“What is a good life?” This axiological question, asked earnestly in the opening lines of James Graham’s The Standard of Living – playing at Theatre Royal Haymarket until December 12 – is often overlooked by the fractured and hyper-specialised discipline of economics.
Whether it’s a mild sniffle or full-blown tears, I always end up feeling a bit ridiculous about the whole ordeal when it’s over. I mean, it’s not real, is it? Why do I waste my grief on things that haven’t happened, that will never happen?
Two decades after the collapse of the wall dividing east from west, and Berlin has started to shape a new identity for itself. Amongst the stark remnants of a tumultuous and violent past, humanity flourishes and old wounds begin to heal. Becky Nye travels to Berlin to capture a sense of this rejuvenated city