Wednesday 4th March 2026

Culture

The Hollywood blockbuster and what it says about us

Why do ‘dad films’, once popular and even good, not seem to have the relevance they used to?

Confronting the future of art: ‘Responding to AI’ at Christ Church

‘Responding to AI’ an exhibition curated by Aniq Shamshi and Alice King, confronted the question of how artists perceive artificial intelligence directly.

Lighthouse Productions on ‘Things I Know To Be True’

Fresh from the success of their debut production, Lighthouse Productions are set to deliver their second show: Andrew Bovell’s Things I Know to Be True (2016).

A masterclass in devising: ‘Noether’

This original play tells the story of the mathematician Emmy Noether and her struggles with the misogyny of her male peers against the backdrop of the rising Nazi state.

More Funny

Claire Watt has a laff with the jokers behind last term's 'Some Funny'

Cuppers 2013

Highlights form OUDS' annual introduction to thespdom

Preview: Shells

From the writer of Bluebeard and Lead Feathers comes a new play, set in a post-apocalyptic Britain

Review: The Hypochondriac

Witty, farcical and mad: this week's play at the Keble O'Reilly was a sheer delight

Introduction to: Grime Instrumentals

George King introduces the sub-low enfant terrible of the British underground

Protest in Art

Delia Lockey discusses how protests are portrayed in culture

My Week: Jen Brennan

Jen Brennan is at University College, reading PPE. She plays percussion for the Oxford University Ceilidh Band.

Letter from Amman

Ollie Radway writes from the capital of Jordan

Review M.I.A. – Matangii

Adam Piascik is impressed by the singer's return to form

Interview: Beans on Toast

Luke Barratt talks songwriting and political apathy with the drunken folk singer

Review: Eminem – The Marshall Mathers LP2

Luke Barratt is unexpectedly enthralled by Shady's best offering for years

Preview: Chicago

Some classic tunes and even better tuned direction

Interview: Palma Violets

Helen Thomas discusses Chilli-ng out and settling down with the indie frontman

Review: Judgment at Nuremberg

A compelling and assured performance of this unmissable production

Interview: Tavi Gevinson

Anna Leszkiewicz talks firsts, feminism and fans with Rookie editor and rookie actress Tavi Gevinson

Review: Saved

A ridiculous premise that is saved by strong acting and well-cast characters

Review: Raymond Moody’s Blues

Olivia Aylmer muses on Freidrich Kunath's presentation of solitude

Interview: Hadouken!

Matt Broomfield and Daniel Beatty get some nu-rave advice from the grindie upstarts

Review: Arcade Fire – Reflektor

To Hendrik Ehlers, this album is a Very Big Deal

Interview: Portico Quartet

Andrew McLean finds it impossible to pin down the inscrutable quartet

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