Labyrinth Production’s staging of Patrick Marber’s 1997 play, Closer, was an ambitious move for a student-run production company. Ambitious as it was, the cast themselves put on a strong...
Ben Wilkinson-Turnbull reviews an evening spent watching The Cure at London's Hammersmith Apollo, complete with lipstick, dry ice and spinning tops galore.
In light of the proposed prison book ban being overturned, Rose Sykes examines the redemptive power ascribed to literature and its importance in the prison system