Culture

The ‘Obsession’ Obsession

'Obsession' is a taste of what the next generation of filmmakers looks like.

Culture Willow Jopp -

Slow down, you crazy child: What Oxford student theatre can learn from garden plays

Student theatre strives to be as professional as possible, but the annual garden play offers something unique: permission to have fun.

Culture Mair Andrews -

Rap as poetry: ‘The Odyssey’ and the breakdown of the medium

When interviewed on his decision to cast Travis Scott as a bard figure in...

Music Niamh Hoyland and Val Michael -

Hag, Nag, Harpy, Hen: Olivia Plender’s ‘Little Fennel’s Complaint’

It is the examination of archaic methods and attitudes surrounding women’s bodies, and the idea of the ‘nagging’ woman, which runs through Olivia Plender’s exhibition.

Art Amy Lawson -

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Will Yeldham is impressed by this literary adaptation for stage

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Fergus Morgan is tickled pink by this comedy trio

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Xin Fan meets the Horrible Histories illustrator to reminisce about the iconic children's book series and cartooning past and present

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The cinema of Kelly Reichardt

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Sophia Lambton looks at how American television is taking itself too seriously at the expense of its sense of humour

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It was a feeble attempt at a Christmas comeback that put the last nail in the coffin for this 00s pop band

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Thomas Barrie reviews the latest release by folk artist Conor Oberst

Review: The Roots – …And Then You Shoot Your Cousin

The 16th Century meets 50s doowop in The Roots latest release

Review: Seahawks – Paradise Freaks

Rushabh Haria is a fan of this 'psychedelic yacht rock'

Review: The Two Faces of January

Hussein Amini’s directorial debut is a captivatingly magnetic thriller, with three brilliantly engaging lead performances

Interview: Wolf Alice

Helen Thomas talks to Wolf Alice about their upcoming EP, and their evolving sound

A Journey to the Heart of Darkness

Arizona, Nevada, California & Utah, USA

Review: X-Men: Days of Future Past

Exciting and with a stellar cast, the newest X-Men is only let down by its contrived ending

Where have all the monsters gone?

Ollie Johnson tells us why less is more when it comes to monster movies

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Culture

The ‘Obsession’ Obsession

Slow down, you crazy child: What Oxford student theatre can learn from garden plays

Rap as poetry: ‘The Odyssey’ and the breakdown of the medium

Hag, Nag, Harpy, Hen: Olivia Plender’s ‘Little Fennel’s Complaint’

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