Culture

Hag, Nag, Harpy, Hen: Olivia Plender’s ‘Little Fennel’s Complaint’

It is the examination of archaic methods and attitudes surrounding women’s bodies, and the idea of the ‘nagging’ woman, which runs through Olivia Plender’s exhibition.

Art Amy Lawson -

Nonsense and sensibility: Adapting Austen for the screen

It is a truth universally acknowledged that not all Jane Austen adaptations are created equal.

Culture Abigail Christie -

‘Our House’ in the middle of Beaumont Street

'Our House' ultimately becomes not just a story about crime or morality, but about the vulnerability of growing up and the frightening uncertainty of trying to decide who you are.

Culture Gavriella Epstein-Lightman -

Is the dancefloor really dead?

Tongue-in-cheek as it may be, Charli xcx’s ‘Rock Music’ speaks to the structural issues actively decimating nightlife across the world, even if her motivations may be more aesthetic than political.

Culture Emma Heagney -

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Cherwell is impressed by Oxford University Orchestra's Trinity term performance under the distinguished baton of Hilary Davan Wetton

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The South African troupe prove that age is just a number as they bring energy and virtuosity to the stage

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Marcus Roberts finds much to applaud in this entertaining retelling of the Mozart myth

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Dennis Potter's play provides a telling look at the trials of a rustic childhood and human cruelty for May Anderson

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In the hidden recesses of Oriel, Rebecca Tatlow plays along and tries not to lose the plot.

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Josephine Sarchet is engaged by this revival of Matthew Parvin's two-man play about suicide and psychotherapy

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Hail to the Silence. Fiamma Mazzocchi Alemanni watches a play inspired by Shakespeare's Hamlet

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Culture

Hag, Nag, Harpy, Hen: Olivia Plender’s ‘Little Fennel’s Complaint’

Nonsense and sensibility: Adapting Austen for the screen

‘Our House’ in the middle of Beaumont Street

Is the dancefloor really dead?

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