Culture

Oxford’s art scene: A picture still being painted

Who gets to make art, who gets to see it, and whose art history gets told? Oxford’s artistic identity may seem firmly established: the Ashmolean’s collections, the portraits and...
Art Miriam Hussain -

Behind glass: Lighthouse Productions’ ‘The Seagull’

The thematic potency and the overall success of Lighthouse Productions’ iteration of Anton Chekhov’s 'The Seagull' all came together in a great and terrible revelation.
Culture Jas Mauj -

The paradox of uniformity: Who do we dress for?

Walking to chapel on a mid-winter Wednesday morning, you could almost be certain to...
Culture Tilly Stanley -

How cinema has taught us to see Autumn

Autumn is clearly a time for comfort and reflection, a fact the film industry has learnt very well and pumps into new releases.
Culture Amalia Dasgupta -
Latest

The Icelander at the coalface

En Liang Khong talks to Jóhann Jóhannsson about failed utopias and his new album, The Miners’ Hymns

Review: DNA

This play about a group of teenagers trying to escape the consequences of their actions is put on as part of Catz Arts Week, 25-28 May

Review: Glengarry Glen Ross

David Mamet's tale of capitalism and its vices is on at Keble O’Reilly, 25-28 May

Review: The Government Inspector

May Anderson is delighted by a farcical piece of outdoor theatre

Derelict in Menfi

Will Granger captures the atmosphere of a derelict Menfi in Sicily

Week In Pictures (3)

Kathleen Bloomfield captures Oxford's beautiful countryside

Review: Mona & Bea

Rosalind Stone applauds the innovation of Tim Keily's new play

First Night Review: Jeffrey Bernard is Unwell

Rosalyn Johnston-Flint finds herself in a late 1980s Soho pub, engulfed by an anti-hero's drunken memories

Review: The Nihilists

Drawn in by a love of Wilde, Fiamma Mazzocchi Alemanni investigates the merits of the playwright's first failure

Review: The Trestle at Pope Lick Creek

May Anderson is provoked and challenged by a brave production of Naomi Wallace's haunting play. At the O'Reilly from Wednesday 3rd week.

Review: Starf**ker Reptilians

Simon Torracinta reviews the third effort from this Portland synthpop quartet and discovers the perfect summer soundtrack

Review: Antlers Burst Apart

Simon Torracinta looks at the wonderful parts of Burst Apart

Review: Pygmalion – The Magdalen Garden Show

Rosalind Stone finds that elaborate characterisation is all the sugar-coating an audience needs

The Edgar Wind Society

Joe Funnell introduces the University's new and blooming Art society

First Night Review: Call of the Wild

The Oxford Playhouse goes to the dogs with this masterful student adaptation of Jack London's famous novel

Damian Lewis: Cherwell salutes you

Francesca Wade speaks to the Band of Brothers star about his acting career, his American personality, and the trials and tribulations of the film industry

Review: The Courting of Claire

A ‘gritty kitchen-sink drama’, a comedy of manners, a rom-com and a horror; The Courting of Claire by student playwright Matt Fuller is on at the Burton Taylor in 3rd week

Review: Arcadia

A challenging drama with a bit of bawdy comedy; Tom Stoppard's masterful work delivers a difficult pleasure

The Play of Colour

May Anderson takes part in an intense rehearsal for She was Yellow, coming to the Burton Taylor in 3rd week, and briefly loses the boundary between reality and fiction

Review: Little White Lies

Guillaume Canet fails to depart from the clichéd with a film in which the characters smoke a lot, swear a lot and break things when they get angry, without getting up to much
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