

Emma Leech speaks with comedian John Robins about Oxford, originality, and "lonely Sundays of the soul"

Fiction: “You don’t seem to know anything”

Oliver Baldwin’s monologue explores the day to day terror of making ‘a fresh start’

Willie Healey: star in the making

A true Oxford homeboy, most of Willie J Healey’s music videos comprise, as someone at Zappi’s once told me, of him “pissing around on...

A world in one sentence

Priya Khaira-Hanks rediscovers the startling impact of opening lines in children’s fiction

Rewind: The English Bible

Amy Booth examines the seminal 1535 release of the English bible

A fresher’s guide to Oxford Drama

Matt Roberts demystifies the daunting prospect that is the uni theatre scene

OxFolk Review: ‘II’

Ben Ray discusses 'II', the latest album from Moore Moss Rutter

OxFolk Reviews: ‘The Fade In Time’

Ben Ray listens to 'The Fade In Time', the latest album from Sam Lee & Friends

OxFolk Review: ‘Abyss’

Ben Ray reviews 'Abyss', the debut album from Talisk

OxFolk Review: ‘2’

Ben Ray looks at '2', the latest album by The Gloaming

OxFolk Reviews: ‘The Escape’

Ben Ray is captivated by UFQ's latest album 'The Escape'
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