Culture

A comical approach to a classic text: ‘Hedda Gabler’ reviewed

Tiptoe Productions’ Hedda Gabler, co-directed by Ollie Gillam and Gilon Fox, delivered a strong version of the classic text, impressive in its ability to make the differences between characters...

Culture Charlie Bailey -

‘Lux’ by Rosalía review: A breath of fresh air

'The Latin title ‘Lux’ perfectly embodies the concept and overall aesthetic of divine femininity, as well as the multilingual aspects that run throughout the work. With complex and meaningful lyrics written in 13 languages, and split into four movements, the record is a breath of fresh air for the pop scene'.

Culture Imogen Forrest -

Illuminating American conservatism: William F Buckley’s biography, reviewed

The ornate, Latinate vocabulary. The debates peppered with witticisms. The patrician air, the untraceable...

Books Gavriella Epstein-Lightman -

The Magdalene Songs: Giving a singing voice to victims

★★★★★ Trigger warning: abuse Modern slavery, abuse, and human rights violations are not something you would...

Culture Natalie Conboy -

Wham, bam, Peter Pan

Will Hooper previews the last Moser show of the term - a feel-good panto all in the name of charity

Rad Cam stormed – photo story

What happens when the Rad Cam gets stormed by angry students? We send our best photographers, of course.

Best track of 2010: Born Free – M.I.A

'If ever a song was recorded as an excuse for a music video, it was ‘Born Free’.'

Review: High violet – The National

'This isn’t just another depressive US indie album'

The best new music of 2010

Cherwell's Music Editor reflects on the rejuvenation of rock and indie

Was the year easy on the ear?

Matt Walsh and Alex Dudok de Wit summarise the highs and lows of 2010’s music

Proust: A simple guide

Tom Cutterham explains how to attack 'À la recherche du temps perdu'

How about a change? Try Metamorphosis

Annabel James finds that she wants to put down roots at the O3 gallery's new exhibition

Wake me up before you Gauguin

Katrina Kwan finds the Tate Modern’s exhibition to be a break from Oxford and the winter blues in general

The Charlies

Celebrating dramatic students since 2010

All the world’s a brand new stage

Carla Neuss tours the RSC’s new Stratford theatre, The Swan, opening this week with Dennis Kelly’s musical, Matilda

The Best Track of 2010: ‘CMYK’

Charlotte McCann's favourite song is the post-dub, post-garage, post-everything 'CMYK' by James Blake.

Reply to a Mood-swing

Rimika Solloway is impressed by just how fantastic a press preview can be when done properly

Review: Uncle Boonmee Who Can Recall His Past Lives

'Uncle Boonmee' is a completely impenetrable, utterly infuriating bitch of a film. I have seen many weird pieces of cinema in my time, from...

Interview: Anton Corbijn

Cherwell chats with Anton Corbijn, renowned music video director, photographer and director of 'The American'.

Interview: Violante Placido

Cherwell talks to Violante Placido, the Italian star of The American.

Drama queen only seventeen

Anya Reiss, shuffling papers and fiddling with her hair onstage, doesn’t seem to match up with herself on paper.

Online Preview: The Shape of Things

Somebody’s life is always worse than yours - an 8th week Schadenfreude pick-me-up at the Burton Taylor

Online Review: Peter Pan

Will Hooper embraces his inner child with Worcester's offering for 7th week

Online Review – Tamlane

Fairy tales told through interpretative dance - could it be just deranged enough to work?

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