When I returned to Oxford this term, just as England teased us with the sixth heat-wave of the year, I found myself at a loose end. With the deadline for two vacation essays still far in the distance, the sun lit up the sign for Soma Surovi Jannat’s Ashmolean Now exhibition, Climate Culture Care.
“What is a good life?” This axiological question, asked earnestly in the opening lines of James Graham’s The Standard of Living – playing at Theatre Royal Haymarket until December 12 – is often overlooked by the fractured and hyper-specialised discipline of economics.
"The gallery space itself did not provide an atmosphere of silence, but rather upon observation, isolated moments of contemplation and quietness were evident amongst the bustling scene in the room."
"His euphemisms are obvious, yet they are emblematic of the culture of 'seeing without seeing' that cast its shadow over the National Socialist period in Germany. "
"Frantic Assembly takes on a new challenge, taking a decades old Kafka novel, The Metamorphosis, and putting it to the stage in their signature physical theatre style."
"The past decade of Lana del Rey’s music has ventured from the deserts and neon-lights of Las Vegas to the streets of New York, Hollywood, and eventually rural California."
"The Keble O’Reilly was yet again packed for the last night of what has, by all accounts, been a fantastically successful run for the Oxford University Short Film Festival (OUSFF). "