Culture

One f**king thing after another: ‘The History Boys’, revisited

Grab your motorcycle helmet. Sharpen up on the subjunctive. And cue the synthetic pulses of ‘Blue Monday’. The History Boys is back. Alan Bennett’s 2004 play followed a cast of...
Culture Saul Grenfell -

What are you looking at? A reflection on the Ashmolean’s Aphrodite exhibition 

The woman crouches, nude. A gauzy blue curtain hangs where she hides her chest;...
Art Abigail Riley -

The midterms and the YA novel: Impossibly happy endings

Given its intense media coverage and everything that seems to be on the line, I feel as though I have been anxiously awaiting the results of the 2026 US midterm elections for weeks, months – maybe years.
Books Ruya Oral -

How books are burned today

It is a worrying thought that what sits on your bookshelf today could be...
Books Romilly Ireland -
Latest

Closing Time for Remakes?

Ollie Johnson is fed up with the constant remaking of films

Cézanne and the Modern: Masterpieces of European Art

Helen McCombie enjoys a stunning collection of Impressionist and Post-Impressionist paintings at the Ashmolean

Review: Calvary

Tess Colley is amazed and amused by John McDonagh's arresting tale of church and community

Cherwell’s Cultural Easter Egg

With Easter weekend fast approaching, Cherwell brings you a selection of Easter facts and traditions from around the globe.

Review: Noah

Clare Saxby finds Noah impressively epic yet lacking in all other aspects

Review: Captain America: The Winter Soldier

Fergus Morgan finds Marvel's latest venture failing to fulfil the promise of it premise

Pokémon and changing media

Luke Barratt explores the recent changes in how we consume media, and examines the implications of Pokémon’s arrival on Netflix

Review: SOHN – Tremors

Luke Barratt finds SOHN's début shaky at best

Review: The Quiet Ones

This copy-cat horror flick is absolute garbage

Review: The Unknown Known

Errol Morris' new documentary is an astounding piece of work

Introduction to… Electro-Swing

Naomi Polonsky introduces us to the jazzy new music craze that's taking Babylove, Freud's and our iPods by storm

Review: New Worlds

Channel 4's new historical drama is clunky, clichéd and downright confusing

Review: The Double

Richard Ayoade's sophomore directing effort is a tantalising and arresting piece of work

Pre-Release Thoughts: The Maleficent Conundrum

Anna Corderoy considers the problems facing Disney's Sleeping Beauty 're-telling' starring Angelina Jolie

Kate Rundell wins the Waterstones Children’s book prize

Cherwell revisits an interview with the author as Rooftoppers wins the 10th Waterstones Children's Book Prize.

A ‘case’ for the Anglo-Saxons

Emma Simpson visits the British Museum’s refurbished Sutton Hoo gallery.

Review: The Grand Budapest Hotel

Wes Anderson's latest film is a delightfully self-reflexive movie which demonstrates Ralph Fiennes hitherto untapped comic potential

Review: Under The Skin

There is a hauntingly austere beauty to 'Under The Skin', but some may not be able to sustain interest in this emotionally muted world.

Review: The Past

Asghar Farhadi's emotional drama once again proves his virtuosity as a film-maker

The Mighty Comeback

Inspired by Kate Bush's recent gig announcement, Rushabh Haria charts the highs and lows of artists who've come out of their career hiatus to make last ditch attempts at reclaiming the charts.
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