News
Opinion
Culture
Books
Film
Music
The Source
Columns
Arrogant, Offensive, Truth Twisters
Auntythetical
Behind The Screens
Brain Freeze
Haute Kosher
Hysterical Histories
Off The Rails
Pens, Paper, and Panic
Features
Innovation
Business & Finance
Science & Technology
Lifestyle
Food
Rusty Kate
Profiles
Sport
Search
UrbanObserver
Sunday 18th October 2026
Oxford's oldest independent student newspaper, est. 1920
Facebook
Instagram
X
News
Opinion
Features
Profiles
Culture
Books
Film
Fashion
Theatre
Music
Art
The Source
Lifestyle
Sport
Print Editions
More
About
Puzzles
Student submissions
Advertising
Contact us
Search
News
Opinion
Features
Profiles
Culture
Books
Film
Fashion
Theatre
Music
Art
The Source
Lifestyle
Sport
Print Editions
More
About
Puzzles
Student submissions
Advertising
Contact us
Search
Culture
Why does everyone like East of Eden so much?
A beautiful book, written in a determinedly readable style, is bound to become popular, not to mention the endless power of nostalgia.
Books
Abigail Riley
-
The return of the surreal
Mythical, dreamlike, phantasmagorical, and absurd: Surrealism, which took the art world by storm in...
Art
Sylvie Quick
-
Must theatre be so dire? Thoughts on the “unworthy scaffold”
If 'art est celare artem' (true art is to conceal art), then theatre is pretty poor art. You ain't fooling me into thinking that's a storm.
Culture
Saul Grenfell
-
Seasonal reads: On childhood hobbies, growing up, and guilt
Reconnecting with reading is something many people tend to do on a summer holiday,...
Books
Elizabeth Gammaidoni
-
Latest
Search
Adventures with Tintin
Robin McGhee talks to Tintinologist Michael Farr about the magic of Hergé's creation and Spielberg's latest film
Not-so-horrible histories
Ella Sands recommends five history books you might actually enjoy
Cult Books: The Other Hand
Cult Books continues with Fay Lomas' review of a future cult classic
Scenes at the sexhibition
Richard O’Brien visits
Sexual Nature
at the Natural History Museum
Re-living Stalingrad’s horrors
Master of militaria Antony Beevor tells Robin McGhee the secrets of writing the Second World War
Review: Mammals
Katy Ebner-Landy gets hot under the collar for some red-blooded theatre
Hong Kong
Clare Richards brings a view from the eastern metropolis
Review: Melancholia
James Aber reviews Melancholia
Review: We Need to Talk About Kevin
Joseph Newall reviews We Need to Talk About Kevin
Pictures speak louder than words
Jacob Williamson vents his frustration with subtitled films
Paying a debt to Greek tragedy
Finola Austin talks to the people bringing Aeschylus’ tragedy
Clytemnestra
back to Oxford in its native language
Preview: Mammals
Dan Frampton finds Mammals to be polished and professional. Mammals is on in the Burton Taylor in 4th Week.
Preview: Dead Funny
Dead Funny is on at the Simpkins Lee Theatre in 4th Week
Director’s Blog – Noughts and Crosses Week Four
Phosile talks rehearsals and ticket sales in the run-up to her Oxford production of Noughts and Crosses
Review: Sandro Perri – Impossible Spaces
Tom May discusses
Impossible Spaces
, the sophomore record from Canadian singer-songwriter Sandro Perri
Review: Tom Waits – Bad As Me
Simon Torracinta looks at the latest release from longtime (and absolutely singular) artist Tom Waits
Bombay Bicycle Club curries favour
Patrick Scott chats to the London quartet about their new album and finding their feet in the studio
First Night Review : Children Of Oedipus
James Blythe goes to the first night of the Greek Tragedy, and isn't overwhelmed
Review: The Field – Looping State of Mind
Jake Hills review the new effort from techno producer Axel Willner (alias The Field)
Review: M83 – Hurry Up, We’re Dreaming
Natasha Frost tackles the hefty double album from one-man stadium-shoegaze pop sensation Anthony Gonzales (M83).
1
...
285
286
287
...
350
Page 286 of 350
Follow us
Facebook
Instagram
X