Culture

Between beer gardens and picnics: Climate Culture Care at the Ashmolean

When I returned to Oxford this term, just as England teased us with the sixth heat-wave of the year, I found myself at a loose end. With the deadline for two vacation essays still far in the distance, the sun lit up the sign for Soma Surovi Jannat’s Ashmolean Now exhibition, Climate Culture Care.

“What is a good life?”: The Standard of Living in review 

“What is a good life?” This axiological question, asked earnestly in the opening lines of James Graham’s The Standard of Living – playing at Theatre Royal Haymarket until December 12 – is often overlooked by the fractured and hyper-specialised discipline of economics.

Diverse voices: ‘Inshallah, Madonna, Inshallah’ by Miljenko Jergović 

‘When he created Earth and these lands upon it, when he divided people into...

Art as protest on university campuses

CW: rape. This week, Cornell University has made headlines as prosecutors reopened an investigation into...

Backstage dialogue with Sarah Wright

Sapphire Shoferpoor talks directing, writing, and time management with third year linguist Sarah Wright

Fiction: “Alone it is far harder to imagine”

Alexandra Illingworth explores the poignancy of growing up with a fraught sibling relationship

Oh, Albarn, stop playing with me!

Daniel Curtis just can’t wait for the new Gorillaz album

OxFolk Reviews: ‘Cycle’

If I’m being honest, Lady Maisery’s new album ‘Cycle’ came as a surprise to me not because of it’s accomplishment and beauty, but because...

All wound up by a Clockwork Orange

It is always a challenge to adapt a novel’s narrative to the stage. Even more so, when the novel is a dystopia like A...

Review: Anything Goes

This latest production of Anything Goes offers audiences a highly polished sail on the SS American, replete with camp-as-can-be sailors brandishing mops and tap...

Rewind: Winnie-the-Pooh’s 90th birthday

On its 90th anniversary, Ellie Duncan ponders the publication of Winnie-the-Pooh

Barbie: Mind over Mattel?

Olivia Retter writes of the bold female aspirations behind her childhood Barbie

Spotlight: the Edinburgh Fringe

The first thing that strikes you when you get off the train is Edinburgh as a city; this bizarrely layered and ancient city of...

The Cursed Child: ultimate fan fiction?

To get this out of the way: yes, Harry Potter and the Cursed Child is not only like a piece of fanfiction, but aims...

OxFolk Reviews: ‘Bird’s Nest’

It isn’t often that you come across instrumental music that is so beautiful that each track feels like brushstrokes in a piece of artwork....

OxFolk Reviews: ‘Old Adam’

“How do stories make us who we are?” This is the surprisingly philosophical question posed to us by Fa Hield in the introduction to...

Interview: Nish Kumar – “A snapshot of what I’m interested in”

Emma Leech talks politics, publicity and publishing with comic Nish Kumar

Review: After the Poet, the Bar

Benn Sheridan delights in the life and language intertwined in Ben Ray’s first poetry collection

Poetry as a necessity and a joy

Katie Mennis celebrates new verse at the Forward Prize for Poetry 2016

Preview: A Clockwork Orange

Olivia Cormack is delightfully disturbed by a preview that leaves her wanting more

Cherwell Film School: Telling a story

Stories are the referential point of film, a good story says something in a coherent and human way in order to relate to real experiences

Troublingly telegenic: Oxford in film

Priya Khaira-Hanks takes issue with the extent of Oxford’s fictional presence.

Interview: John Robins – “There are no real shortcuts”

Emma Leech speaks with comedian John Robins about Oxford, originality, and "lonely Sundays of the soul"

Fiction: “You don’t seem to know anything”

Oliver Baldwin’s monologue explores the day to day terror of making ‘a fresh start’

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