I recently took to my finsta to post a story claiming that the Fontaines DC’s Radio One Live Lounge cover of Lana Del Ray’s ‘Say Yes To Heaven’ should...
Somehow, “Pentagon confirms UFOs may exist” barely registers as news. It’s a shame, since our cultural obsession with the great unknown of outer space...
"I didn’t sit back and enjoy the show. And I ended up with a lot more opinions than I had ever expected four pieces of 21st-century choreography to evoke."
Patrick Gwillim Thomas discusses the Royal Opera House's newest choreography project.
'If I do go to these places, I won’t need to be transported to a fictional world for them to be magic. They’ll be wonderful because I went there, and had fun, and lived a life that is far less exciting than those of the characters, but was good all the same.'
"Spotify promises to ‘soundtrack your life’. We must be wary of how it’s shaping it."
Lucy Kelly questions whether Spotify could become the most addictive social media platform.
For a historian who has made every effort to avoid studying the early history modules, Prime Video’s Vikings was perhaps a surprising viewing choice....
'Nothing is done by halves in this film, including the emotional intensity; when you’re watching, you feel at all times like you’re stuck in Oliver’s head, forced to hear all of his fifteen-year-old-boy thoughts and schemes. The soundtrack follows all of this perfectly, letting Oliver’s state of mind bleed through into the lyrics, which is the key to what makes Turner’s music so powerful and so fitting to the film.'
'In everything from Little Women to My Brilliant Friend, Lady Bird to The Sisterhood of the Travelling Pants, women are offered a pretty clear choice: do you want to be sexy, or clever? Do you want to be stimulated, or happy? According to Mortimer, you can’t have both.'
Spring has been extolled in poetry perhaps more than any other season. Since antiquity, poets have associated spring with growth and celebration making their poems are a joy to read this time of year.
"This juxtaposition characterises the genre: bright, happy elements of club hits mixed with a subversive sly irony that comes with introducing darker lyrical and aesthetic elements."
Connor Connolly tackles the explosion in popularity of Hyperpop, and its effects on the music industry.
"The energy is less mosh pit, headbanging, and more vulnerable. There’s talk of heartache and relationships crumbling"
Poppy Atkinson Gibson finds a different side to the Australian trio, Chase Atlantic, in their latest release, "Beauty in Death".
"'Half Baked' passes the Bechdel test with flying colours. It is truly a feminist triumph and is so refreshing to see an all-female cast on an Oxford stage—something of a rarity, especially in the genre of farce."
James Newbery reviews the first live post-Lockdown show in Oxford, "Half Baked" by 00Productions at the North Wall Arts Centre.