Culture

Stubborn, devout, doomed: ‘The Anti-gone’ reviewed

When The Anti-gone begins, the only thing onstage is a lectern – stark in the harsh white light and terribly lonely – before Ismene (Kitty Brown) walks uncertainly down the aisle and stares, torn and lost, into the audience.

Culture Natalie Tan -

Something wicked this way comes: ‘Macbeth’ previewed

Arriving at Somerville College in its full summer pomp, Stanley Toyne and Cameron Spruce,...

Theatre Arun Lewis -

G for Georgian? LGBTQ+ representation in historical fiction

It is undeniable that LGBTQ+ representation in the media has become more positive in recent years.

Books Elizabeth Gammaidoni -

‘Technologies of capture’: Ben Lerner’s ‘Transcription’ Reviewed

CW: Disordered eating. As an Oxford student, I often think it would be nice to...

Books Ben O'Brien -

Latest

Review: Uncle Boonmee Who Can Recall His Past Lives

'Uncle Boonmee' is a completely impenetrable, utterly infuriating bitch of a film. I have seen many weird pieces of cinema in my time, from...

Interview: Anton Corbijn

Cherwell chats with Anton Corbijn, renowned music video director, photographer and director of 'The American'.

Interview: Violante Placido

Cherwell talks to Violante Placido, the Italian star of The American.

Drama queen only seventeen

Anya Reiss, shuffling papers and fiddling with her hair onstage, doesn’t seem to match up with herself on paper.

Online Preview: The Shape of Things

Somebody’s life is always worse than yours - an 8th week Schadenfreude pick-me-up at the Burton Taylor

Online Review: Peter Pan

Will Hooper embraces his inner child with Worcester's offering for 7th week

Online Review – Tamlane

Fairy tales told through interpretative dance - could it be just deranged enough to work?

Gone with the wand

Robin McGhee revels in the stylish awkwardness of the new Harry Potter.

Not quite the American dream

Cherwell meets the director of The American, but can't disguise our disappointment with the film.

Photo Blog – penultimate

The end is (nearly) in sight. Some more photos to get you through.

Interview: Lesley Manville

Joe Zigmond talks to the star of Mike Leigh's new film, Another Year

First Night Review: The Last Days of Judas Iscariot

Peaches and dynamite: Oliver Moody on the best chapel play he has seen in a long while

The Write Stuff

'With novels, there’s no danger that the special effects budget will eat into the script-writers’ allowance'

Dinner gets just desserts

Anna Milne laps up this week’s sumptuous offering at the Burton Taylor

Online Preview: The Enemies

Oliver Moody is confused, consternated and slightly concussed by the latest new writing at the Burton Taylor

Review: Kisses – THe Heart of the Nightlife

Matt Walsh shares passionate kisses with an accomplished debut album

The film > the novel: the great debate

Cherwell Film takes two sparkling adaptations that bring dull pages to life on the silver screen

The reel deal

Joe Zigmond leads the charge for Film in their war against the novel

Preview: A Streetcar Named Desire

Anna Milne talks to the Director of the Playhouse show of the term

When more is more

Carla Neuss is exhausted by the intensity of the love and the emotion of the money in Dennis Kelly’s 'Love and Money'

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Culture

Stubborn, devout, doomed: ‘The Anti-gone’ reviewed

Something wicked this way comes: ‘Macbeth’ previewed

G for Georgian? LGBTQ+ representation in historical fiction

‘Technologies of capture’: Ben Lerner’s ‘Transcription’ Reviewed

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