Culture

How books are burned today

It is a worrying thought that what sits on your bookshelf today could be out of reach tomorrow. You might believe book banning to be a thing of the...

The burden of the face: Why are so many singers wearing masks?

We can all name at least one musician who has performed behind a balaclava, helmet, or hood. Whether to preserve anonymity, cultivate mystery, or construct an entirely new artistic identity, masking the face is common among those under the limelight.

New Oxford Windrush generation exhibit opens for Black History Month 

Amidst recent political tension provoked by the government’s refusal of slavery reparations to the...

“There’s a play in that”: interview with ‘The Gang of Three’ playwright Robert Khan

It’s Budget Day as I sit in the foyer of the Oxford Playhouse. Down...

OxFolk Reviews: ‘Cycle’

If I’m being honest, Lady Maisery’s new album ‘Cycle’ came as a surprise to me not because of it’s accomplishment and beauty, but because...

All wound up by a Clockwork Orange

It is always a challenge to adapt a novel’s narrative to the stage. Even more so, when the novel is a dystopia like A...

Review: Anything Goes

This latest production of Anything Goes offers audiences a highly polished sail on the SS American, replete with camp-as-can-be sailors brandishing mops and tap...

Rewind: Winnie-the-Pooh’s 90th birthday

On its 90th anniversary, Ellie Duncan ponders the publication of Winnie-the-Pooh

Barbie: Mind over Mattel?

Olivia Retter writes of the bold female aspirations behind her childhood Barbie

Spotlight: the Edinburgh Fringe

The first thing that strikes you when you get off the train is Edinburgh as a city; this bizarrely layered and ancient city of...

The Cursed Child: ultimate fan fiction?

To get this out of the way: yes, Harry Potter and the Cursed Child is not only like a piece of fanfiction, but aims...

OxFolk Reviews: ‘Bird’s Nest’

It isn’t often that you come across instrumental music that is so beautiful that each track feels like brushstrokes in a piece of artwork....

OxFolk Reviews: ‘Old Adam’

“How do stories make us who we are?” This is the surprisingly philosophical question posed to us by Fa Hield in the introduction to...

Interview: Nish Kumar – “A snapshot of what I’m interested in”

Emma Leech talks politics, publicity and publishing with comic Nish Kumar

Review: After the Poet, the Bar

Benn Sheridan delights in the life and language intertwined in Ben Ray’s first poetry collection

Poetry as a necessity and a joy

Katie Mennis celebrates new verse at the Forward Prize for Poetry 2016

Preview: A Clockwork Orange

Olivia Cormack is delightfully disturbed by a preview that leaves her wanting more

Cherwell Film School: Telling a story

Stories are the referential point of film, a good story says something in a coherent and human way in order to relate to real experiences

Troublingly telegenic: Oxford in film

Priya Khaira-Hanks takes issue with the extent of Oxford’s fictional presence.

Interview: John Robins – “There are no real shortcuts”

Emma Leech speaks with comedian John Robins about Oxford, originality, and "lonely Sundays of the soul"

Fiction: “You don’t seem to know anything”

Oliver Baldwin’s monologue explores the day to day terror of making ‘a fresh start’

Willie Healey: star in the making

A true Oxford homeboy, most of Willie J Healey’s music videos comprise, as someone at Zappi’s once told me, of him “pissing around on...

A world in one sentence

Priya Khaira-Hanks rediscovers the startling impact of opening lines in children’s fiction

Rewind: The English Bible

Amy Booth examines the seminal 1535 release of the English bible

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