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UrbanObserver
Thursday, May 22, 2025
Oxford's oldest independent student newspaper, est. 1920
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Culture
September 5: Journalism drama doesn’t question the facts enough
Set during the 1972 Munich Olympics, Tim Fehlbaum’s September 5 tracks the ABC Sports crew’s coverage of the Israeli athlete hostage crisis in the Olympic Village: the first terror...
Film
Janik Peeters
-
Periodisation and the Problem of Now
Periodisation is the act of dividing literature into eras like Romanticism, Modernism, or Postmodernism...
Books
Ava Doherty
-
Review: Death of a Salesman – ‘The Inside of His Head’
To review Tiptoe Productions’ staging of Death of a Salesman, I must first contextualise...
Theatre
Sanaya Narula
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Oxford’s summer scene: The season of open-air performances
Trinity term at Oxford University is defined by wisteria, wild swimming, and warmth. Students...
Theatre
Elizabeth Bourn
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Latest
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Review: The Overnighters
Tom Graham found The Overnighters a compelling portrait of contemporary America
Review: Mr Turner
Joe Holt finds Mike Leigh's biopic of J. M. W. Turner a compelling watch
Review: Nightcrawler
Joel Casey is impressed with a moody Jake Gyllenhaal in Nightcrawler
Where Are They Now: Los Del Rio
Cherwell delves into the later careers of one-hit-wonders so you don't have to
Picks of the Week MT14 Wk4
Cherwell brings you the best of this week's gigs, plays and events
Interview: Neil Cowley
Stephen Bradshaw talks jazz-rock hybrids with pianist Neil Cowley
Review: Simple Minds – Big Music
Kayleigh Tompkins is let down by the 'lacklustre' new record from Simple Minds
Milestones: Lady Chatterley’s Lover
Bethan Roberts ponders the significance of the famous obscenity trial
The naked truth about sex in the arts
Naomi Polonsky explores the portrayal of sex in Western culture from the Classical to the contemporary
Review: Neil Young – Storytone
Lata Nobes finds something amiss in Young's new album
Review: Deptford Goth – Songs
Has Deptford Goth lost its touch? Luke Barratt reviews the 'pedestrian' new release
Butt-plugs aren’t as edgy as they were
Isaac Goodwin hates Paul McCarthy and his provocative artworks
Review: Freud’s Auerbach Collection at the Tate
Sabhbh Curran likes what she sees at the Tate’s intimate tribute to a unique artistic friendship
Review: Dahling You Were Marvellous
Steven Berkoff's masterful satire is as tight as a drum, but comedically inconsistent, says Fergus Morgan
Review: Superfood —Â Don’t Say That
Ben Wilkinson-Turnbull is left unsatisfied by the 'inane mass' that is Superfood's new album
Review: Old Times
This faithful recreation of one of Pinter’s most wired, unyielding plays explores the tones and half-tones of memory, manipulation, and sexuality
Review: Serena
This confused and tactless drama left Sam Joyce disconnected from any sense of emotional involvement
Review: Love, Rosie
Rosie Sykes found this tale of living with the life choices we make a lurching, clumsy affair
Preview: Dahling, You Were Marvellous
Anastasia Gilfillan gets an early glimpse into this production of Steven Berkoff's hilarious satire
Oxford Lieder Festival: Doric Quartet
Cherwell spends a fiery evening with Schubert at the Oxford Lieder Festival
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