Culture

Hag, Nag, Harpy, Hen: Olivia Plender’s ‘Little Fennel’s Complaint’

It is the examination of archaic methods and attitudes surrounding women’s bodies, and the idea of the ‘nagging’ woman, which runs through Olivia Plender’s exhibition.

Art Amy Lawson -

Nonsense and sensibility: Adapting Austen for the screen

It is a truth universally acknowledged that not all Jane Austen adaptations are created equal.

Culture Abigail Christie -

‘Our House’ in the middle of Beaumont Street

'Our House' ultimately becomes not just a story about crime or morality, but about the vulnerability of growing up and the frightening uncertainty of trying to decide who you are.

Culture Gavriella Epstein-Lightman -

Is the dancefloor really dead?

Tongue-in-cheek as it may be, Charli xcx’s ‘Rock Music’ speaks to the structural issues actively decimating nightlife across the world, even if her motivations may be more aesthetic than political.

Culture Emma Heagney -

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OxFolk Reviews: ‘Ignite’

Ben Ray looks at 'Ignite', the debut album of duo Will Pound & Eddy Jay

Pedro Almodóvar’s ‘Julieta’

Priya Khaira-Hanks applauds Almodóvar’s depiction of human complexity in his recent film Julieta

Review: War Dogs

Thomas Player gives credit to the secret complexity of War Dogs, but questions if it was a little bit too subtle.

Woody Allen’s Café Society: a satirical love letter to film

Ellie Siora reviews Allen's latest, and maybe last, film and its success as a social comment

Review: Treasure Neverland – Real and Imaginary Pirates

Ben Ray sets sail to find his ideal desert island book

Book review: The University of Oxford, a History

Ben Ray digs into this herculean history of the university, undertaken by Magdalen's own Professor Brockliss

Five picks for your four final days at the Fringe

Ellie Siora is here to make sure you get the most out of the scant few days left at the Fringe

Review: Foxtrot at the Edinburgh Fringe

Peter Thickett is drawn into a complex reflection on the dehumanisation of missing women at the Fringe

Jonathan Evans: the Poké-MAN

Forget the Olympics. Last week, Oxford's own Jonathan Evans competed in the World Pokemon Finals. This is his story...

Poetry: One Hundred Red Kites

In verse, Harry Smith examines memory and sensation

Review: ‘Inspiring Impressionism: Daubigny, Monet, Van Gogh’; Scottish National Gallery

Altair Brandon-Salmon is left mildly underwhelmed by the Scottish National Gallery's Impressionist exhibition

Festivals: F stands for film – Adam Green’s Aladdin at Latitude

A month in retrospect, Josh Mascord reflects on the success of screening films at culture-showcase festivals

The apex of abstraction at Tate Britain

Anietie Ekanem is impressed by the thoughtfulness of 'Conceptual Art in Britain 1964 - 1979'

Review: Circleville, Circlevalley

Ellie Siora reflects on an Edinburgh show packed full of childlike energy

Preview: Canon Warriors

Matt Roberts looks forward to hand puppets and feminism at the fringe

Thoughts on Fleabag

Natasha Burton sings the praises of new BBC3's 'Fleabag' as a simultaneously pertinent and contemporarily prevalent show.

Review: XX (kiss kiss)

Aidan Balfe is enthralled by the innovation of the algorithmic play about love

Review: Pussyfooting

Richard Birch is deeply impressed by an OUDS national tour confronting gender and its norms

Review: A Midsummer Night’s Dream – OUDS Summer Tour

Mark Barclay loses himself in the OUDS Summer Tour production in London

Is the emergence of festival chic synonymous with the descent into festival faux?

Jemma Silvert explores how on-screen commercial portrayal of the festival effects festival culture, aside from just being a product of it.

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Culture

Hag, Nag, Harpy, Hen: Olivia Plender’s ‘Little Fennel’s Complaint’

Nonsense and sensibility: Adapting Austen for the screen

‘Our House’ in the middle of Beaumont Street

Is the dancefloor really dead?

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