Culture

‘Everything is constantly emotion’: An interview with the cast and crew of ‘Doctor Faustus’

Seabass Theatre has carved out a niche for itself producing original takes on canonical texts, most memorably last year’s plant-inspired Hamlet staged at the former Music Faculty. When discussing...

Culture Lara Machado -

Between performance and reality: ‘To What End?’ reviewed

To What End is a new meta-theatrical, absurdist play written by Billy Skiggs and...

Culture Beth Riding -

The day she died

...

The Source Nat Conboy -

Death’s Lament

Please, I have done what you asked. I burned it all for her. I wrench the...

The Source Tilly White -

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Clarissa Pabi, a student at Oxford, answers a few questions about her creative writing

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The Phoenix and the Red Carpet

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Review: King Charles – LoveBlood

Olivia Stiles thinks she may have found the soundtrack to the summer in King Charles' LoveBlood

Review: Ren Harvieu – Through the Night

Patrick Scott finds Ren Harvieu to have come back from injury to deliver an album that feels free while maintaining its classic touches

Interview: Dry the River

Olivia Arigho Stiles talks neo folk and religion with Dry the River

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Viccy Ibbett surveys a few of the opportunities available to creative writers in Oxford.

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A trio of short stories by Calypso Blaj, Failed Novelist extraordinaire.

A Bluffer’s Guide to: George Bernard Shaw

Our weekly guide for the theatrically illiterate talks you through the great socialist writer

Review: Killing Hitler

Despite a patchy production, Angus Hawkins is impressed by a fascinating story

Settling the Score

Christy Edwall talks with Dario Marianelli about the art of composition

A Bluffer’s Guide to: The New Wave of Hip Hop

Matt Jones walks you through some of the biggest names in the latest resurgence of US hip hop

Album Review: Europe – Allo Darlin’

Tom Hoskins finds that Allo Darlin' balances pain with euphoria to good effect

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Culture

‘Everything is constantly emotion’: An interview with the cast and crew of ‘Doctor Faustus’

Between performance and reality: ‘To What End?’ reviewed

The day she died

Death’s Lament

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