Thursday 18th September 2025

Culture

Animal History: Reviewed

If an older adult has ever raised their eyebrow at your vegetarianism, then I might just have the book for you. They might be interested in knowing that even...
Books Lara Machado -

Hertford Archaeology Open Day: Medieval Oxford laid bare

You may have spent the last year wondering what has been going on amongst...
Art Antonia Rogers -

The Blue Trail: Reviewed

★★★★☆ The Blue Trail (O Último Azul), this year’s winner of the Berlin International Film...
Culture Lara Machado -

Review: Sketches from a Curious Mind

In 1962, Edward Anthony wrote: “Writing a book of poetry is like dropping a...
Books Hannah Becker -
Latest

Local Hero: a modest masterpiece

What is the first thing that springs to mind when I ask you about the connection between a red phone box in the Scottish highlands, a crackpot oil multimillionaire from Houston, and a jaded and cynical negotiator who ends up trapped between the two colliding worlds?

Following the money: the meaning of “selling out”

‘I love selling out’ declared Charli XCX when speaking to NPR about Crash, released in March, a project which sees her lean into mainstream pop, ironically playing the part of an industry ‘sell-out’.

How (not) to look at buildings

When was the last time something was so beautiful it shocked you?

How to survive May Day

With the start of a new term, I’d be amazed if you hadn’t yet heard the words ‘May Day’ mentioned or even been asked...

“A generosity of spirit in her landscapes”: the artwork of Jean Jones

English painter Jean Jones was once predicted by Iris Murdoch to become ‘as famous as Van Gogh’.

Defying Gravity: In conversation with Stephen Schwartz

“I tend to be attracted to stories about outsiders,” Schwartz tells me at the beginning of our call, “about people who feel themselves not part of the culture or not part of the mainstream if you will, and are trying to figure out how to fit in, and what the cost is of doing so.”

Summer 2022 Trend Predictions

Shoes - As someone who struggles to walk in anything with a smaller surface area than a block heel, I am pleased to report...

The Afterlife of a Ballgown

"More than anything else you might buy, a ballgown represents an odd intersection of disposability."

In conversation with Elaine Hsieh Chou

Sonya Ribner interviews author Elaine Hsieh Chou.

‘Beckett on speed’: In conversation with Nocturne Productions

"[...] they descend into paranoia, and carnage unfolds in a network of marvellously-layered backstabbing."

The Godfather and the Thrill of Cinema

A film that rests so prominently in the public’s psyche can be difficult to watch subjectively. The Godfather is nonetheless a masterpiece in its own right.

Father John Misty’s “new world of old characters”

"In Chloë and the Next 20th Century, Tillman succeeds spectacularly at creating a new world out of old characters."

Upcoming cultural events in Oxford

Season Two of Bridgerton has given me a newfound desire to grab life by the mallet, so this term I have decided to sign up for Croquet Cuppers.

Whistler at the Musée d’Orsay: An American in Paris

Whistler orchestrates a symphony of colors, symbols, and gestures that takes art beyond the canvas.

Review – Stolen Focus: Why You Can’t Pay Attention

a review of the book 'Stolen Focus' by Johann Hari

“To this I put my name”- Review: Casterbridge

If Thomas Hardy had blessed his female characters with more than an “ephemeral precious essence of youth,” perhaps he would have produced something along the lines of Dorothy McDowell’s Casterbridge, an adaptation of Hardy’s 1886 novel The Mayor of Casterbridge.

Review: Intimacies, after Vallotton

"Against the backdrop of Majek’s enigmatic blue-toned figures, Spencer, with the help of a multi-roling, all-Black voice cast playing a broad spectrum of characters, reveals tantalising glimpses of these figures’ lives."

Bringing Oxford theatre to London via a garden shed: an interview with the cast and crew of Casterbridge

"It’s a bit of a mad play, and a lot of quite mad things happen, because that’s what happens when you translate Victorian characters into the modern era."

‘Uninhibitedly comical’ – Review: The Improv Squeeze

"The performers [...] delivered a cohesive, entertaining and – dare I say it – heart-warming musical which was received with barrels of laughter."

‘Heartbreaking and beautiful’ – Review: Brain Freeze

"From the play’s beginning, this immensely talented cast of Oxford students captured my imagination, and I was swept up by the story they had to tell."
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