Culture

Caught Between Grief and Hope: ‘On Some Far Shore’ Reviewed

Fresh off the back of Our House and Macbeth, Cross Key Productions presents an original three-hander focused on the complexities of grief and young love. Produced by Madi Boutcha...

Culture Melissa Eddon -

The road to reckoning: ‘The Slip’ reviewed

Sharp, unsettling, and emotionally intelligent, 'The Slip' is a striking showcase of the ambition and talent behind Wide Eyes Productions, while establishing Wyatt as a writer-director to watch.

Culture Leo Jones -

How an Oxford undergraduate made a name in choral music

When he arrived at Oxford, he expected his future to lie primarily in orchestral music. Instead, it was choral music that transformed his direction.

Culture Anish Vedantham -

‘Scenes With Girls’ and complicated female friendships

'Scenes with Girls' deserves to be seen as one of Labyrinth Productions’ (Rosie Morgan-Males and Emily Cullinan) most impressive accolades.

Culture Charlie Bailey -

Latest

Cherwell photo blog – Week 3

The photo blog returns, taking a look at the term so far

Claim your right to rewrite the new writing

Ballgowns, Strongbow and that Regina Spektor track: Carla Neuss gives her exclusive guide to writing a new drama.

Review: Despicable Me

Despite moments of hilarity and emotion, this is a fairly average animation.

The Myth of French Cinema

Luke Partridge on the assumed brilliance of French cinema

Review:The Royal Hunt of the Sun

Rimika Solloway on glittering gold and less than glittering shouting

Review: The New Electric Ballroom

Anna Milne relieves her adolescent sexual encounters with three old almost-maids

Review: Shobaleader One d’Demonstrator, Squarepusher

Olaf One d-Pezzledon listens to this 'acoustic-digital dichotomy'

More than Murder in the Cathedral

Chloe Noble fails to find the words for a play that wasn’t a play but a mystical experience

Not one to panda to the masses

Gold Panda tells Charlie McCann why he isn’t a fan of his music, and why he doesn’t care who is

OUDS Drama: a battle of the sexes

The Royal Hunt of the Sun and New Electric Ballroom directors talk to Carla Neuss about Inca warriors, sexual encounter and the ‘woman’s question’ in Oxford drama

C’est tres amusant, no?

Josephine Sarchet goes against popular belief and explains how French films can be funny

Review: A Town called Panic

Dale Viva-Lee begins a Cherwell Film French special with one of the best and strangest films of the year

The French Connection

Evie Deavall bridges the Channel and discusses cinematic camaraderie with actor Jean-Claude Dreyfus

When dreaming spires no longer inspire

Annabel James reviews two new exhibitions which explore the meaning we give to the materials around us

Nothing rhymes with ‘polio’

Our de facto America correspondent Dave McLeod meets his nemesis in legendary author Philip Roth’s new novel, Nemesis.

Review: ‘I Don’t Want To See You Like This’

Matt Walsh runs over the new track from the Joy Formidable

Interview: Adam Buxton

Benjamin Kirby's extended interview with comedian, actor & radio presenter Adam Buxton

Interview: S1l3nc3

Oliver Moody talks to the acclaimed 'mind abuse' artist - in absolute silence

Review: Self Preserved While The Bodies Float Up

Moneeb Nasir sizes up Oceansize's latest album, then heads to their gig for a reappraisal

Ionesco’s Play Is A Lesson For Us All

The futility of existence and pervasive erocticism: this play takes William Hooper back to school

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Culture

Caught Between Grief and Hope: ‘On Some Far Shore’ Reviewed

The road to reckoning: ‘The Slip’ reviewed

How an Oxford undergraduate made a name in choral music

‘Scenes With Girls’ and complicated female friendships

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