Culture

‘Everything is constantly emotion’: An interview with the cast and crew of ‘Doctor Faustus’

Seabass Theatre has carved out a niche for itself producing original takes on canonical texts, most memorably last year’s plant-inspired Hamlet staged at the former Music Faculty. When discussing...

Culture Lara Machado -

Between performance and reality: ‘To What End?’ reviewed

To What End is a new meta-theatrical, absurdist play written by Billy Skiggs and...

Culture Beth Riding -

Death’s Lament

Please, I have done what you asked. I burned it all for her. I wrench the...

The Source Tilly White -

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The Renovation of the Corner Club

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This two day extravaganza in the heart of Manchester receives a glowing 5 star review from Cherwell

Interview: Morgan and West

Rosalind discovers few secrets from these masters of mystery

First Night Review: For Coloured Girls

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These Boots are made for SlutWalking

Lauri Saksa travels to London to capture a quirky call for women's rights at this weekend's SlutWalk event

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Cherwell plots the trajectory of Dream Pop today and the emergence of new genres in its wake

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This week our music blogger Remi Graves finds reasons to rant in Beyonce's latest hit

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Rosalind Stone almost literally laughs her socks off watching this production of Neil Simon’s play, Barefoot in the Park

Review: Brideshead Revisited

Rebecca Tatlow adapts herself to a new production of the Oxford favourite, Brideshead Revisited

Review: Tamburlaine

Francesca Wade takes on Marlowe's tyrant of humble origins

Review: Charley’s Aunt

May Anderson finds farce and fun in this Victorian revival of a West End record-breaker

Review: Three Trapped Tigers – Route One or Die

Cherwell takes a look at this synthesis of sounds which sees Three Trapped Tigers burst, quite ferociously, onto the music scene

Oxford Explored

Reimagining education

Cherwell speaks to novelist Abigail Tarttelin about creativity and education following the launch of her debut novel, Flick

The curious nature of curation

Sue Johnson’s new exhibition of paintings, The Curious Nature of Objects, offers a welcome opportunity for Cherwell to take another look at the Pitt Rivers collection

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Culture

‘Everything is constantly emotion’: An interview with the cast and crew of ‘Doctor Faustus’

Between performance and reality: ‘To What End?’ reviewed

The day she died

Death’s Lament

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