Monday 20th October 2025

Culture

Grappling with ‘grief that’s half formed’: Your Funeral

“Meeting up with a partner so soon after a breakup is an awkward time - and she’s dying.” Your Funeral is the debut play of new company Pharaoh Productions. It...

“NOR GLOM OF NIT?”: ‘Going Postal’ reviewed

“NEITHER RAIN NOR SNOW NOR GLOM OF NIT CAN STAY THESE MESENGERS ABOT THEIR...

On Gravel and Quads: Woolf’s Oxbridge in ‘A Room of One’s Own’

Virginia Woolf’s extended essay A Room of One’s Own is probably the most important...

Dear Reader,

It has been so long since last I felt  your fingertips tracing my pages, cascading shivers...

Identity: A question of mind, body or soul?

Emma Simpson considers what our obsession with the physical has to do with our inner lives

Preview: Surprise

Naomi Polonsky is completely absorbed by this new piece of writing

Review: Matisse the Cut-Outs

Enyuan Khong takes a tour of the Tate Modern’s new exhibition of the modernist master’s cut-outs

Beauty is truth, truth beauty

Luke Barratt considers the overwhelmingly visual nature of our cultural consumption

Top 3… Visuals

Emma Simpson examines three unusual visual perspectives

Milestones: Bill Viola

Naomi Polonsky considers the influence of visual artist Bill Viola

Where are they now: The Cheeky Girls

They’re the 00s favourite Romanian red-heads that left Louis Walsh speechless.

Review: Dolly Parton – Blue Smoke

It's the 42nd release by the country icon, but Dolly has failed to deliver.

Review: Kishi Bashi – Lighght

Adam Piascik reviews the celestial new album by violinist Kishi Bashi

Review: Amen Dunes – Love

The fourth offering from this Philadelphia based musician is reviewed by Kevin Harris

Live Review: Gang of One

Claire Poynton-Smith checked out one-man-band Gang of One at the Cape of Good Hope

Review: Pompeii

Fergus Morgan finds this 'historical' disaster epic to be shallow, undeveloped and just plain boring

Review: Blue Ruin

Matthew Main finds Saulnier's revenge thriller to be poignant and understated

All the world’s a screen

Marcus Balmer looks at how film has reinterpreted Shakespeare

Review: Tracks

A long and mesmerising push through the lonely, breath-taking spaces of Australia

Drenge: Isolation and Frustration

Rushabh Haria talks to Rory Loveless from Drenge about their recent success

Preview: Into the Woods

Naomi Polonsky is charmed by this 'fairy tale gone a bit mad'

Bluebells in Bloom

Dockey Woods, England

Preview: Collaborators

Bethan Roberts hotly anticipates the staging of this political and psychological drama

Live Review: HANDY at New College Cloisters

Maria Fred Perevedentseva reviews an intimate, experimental performance from the HANDY music project, exploring how we engage with live music

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