Culture

A jarring Mann: ‘Fatherland’ (2026) in review

'Fatherland', which recounts celebrated Modernist author Thomas Mann’s return to a Germany in wreck and rubble, deals with great personal malaise against a backdrop of great political unease.

Culture Freddie Lewis-Hedley -

Why does everyone like East of Eden so much?

A beautiful book, written in a determinedly readable style, is bound to become popular, not to mention the endless power of nostalgia.

Books Abigail Riley -

The return of the surreal

Mythical, dreamlike, phantasmagorical, and absurd: Surrealism, which took the art world by storm in...

Art Sylvie Quick -

Must theatre be so dire? Thoughts on the “unworthy scaffold”

If 'art est celare artem' (true art is to conceal art), then theatre is pretty poor art. You ain't fooling me into thinking that's a storm.

Culture Saul Grenfell -

Latest

A ‘case’ for the Anglo-Saxons

Emma Simpson visits the British Museum’s refurbished Sutton Hoo gallery.

Review: The Grand Budapest Hotel

Wes Anderson's latest film is a delightfully self-reflexive movie which demonstrates Ralph Fiennes hitherto untapped comic potential

Review: Under The Skin

There is a hauntingly austere beauty to 'Under The Skin', but some may not be able to sustain interest in this emotionally muted world.

Review: The Past

Asghar Farhadi's emotional drama once again proves his virtuosity as a film-maker

The Mighty Comeback

Inspired by Kate Bush's recent gig announcement, Rushabh Haria charts the highs and lows of artists who've come out of their career hiatus to make last ditch attempts at reclaiming the charts.