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UrbanObserver
Tuesday 20th October 2026
Oxford's oldest independent student newspaper, est. 1920
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Culture
A jarring Mann: ‘Fatherland’ (2026) in review
Fatherland, which recounts celebrated Modernist author Thomas Mann’s return to a Germany in wreck and rubble, deals with great personal malaise against a backdrop of great political unease.
Culture
Freddie Lewis-Hedley
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Why does everyone like East of Eden so much?
A beautiful book, written in a determinedly readable style, is bound to become popular, not to mention the endless power of nostalgia.
Books
Abigail Riley
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The return of the surreal
Mythical, dreamlike, phantasmagorical, and absurd: Surrealism, which took the art world by storm in...
Art
Sylvie Quick
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Must theatre be so dire? Thoughts on the “unworthy scaffold”
If 'art est celare artem' (true art is to conceal art), then theatre is pretty poor art. You ain't fooling me into thinking that's a storm.
Culture
Saul Grenfell
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Turn and face the gendered transformations
Ollie Nicholls considers fairy-tale endings and transforming to 'get the guy'
Live Review: Arcade Fire (London)
Arcade Fire win back the trust of their diehard fans following the release of disco inspired record Reflektor
Review: Jumpy
Clare Saxby isn't exactly jumping for joy at this production
Review: Frankenstein
Will Yeldham is impressed by this literary adaptation for stage
Review: Voyage of the Narwhal
Fergus Morgan is tickled pink by this comedy trio
Loading the Canon: Flashman
Cherwell's weekly call for new additions to the literary establishment highlights George MacDonald Frazer's loveable rogue
Beyond amphetamine-fuelled parties and silk screen prints
Joel Nelson encounters a previously unseen side of Andy Warhol and his creative genius
Interview: Martin Brown
Xin Fan meets the Horrible Histories illustrator to reminisce about the iconic children's book series and cartooning past and present
Review: Edge of Tomorrow
Tom Barrie is impressed by Tom Cruise's new action-adventure escapade
The cinema of Kelly Reichardt
Matthew Main on the champion of American Indie Cinema
The absence of light: American TV in its post-Golden Age
Sophia Lambton looks at how American television is taking itself too seriously at the expense of its sense of humour
Where are they now: Steps
It was a feeble attempt at a Christmas comeback that put the last nail in the coffin for this 00s pop band
Review: Conor Oberst – Upside Down Mountain
Thomas Barrie reviews the latest release by folk artist Conor Oberst
Review: The Roots – …And Then You Shoot Your Cousin
The 16th Century meets 50s doowop in The Roots latest release
Review: Seahawks – Paradise Freaks
Rushabh Haria is a fan of this 'psychedelic yacht rock'
Review: The Two Faces of January
Hussein Amini’s directorial debut is a captivatingly magnetic thriller, with three brilliantly engaging lead performances
Interview: Wolf Alice
Helen Thomas talks to Wolf Alice about their upcoming EP, and their evolving sound
A Journey to the Heart of Darkness
Arizona, Nevada, California & Utah, USA
Review: X-Men: Days of Future Past
Exciting and with a stellar cast, the newest X-Men is only let down by its contrived ending
Where have all the monsters gone?
Ollie Johnson tells us why less is more when it comes to monster movies
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