Culture

Hag, Nag, Harpy, Hen: Olivia Plender’s ‘Little Fennel’s Complaint’

It is the examination of archaic methods and attitudes surrounding women’s bodies, and the idea of the ‘nagging’ woman, which runs through Olivia Plender’s exhibition.

Art Amy Lawson -

Nonsense and sensibility: Adapting Austen for the screen

It is a truth universally acknowledged that not all Jane Austen adaptations are created equal.

Culture Abigail Christie -

‘Our House’ in the middle of Beaumont Street

'Our House' ultimately becomes not just a story about crime or morality, but about the vulnerability of growing up and the frightening uncertainty of trying to decide who you are.

Culture Gavriella Epstein-Lightman -

Is the dancefloor really dead?

Tongue-in-cheek as it may be, Charli xcx’s ‘Rock Music’ speaks to the structural issues actively decimating nightlife across the world, even if her motivations may be more aesthetic than political.

Culture Emma Heagney -

Latest

Not one to panda to the masses

Gold Panda tells Charlie McCann why he isn’t a fan of his music, and why he doesn’t care who is

OUDS Drama: a battle of the sexes

The Royal Hunt of the Sun and New Electric Ballroom directors talk to Carla Neuss about Inca warriors, sexual encounter and the ‘woman’s question’ in Oxford drama

C’est tres amusant, no?

Josephine Sarchet goes against popular belief and explains how French films can be funny

Review: A Town called Panic

Dale Viva-Lee begins a Cherwell Film French special with one of the best and strangest films of the year

The French Connection

Evie Deavall bridges the Channel and discusses cinematic camaraderie with actor Jean-Claude Dreyfus

When dreaming spires no longer inspire

Annabel James reviews two new exhibitions which explore the meaning we give to the materials around us

Nothing rhymes with ‘polio’

Our de facto America correspondent Dave McLeod meets his nemesis in legendary author Philip Roth’s new novel, Nemesis.

Review: ‘I Don’t Want To See You Like This’

Matt Walsh runs over the new track from the Joy Formidable

Interview: Adam Buxton

Benjamin Kirby's extended interview with comedian, actor & radio presenter Adam Buxton

Interview: S1l3nc3

Oliver Moody talks to the acclaimed 'mind abuse' artist - in absolute silence

Review: Self Preserved While The Bodies Float Up

Moneeb Nasir sizes up Oceansize's latest album, then heads to their gig for a reappraisal

Ionesco’s Play Is A Lesson For Us All

The futility of existence and pervasive erocticism: this play takes William Hooper back to school

Rekindling a passion for books

Jamie Randall takes on the traditionalists and finds himself E-lated by the prospect of electronic reading

Hie Sir Trevor to a Nunnery?

Carla Neuss anticipates Trevor Nunn’s appointment as an Oxford professor, and then wonders what he actually does

Internet on film

Like The Social Network? It's not the first of its kind

The Social Network

Joshua Rosaler was there at Facebook's foundation, and gives Cherwell the inside story

Review: Come Around Sundown

'Kings of Leon go for a scrappier aesthetic'

The privileges of being a Villager

Matt Walsh talks to Villagers' frontman Conor O'Brien about his song writing and Hermann Hesse

Review: The Social Network

A convincing, witty and devastating portrayal of relationships gone wrong.

Freshers’ guide to Oxford cinemas

A useful guide to Oxford's best places to stuff your face with popcorn.

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Culture

Hag, Nag, Harpy, Hen: Olivia Plender’s ‘Little Fennel’s Complaint’

Nonsense and sensibility: Adapting Austen for the screen

‘Our House’ in the middle of Beaumont Street

Is the dancefloor really dead?

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