The recent Oscar nominations have allowed us to reflect on how fundamental musical scores are to film, and the highlights of last year’s film soundtracks.
It’s a different emotion whenever I read the Urdu language. I’m not a native speaker, nor have I actively pursued learning the language, but as someone who finds solace in reading shayari (Urdu poetry), I wanted to follow it even in Oxford.
A few weeks ago we, the Cherwell fashion editors, were lucky enough to be extended an invite by the Global Fashion Collective to their London Fashion Week show.
Cherwell's Music Editor, Simon Torracinta, takes a look at Father, Son, Holy Ghost, the much-anticipated sophomore effort by California-based indie rockers Girls
Laura Marling dazzled with her first two albums, especially critics’ darling sophomore release I Speak Because I Can. Does her third full-length match up? Matt Walsh takes a look.
This week, we continue with the second part in our series on street festivals as Sophie Balfour-Lynn gives us a taste of the drama at Edinburgh Fringe Festival.
Was the magic really there? Now that the world and his wife is sure to have seen the final installment, Cherwell takes a look back over the Harry Potter film series and says... No.
Cherwell Music presents one hour of August's best music, from Blood Orange's minimal indie-funk to the swaggering single from hip hop super-duo DOOMSTARKS.