Culture

Slow down, you crazy child: What Oxford student theatre can learn from garden plays

Student theatre strives to be as professional as possible, but the annual garden play offers something unique: permission to have fun.

Culture Mair Andrews -

Rap as poetry: ‘The Odyssey’ and the breakdown of the medium

When interviewed on his decision to cast Travis Scott as a bard figure in...

Music Niamh Hoyland and Val Michael -

Hag, Nag, Harpy, Hen: Olivia Plender’s ‘Little Fennel’s Complaint’

It is the examination of archaic methods and attitudes surrounding women’s bodies, and the idea of the ‘nagging’ woman, which runs through Olivia Plender’s exhibition.

Art Amy Lawson -

Nonsense and sensibility: Adapting Austen for the screen

It is a truth universally acknowledged that not all Jane Austen adaptations are created equal.

Culture Abigail Christie -

Latest

Culture Corner: ‘I Believe in a Thing Called Love’

Bex Watson examines the exquisite artistry of ‘I Believe in a Thing Called Love’, by The Darkness

Maybe darkness ain’t too bad

Thomas Hornigold muses on the human obsession with escaping darkness

Preview: Heavy Petting (Oxford Revue)

Matt Roberts urges you to go and be heavily petted

Preview: Amour

The International Rameau Ensemble brings French Baroque to Oxford on 6th February

Spooky Sets and Stuffed Cats: Ben Travers’ Aldwych Farces

Jack Bradfield looks at the neglected playwright Ben Travers in the run up to the appearance of 'Thark' next week

Spotlight: lip service to modernity

Matt Roberts is frustrated by gimmicks and hashtags from a director who should know better

Constellations: Preview

Richard Birch hopes the stars align for this compelling adaptation

The Union’s Holy Trinity

A look ahead to the three stellar speakers at the Union next week

The Bible — an overlooked literary skeleton key

Harriette Drew explains why we need scripture to understand literature

Is This Art? My Carpet

With the definition of art increasingly unclear, the Cherwell Art and Books team are on a mission to decide what art is. This week Naomi Gee takes on her carpet