Culture

Nonsense and sensibility: Adapting Austen for the screen

It is a truth universally acknowledged that not all Jane Austen adaptations are created equal.

Culture Abigail Christie -

‘Our House’ in the middle of Beaumont Street

'Our House' ultimately becomes not just a story about crime or morality, but about the vulnerability of growing up and the frightening uncertainty of trying to decide who you are.

Culture Gavriella Epstein-Lightman -

Is the dancefloor really dead?

Tongue-in-cheek as it may be, Charli xcx’s ‘Rock Music’ speaks to the structural issues actively decimating nightlife across the world, even if her motivations may be more aesthetic than political.

Culture Emma Heagney -

Testing my patients: ‘The Effect’ at the BT Studio reviewed

Necessarily navigating the difference between ‘side effects’ and reality, the play strikes a fine balance between what one thinks and what one feels.

Culture Billy Skiggs -

Latest

The Freshers Guide to the Oxford Music Scene

Stand and deliver: Cherwell Music outlines the best venues in which freshers can experience Oxford's vibrant music milieu.

Review: One Love 2012

Olivia Arigho Stiles reviews the UK'S self proclaimed No.1 reggae and dub-step camping event.

In a new column, Cherwell takes a look at the musical legacy of various cities around the globe. First up is Edinburgh, home to the Fringe festival, the Scottish Crown Jewels and a surprisingly illustrious musical milieu. Just don't mention Tony Blair ...

Review: OUDS Tour: Much Ado about Nothing

Steffan Blayney finds the latest OUDS production discordant, but masterfully acted

Review: A Doll’s House

Finola Austin is enthralled by this realisation of Ibsen's classic

Viewers for women

Lizzie Greene argues that the Olympics has given us definitive proof that women's sport deserves TV time too

Review: Ted

Huw Fullerton somehow finds Ted more than Bear-able...

Review: Brave

Hattie Soper is left baffled but oddly charmed by Pixar's latest outing.

Faces of Russia

Kathleen Bloomfield takes us through the trials and styles of her year abroad in Russia

Review: Twin Shadow – Confess

Natasha Frost enjoys a new take on old tropes.

Review: Kyla La Grange – Ashes

Marc Pacitti finds little to love in a disappointing debut album.

Olympic Oxford

Eleanor Grieveson reports from the Oxford Iffley leg of the torch's journey; completed in last night's spectacular opening ceremony

Review: Shades of Dark and Light

Thomas Catterall feels this mixed bag of plays fails to live up to its potential

Review: As You Like It

Finola Austin recommends Daniel Winder's production of this Shakespearian comedy

Review: The Gaslight Anthem – Handwritten

Marc Pacitti is disappointed by a predictable effort from the New Jersey band.

Review: Frank Ocean – Channel Orange

Marc Pacitti is impressed by Frank Ocean's solo release and explores its implications for the hip-hop scene.

Review: Lighter Days

Timothy Bano finds Lighter Days lacking in cohesion

Review: Dark Days

Anna Dominey finds Almost Random Theatre's debut an unpolished performance

Batman’s Moral Maze

Nick Hilton explores the difficult political allegiances of The Dark Knight Rises

A Walk on the Wild Side

Benjamin Bronselaer talks to the animals in Kruger National Park, South Africa

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Culture

Nonsense and sensibility: Adapting Austen for the screen

‘Our House’ in the middle of Beaumont Street

Is the dancefloor really dead?

Testing my patients: ‘The Effect’ at the BT Studio reviewed

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