Culture

Oxford’s art scene: A picture still being painted

Who gets to make art, who gets to see it, and whose art history gets told? Oxford’s artistic identity may seem firmly established: the Ashmolean’s collections, the portraits and...
Art Miriam Hussain -

Behind glass: Lighthouse Productions’ ‘The Seagull’

The thematic potency and the overall success of Lighthouse Productions’ iteration of Anton Chekhov’s 'The Seagull' all came together in a great and terrible revelation.
Culture Jas Mauj -

The paradox of uniformity: Who do we dress for?

Walking to chapel on a mid-winter Wednesday morning, you could almost be certain to...
Culture Tilly Stanley -

How cinema has taught us to see Autumn

Autumn is clearly a time for comfort and reflection, a fact the film industry has learnt very well and pumps into new releases.
Culture Amalia Dasgupta -
Latest

Theatre Column: The Actor

Playing the role of Moritz in Spring Awakening

First night review: Bald Primadonna

Review by Edwin Black.

Review: The Ossians

Scottish indie rock clamouring for attention.

Review: The Need for Uncertainty

Mircea Cantor Modern Art Oxford Until 1 June

Rewriting the Mind

The Art of Translating a Text

Review: The Bald Primadonna

BT Studio

Review: Swing!

O'Reilly, 4th week

Student Play

BT Studio, 4th week, Tuesday - Saturday    

First night review: Rosencrantz and Guildenstern Are Dead

O'Reilly Theatre 3rd Week Tues - Sat

First Night Review: A Doll’s House

Oxford Playhouse 6-10 May 

The Futureheads – “This is not the world”

Monique Davis is underwhelmed by The Futureheads' latest offering

Interview: Mystery Jets

Harry Thompson meets the Mystery Jets.

Video: Wadstock 2008

Interview: Amara Karan

Ruth Banks talks to the self assured star of St Trinian’s and The Darjeeling Ltd. about her improbable rise to fame.

Review: Joy Division

Out 2 May

Review: Nim’s Island

Out 2 May

Interview: John Hurt

Ben Williams talks to a cinematic icon.

Neighbourhood Watch: Figment

Sean Lennon digs the fig.

Jack McManus – ‘Either Side of Midnight’

Review by Chris Cooling.

The Loose Salute – ‘Tuned to Love’

Review by Jim Armshaw
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